SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Madame Guizot de Witt"/1) | (@(roleclean,performerclean) "Madame Guizot de Witt")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1002 matches on Performance Title, 446 matches on Performance Comments, 192 matches on Event Comments, 164 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Captive of Spilburg

Music: As17980915

Dance: As17980915; In afterpiece: a Dance, as17981114 New Hornpipe, as17981114

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Captive of Spilburg

Music: As17980915

Dance: As17980915; In afterpiece: a Dance, as17981114 New Hornpipe, as17981114

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Captive of Spilburg

Dance: As17981114, but New Hornpipe-_

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

Performances

Mainpiece Title: Medonte

Dance: I: Peggy's Love- [see17981208]; End Opera: Ariadne et Bacchus, as17981208

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Performances

Mainpiece Title: Medonte

Performances

Mainpiece Title: Medonte

Dance: As17981226

Performances

Mainpiece Title: Medonte

Dance: As17981211

Performances

Mainpiece Title: Nina

Dance: As18000322

Performances

Mainpiece Title: Nina

Dance: As18000429

Performances

Mainpiece Title: The Unhappy Penitent

Performance Comment: Edition of 1701 lists: Charles VIII-Mills; Duke of Lorrain-Wilks; Archduke of Austria-Williams; Duke of Britannie-Griffin; Graville-Thomas; Du Law-Simpson; Brisson-Smith; Du Croy-Toms; Neapolitan Lords-Kent, Fairbank; Margarita-Mrs Rogers; Ann-Mrs Oldfield; Madame de Bourbon-Mrs Powell; Prologue-Mrs Oldfield.
Cast
Role: Madame de Bourbon Actor: Mrs Powell

Performances

Mainpiece Title: The Blazing Comet: The Mad Lovers; Or, The Beauties Of The Poets

Performance Comment: Lord Wildfire-the Author; Lady Flame-Madame de Gomez; but edition of 1731 lists: Sublimo-Campbell; Nimposto-Cole; Wildfire-Johnson; Limpo-Jones; Plenty-Mynns; Romondo-Morris; Wandering Jew-Giles; English Taylor-Mason; Poor Poet-Mason; Poverty-Cross; Radian-Mason; Orsmadius-Giles; Lady Flame-Mrs Haywood; Cristele-Mrs Palms; Calsine-Mrs Morse; Symphony-Mrs Fitzgerald; Poor Beggarwoman-Miss Dancy; Epilogue-.
Cast
Role: Lady Flame Actor: Madame de Gomez
Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Event Comment: This play is in Herbert, Dramatic Records p. 118: Cornelia a New Play, sir W. Bartleys. The date in Herbert is 1 June, a Sunday in 1662, with another play in the same group falling on Sunday. Nevertheless, the verse comment (see below) written, apparently, before the summer of 1662 points toward 2 June 1662 rather than 1 June 1663. Edward Browne also lists it as one of the plays he attended. The play was not printed. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For Cornelia they all doe say@There was abundance of witt in the play@Indeed t'had soe much t' was the worse for 't@For t' was to witty for the vulgar sort@And they who'd have poetts their Benefactors@Say witt without mony's naught for the Actors.

Performances

Mainpiece Title: Cornelia

Performances

Mainpiece Title: Le Tartuffe

Performance Comment: Tartuffe-Francisque; Orgon-Dessesars; Valere-Le Sage Jr; Damis-Le Sage Sr; Cleanthe-de Verneuil; Loyal-Cochoy; L'Exempt-Malter; Elmire-Mrs Francisque; Madame Perenelle-Mrs Dessesars; Marianne-Mrs Fompre; Dorine-Mrs Verneuil .

Afterpiece Title: Arlequin Poly par L'Amour

Dance: Harlequin Danc e by Miss Chateauneuf