SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Marenesi and wife"/1) | (@(roleclean,performerclean) "Marenesi and wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2292 matches on Performance Title, 400 matches on Performance Comments, 395 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: I with my wife and two girls to the King's house, and saw The Mad Couple, a mean play altogether

Performances

Mainpiece Title: All Mistaken; Or, The Mad Couple

Event Comment: The King's Company. Pepys, Diary: My wife, and Deb., and I, to the King's house again, coming too late yesterday to hear the prologue, and do like the play better now than before; and, indeed, there is a good deal of true wit in it, more than in the common sort of plays

Performances

Mainpiece Title: The Old Troop; Or, Monsieur Raggou

Event Comment: Pepys, Diary: [After leaving lif] met my wife in a coach, and stopped her going thither [lif] to meet me; and took her, and Mercer, and Deb., to Bartholomew Fair, and there did see a ridiculous, obscene little stage-play, called Marry Andrey; a foolish thing, but seen by every body; and so to Jacob Hall's dancing of the ropes; a thing worth seeing, and mightily followed

Performances

Mainpiece Title: Merry Andrew

Event Comment: Pepys, Diary: To the Duke of York's playhouse, and there met my wife and Deb. and Mary Mercer and Batelier, where also W. Hewer was, and saw Hamlet, which we have not seen this year before, or more; and mightily pleased with it; but, above all, with Betterton, the best part, I believe, that ever man acted

Performances

Mainpiece Title: Hamlet

Event Comment: The King's Company. Pepys, Diary: My wife having a mind to see the play Bartholomew-Fayre, with puppets. Which we did, and it is an excellent play; the more I see it, the more I love the wit of it; only the business of abusing the Puritans begins to grow stale, and of no use, they being the people that, at last, will be found the wisest. And here Knepp come to us, and sat with us. [Earlier that day Pepys had been to the Fair briefly, but saw none of the entertainments.

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: [The King's Company. Pepys, Diary: My wife and Mercer, and W. Hewer and Deb., to the King's playhouse, and I afterwards by water with them, and there we did hear the Eunuch (who, it seems, is a Frenchman, but long bred in Italy) sing, which I seemed to take as new to me, though I saw him on Saturday last [see 10 Oct. 1668], but said nothing of it; but such action and singing I could never have imagined to have heard, and do make good whatever Tom Hill used to tell me. [The Eunuch may be Baldassare Ferri.

Performances

Mainpiece Title: The Faithful Shepherdess

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's playhouse; and there saw, the first time acted, The Queene of Arragon, an old Blackfriars' play, but an admirable one, so good that I am astonished at it, and wonder where it hath lain asleep all this while, that I have never heard of it before. Here met W. Batelier and Mrs Hunt, Deb's aunt; and saw her home--a very witty woman, and one that knows this play, and understands a play mighty well

Performances

Mainpiece Title: The Queen Of Arragon

Event Comment: The Duke's Company. Pepys, Diary: With my wife, to the Duke of York's playhouse, and saw The Unfortunate Lovers; a mean play, I think, but some parts very good, and excellently acted. We sat under the boxes, and saw the fine ladies; among others, my Lady Kerneguy, who is most devilishly painted

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Diary of Richard Boyle, Earl of Burlington: Heer dined with mee my lord of Canterbury my ld Sandwich and my brother and sister Orrery, and in the afternoone wee all went but his Grace to see my brothers new play cald Tryphon which was much applauded (Volume IV, in the Library at Chatsworth. This excerpt supplied by Kathleen Lynch). Pepys, Diary: My wife tells me of my Lord Orrery's new play "Tryphon," at the Duke of York's house...and [we] went thither, where, with much ado, at half-past one, we got into a blind hole in the 18d. place, above stairs, where we could not hear well, but the house infinite full, but the prologue most silly, and the play, though admirable, yet no pleasure almost in it, because just the very same design, and words, and sense, and plot, as every one of his plays have, any one of which alone would be held admirable, whereas so many of the same design and fancy do but dull one another; and this, I preceive, is the sense of every body else, as well as myself, who therefore showed but little pleasure in it

Performances

Mainpiece Title: Tryphon

Event Comment: The King's Company. Pepys, Diary: With my wife to the King's playhouse, and there saw The Joviall Crew; but ill acted to what it was heretofore, in Clun's time, and when Lacy could dance

Performances

Mainpiece Title: The Jovial Crew

Event Comment: The Duke's Company. Pepys, Diary: Carried The. and my wife to the Duke of York's house, to Macbeth,...and I to the Duke of York's house and saw the last two acts.... This day The. Turner shewed me at the play my Lady Portman, who has grown out of my knowledge

Performances

Mainpiece Title: Macbeth

Performance Comment: See16681221 and See16680812.
Event Comment: The Duke's Company. Pepys, Diary: We three and my wife to the Duke of York's playhouse, and there saw The Witts, a medley of things, but some smiles mighty good, though ill mixed

Performances

Mainpiece Title: The Wits

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Performance Comment: See16690129 and 1 Feb.
Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's house, to a play, and there saw The Mad Lover, which do not please me so well as it used to do, only Betterton's part still pleases me. But here who should we have come to us but Bab. and Betty and Talbot, the first play they were yet at; and going to see us, and hearing by my boy, whom I sent to them, that we were here, they come to us hither, and happened all of us to sit by my cozen Turner and The.

Performances

Mainpiece Title: The Mad Lover

Event Comment: Pepys' remarks suggest that Shadwell's The Royal Shepherdess may once have been intended to have its premiere on this day. Pepys, Diary: By a hackneycoach followed my wife and the girls, who are gone by eleven o'clock, thinking to have seen a new play at the Duke of York's house. But I do find them staying at my tailor's, the play not being to-day.... Thence to the Duke of York's playhouse, and there, finding the play begun, we homeward

Performances

Event Comment: The King's Company. Pepys, Diary: My wife and I towards the King's playhouse, and by the way found Betty Turner?, and Bab. and Betty Pepys staying for us; and so took them all to see Claricilla, which do not please me almost at all, though there are some good things in it

Performances

Mainpiece Title: Claricilla

Event Comment: Pepys, Diary:, 23 April: My wife stopped me; and, after a little angry talk, did tell me how she spent all day yesterday with M. Batelier and her sweetheart, and seeing a play at the New Nursery, which is set up at the house in Lincoln's Inn Fields, which was formerly the King's house

Performances

Event Comment: Downes, Roscius Anglicanus, p. 31: Note, About the Year 1670, Mrs Aldridge, after Mrs Lee, after Lady Slingsby, also Mrs Leigh Wife of Mr Antony Leigh, Mr Crosby, Mrs Johnson, were entertain'd in the Duke's House

Performances

Event Comment: The King's Company. The date of the premiere is not known. Although the play was not entered in the Stationers' Register until 6 Oct. 1671, a reference in the Dedication to a Lenten performance suggests that it appeared about this time. A song, A wife I do hate, with music by Pelham Humphrey, is in Choice Ayres and Songs, The Fifth Book, 1685

Performances

Mainpiece Title: Love In A Wood; Or, St James's Park

Event Comment: The Duke's Company. The date of the premiere is not known, but its Prologue indicates that it follows The Woman Captain. Like that play and The Virtuous Wife, Caius Marius was entered in the Term Catalogues, November 1679, but the large number of plays apparently presented earlier in the autumn suggests that this one could hardly have been brought on the stage before October 1679

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Event Comment: Evelyn, Diary: I dined at the Master of the Mints with my Wife, invited to heare Musique which was most exquisitely performed by 4 the most renouned Masters, DuPrue a French-man on the Lute: Signor Bartholomeo Albrici? Ital: on the Harpsichard: & Nicolao Matteis? on the Violin; but above all for its sweetenesse & novelty the Viol d'Amore of 5 wyre-strings, plaied on with a bow, being but an ordinary Violin, play'd on Lyra way by a German, than which I never heard a sweeter Instrument or more surprizing: There was also a Flute douce now in much request for accompanying the Voice: Mr Slingsby Master of the house (whose Sonn & Daughter played skillfully) being exceedingly delighted with this diversion, had these meetings frequently in his house

Performances

Mainpiece Title: Concert

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Event Comment: In The Theatre of Compliment, 1688, are verses similar to those apparently referring to August 1686: @Here is the Rarity of the whole Fair,@Pimper-la-Pimp, and the Wise Dancing Mare;@Here's valiant St George and the Dragon, a farce;@Here's Vienna Besieged, a most delicate thing;@And here's Punchinello, shown thrice to the King.@ John Verney entertained some of his wife's family who were in town to see Bartholomew Fair. See Memoirs of the Verney Family, ed. Margaret M. Verney (London, 1699), IV, 435

Performances

Event Comment: Journal of van Constantijn Huygens, 26 Aug. 1689 (translation): I was, in the afternoon, with my wife and Tien, at Bartholomew Fair, which was held in Smithfield, There were many people, most of them to laugh at the Pope, and all the actors and actresses were seated at the galleries built for them and dressed in extraordinary clothes of high value. There were also some big wheels, twenty foot or more in diameter, where little ships had been hung on, which turned around with the wheel, always hanging, where many people, children and others were seated. There was a great pressure of people, and everywhere sucking pigs were for sale (Journal van Constantijn Hygens, Publications of the Dutch Historical Society, New Series, XXIII [Utrecht, 1876], 172-73)

Performances

Mainpiece Title: Entertainments