SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Madame Guizot de Witt"/1) | (@(roleclean,performerclean) "Madame Guizot de Witt")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1002 matches on Performance Title, 446 matches on Performance Comments, 192 matches on Event Comments, 165 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Duenna

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Richard Coeur de Lion

Afterpiece Title: A Trip to the Nore

Performances

Mainpiece Title: Merope

Dance: End I: L'Offrande a Terpsichore, as17971202

Ballet: End Opera: an entirely new allegorical Ballet, composed by Gallet [with music by Bossi] Le Triomphe de Themis[-Mme Rose, Mme Laborie, Laborie, Didelot, Mlle Hilligsberg, Mme Hilligsberg. [Cast from Morning Herald, 25 Dec.: America-Mme Rose, Didelot; Europe-Mme Laborie; Africa-Mlle Hilligsberg; Asia-Mme Hilligsberg[. Ibid, 26 Dec., also lists, unassigned: Themis-; Neptune-; Eolus-; Hope-; Genius of Britain-; Thames-; Genius of France-; Genius of Spain-; Genius of Holland-; Arts and Commerce-; Discord-; Jacobinism-; The Eumenides-; The Crimes-[and has synopsis of action]

Performances

Mainpiece Title: Merope

Dance: As17971220

Ballet: Le Triomphe de Themis. As17971220

Performances

Mainpiece Title: Cinna

Dance: End I: Le Triomphe de Themis, as17971226; End Opera: Ariadne et Bacchus, as17971216

Performances

Mainpiece Title: Cinna

Dance: End I: A New Divertisement-; Minuet de la Cour-Didelot, Mme Rose; End Opera: a new grand Ballet, composed by Gallet, Enee et Didon-Didelot, Mme Rose, Laborie, Mme Hilligsberg, Miss Hilligsberg, Mme Laborie, St.Pierre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Peggy's Love, as17980426; End Opera: La Vengeance de l'Amour, as17980421

Performances

Mainpiece Title: Il Matrimonio Segreto

Afterpiece Title: Il Capriccio Drammatico

Dance: End 1st piece: Peggy's Love, as17980428; End 2nd piece: La Vengeance de l'Amour, as17980324

Performances

Mainpiece Title: Elfrida

Dance: End I: La Vengeance de l'Amour, as17980421

Ballet: End Opera: Le Deserteur. As17980614

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: [a new Divertisement Ballet, composed by Barre with music by Bossi], Le Marchand de Smyrne-; End Opera: Elisa-

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Ariadne et Bacchus, as17981208

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Le Deserteur-[Louisa-$Mme Laborie (Morning Chronicle, 13 Feb.)]

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: End: A New Divertissement, as17990326End 2nd piece: Tarare- [see17990502]

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Capriccio Drammatico

Dance: End: Laura et Lenza, as18000513; Minuet de la Cour-Mons and Mme Didelot; End 2nd piece: Telemaque-Mme Rose Didelot will take original part

Performances

Mainpiece Title: The Unhappy Penitent

Performance Comment: Edition of 1701 lists: Charles VIII-Mills; Duke of Lorrain-Wilks; Archduke of Austria-Williams; Duke of Britannie-Griffin; Graville-Thomas; Du Law-Simpson; Brisson-Smith; Du Croy-Toms; Neapolitan Lords-Kent, Fairbank; Margarita-Mrs Rogers; Ann-Mrs Oldfield; Madame de Bourbon-Mrs Powell; Prologue-Mrs Oldfield.
Cast
Role: Madame de Bourbon Actor: Mrs Powell

Performances

Mainpiece Title: The Blazing Comet The Mad Lovers Or The Beauties Of The Poets

Performance Comment: Lord Wildfire-the Author; Lady Flame-Madame de Gomez; but edition of 1731 lists: Sublimo-Campbell; Nimposto-Cole; Wildfire-Johnson; Limpo-Jones; Plenty-Mynns; Romondo-Morris; Wandering Jew-Giles; English Taylor-Mason; Poor Poet-Mason; Poverty-Cross; Radian-Mason; Orsmadius-Giles; Lady Flame-Mrs Haywood; Cristele-Mrs Palms; Calsine-Mrs Morse; Symphony-Mrs Fitzgerald; Poor Beggarwoman-Miss Dancy; Epilogue-.
Cast
Role: Lady Flame Actor: Madame de Gomez
Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Event Comment: This play is in Herbert, Dramatic Records p. 118: Cornelia a New Play, sir W. Bartleys. The date in Herbert is 1 June, a Sunday in 1662, with another play in the same group falling on Sunday. Nevertheless, the verse comment (see below) written, apparently, before the summer of 1662 points toward 2 June 1662 rather than 1 June 1663. Edward Browne also lists it as one of the plays he attended. The play was not printed. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For Cornelia they all doe say@There was abundance of witt in the play@Indeed t'had soe much t' was the worse for 't@For t' was to witty for the vulgar sort@And they who'd have poetts their Benefactors@Say witt without mony's naught for the Actors.

Performances

Mainpiece Title: Cornelia