SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Beeston"/1) | (@(roleclean,performerclean) "Beeston")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 12 matches on Performance Comments, 10 matches on Roles/Actors, 8 matches on Event Comments, 1 matches on Performance Title, and 0 matches on Author.
Event Comment: Benefit Beeston. Tickets 2s. 6d. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; viz. several of the late Opera Songs with their Symphonies, as perform'd at the Opera-; a Solo on the Flute/Almain-; a solo on the Violin-Mrs Beeston, which he never yet perform'd in Publick

Performance Comment: several of the late Opera Songs with their Symphonies, as perform'd at the Opera-; a Solo on the Flute/Almain-; a solo on the Violin-Mrs Beeston, which he never yet perform'd in Publick.

Performances

Mainpiece Title: Flora's Vagaries

Performance Comment: Edition of 1670: Alberto-Mohun; Lodovico-Beeston; Prospero-Bird; Grimani-Cartwright; Francisco-Burt; Fryer-Loveday; Flora-Mrs Ellen Gwin; Otrante-Mrs Nepp. Edition of 1677 adds: Giacomo-$Shatterel;. See also 3 Nov. 1663.. See also 3 Nov. 1663.
Cast
Role: Lodovico Actor: Beeston

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Page Actor: Beeston

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: Edition of 1669: King-Kenniston [Kynaston]; Armusia-Hart; Rudyas-Moon [Mohun]; Christophero-Bell; Emanuel-Beeston; Soza-Burt; Pyniero-Shotterel; Pedro-Harris; Governour-Cartrite; Bakam-Watson; Syana-Grayden; Captain of Guard-Lydall; Quisara-Mrs Marshall; Quisana-Mrs Corey; Panura-Mrs Hughs.
Cast
Role: Emanuel Actor: Beeston

Performances

Mainpiece Title: The Moor Of Venice

Performance Comment: Iago-Mohun; Cassio-Hart; Othello-Burt; Downes (Roscius Anglicanus, p. 7), adds: Brabantio-Cartwright; Roderigo-Beeston; Desdemona-Mrs Hughes; Emilia-Mrs Rutter. See also the cockpit, dl, 11 Dec. 1660.
Cast
Role: Roderigo Actor: Beeston

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: Nigrinus Actor: Beeston

Performances

Mainpiece Title: The Roman Empress

Performance Comment: Edition of 1671: Valentius-Mohun; Florus-Kynaston; Honorius-Bell; Statilius-Lyddel; Macrinus-Beeston; Servilius-Harris; Carbo-Littlewood; Fulvia-The young Mrs Rebecca? Marshall; Antonia-Mrs Kneap; Hostilius-Watson; Arsenius-Cartwright; Aurelia-Mrs Boutell; Sophonia-Mrs Cory.
Cast
Role: Macrinus Actor: Beeston

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.
Cast
Role: Ozmyn Actor: Beeston

Performances

Mainpiece Title: Amboyna

Performance Comment: Edition of 1673: Prologue-; Captain Gabriel Towerson-Hart; Mr Beaumont-Mohun; Mr Collins-Lydal; Captain Middleton-Watson; Perez-Burt; Harman-Cartwright; The Fiscal-Wintershal; Harman Jr-Kynaston; Van Herring-Beeston; Isabinda-Mrs Marshal; Julia-Mrs James; English Woman-Mrs Cory; Epilogue-.
Cast
Role: Van Herring Actor: Beeston

Performances

Mainpiece Title: The Amorous Old Woman; Or, 'tis Well If It Take

Performance Comment: [The author is not known, but the play has been attributed to ThomasDuffett.] Edition of 1764: Prologue-Major Mohun; [A second Prologue intended but not spoken Honorio-Lydal; Amante-Beeston; Garbato-Eastland; Cicco-Perin; Riccamare-Coysh; Buggio-Chapman; Furfante-Powel; Sanco@panco-Shirly; Constantia-Mrs Cox; Arabella-Mrs James; Clara-Mrs Boutel; Strega-Mrs Corey; Epilogue-.
Cast
Role: Amante Actor: Beeston
Event Comment: Benefit Beeston. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands; several Songs of the newest Opera, with their Symphonies-; with single and two and three Part Songs of the late Mr Beeston and Mr Beeston's Scholar-; A Sonata for 2 Hautboys, a Solo for a Flute, with that celebrated Piece for a single Violin and a Trumpet never perform'd in publick but once before-; a Solo by Mr Beeston-

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Event Comment: See Nicoll (Restoration Drama, p. 277) and Hotson (Commonwealth and Restoration Stage, p. 114) for discussion of an order addressed to George Jolly forbidding him to act further until differences between him and Beeston are settled

Performances

Event Comment: For an order (L. C. 5, 137, p. 333) concerning Jolly and Beeston, see Nicoll, Restoration Drama, p. 309

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, to see a new play, acted but yesterday, a translation out of French by Dryden [see 14 Sept. 1668], called The Ladys a la Mode; so mean a thing as, when they come to say it would be acted again to-morrow, both he that said it, Beeson [Beeston], and the pit fell a-laughing, there being this day not a quarter of the pit full

Performances

Mainpiece Title: The Ladies A La Mode

Performances

Mainpiece Title: Catiline's Conspiracy

Performance Comment: Edition of 1669: Catiline?-Hart; Cethegus?-Mohun; Cicero?-Burt; Beeston; Kynaston; Reeves; Wintershall; Cartwright; Gradwell; Bell; Sempronia-Mrs Corey?; A Prologue to Catiline To be Merrily spoke-Mrs Nell Gwyn? (in an Amazonian Habit); The Epilogue-Mrs Nell Gwyn?.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Edition of 1681: Duke-$Lydal; Brabantio-$Cartwright; Gratiano-$Griffin; Lodovico-$Harris; Othello-$Hart; Cassio-$Kynaston; Iago-$Mohun; Roderigo-$Beeston; Montano-$Watson; Clown-$Jo Haynes; Desdemona-$Mrs Cox; Emilia-$Mrs Rutter; Bianca-$Mrs James. See also 6 Feb. 1668@9.
Cast
Role: Roderigo Actor: Beeston
Event Comment: Benefit for Beeston, Brereton, Longley & Colley. Tickets delivered by Robson, Stephenson, Robinson, Varley, Smallwood, Jennings, Halliburton, Shuter, Pilbrow, Turtle, Wm. Ansell will be admitted this Evening. Receipts: #263 9s. (24/14; 1/18; tickets: 236/17)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Tom Thumb

Dance: End of Act III of mainpiece, as17821231; End of mainpiece Diversion a-la-Mode, as n Dec. 1782, in which The Devonshire Minuet, as17821129

Event Comment: Benefit for Brereton, Beeston, Longley & Colley. Tickets delivered by Robson, Stephenson, Robinson, Varley, Small wood, Partridge, Shirley, Shuter, Pilbrow, Turtle, W. Ansell, Hall will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Whitsun Eve, on which night the theatre was customarily closed.] Receipts: #242 17s. (29/17/6; 3/9/6; tickets: 209/10/0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: RosiNA