SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs Hopkins"/1) | (@(roleclean,performerclean) "MMrs Hopkins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 894 matches on Performance Comments, 603 matches on Event Comments, 11 matches on Performance Title, 3 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This Play (Medea) was performed the first time for the Managers-Mrs Yates was fine in her Character; but the Play is too heavy and will not do (Hopkins Diary). Receipts: #142 5s

Performances

Mainpiece Title: Medea

Performance Comment: Jason-Smith; Creon-Bensley; Aeson-Palmer; 1st Colchian-Packer; Lycander-Farren; Children-Miss Stageldoir, Master Pulley; Hecate-Bransby; Theano-Mrs Hopkins; Medea-Mrs Yates; Edition of 1792 (John Bell) adds: 1st Corinthian-Griffiths.
Cast
Role: Theano Actor: Mrs Hopkins

Afterpiece Title: A ChristmasTale

Song: Azure God-Mrs Wrighten

Event Comment: Grist Axalla--some Hisses (+Hopkins Diary). [Prologue by Nicholas Rowe.] Receipts: #193 15s. 6d

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Palmer; Axalla (1st time)-Grist; Dervise-Bransby; Omar-Hurst; Prince of Tanais-Wrighten; Moneses-Reddish; Stratocles-Farren; Zama-Wright; Mirvin-Norris; Haly-Chaplin; Bajazet-Smith; Selima-Miss Hopkins; Arpasia-Miss Younge; The usual Prologue-Reddish.
Cast
Role: Selima Actor: Miss Hopkins

Afterpiece Title: A ChristmasTale

Song: In IV: To Thee Oh gentle sleep-Miss Abrams

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: Lady Wronghead Actor: Mrs Hopkins

Afterpiece Title: A ChristmasTale

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Dupely-Dodd; Oldworth-Aickin; Sir Harry Groveby-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Architect-Fawcett; Old Groveby-Baddeley; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; The last new Epilogue-Mrs Abington. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Maria Actor: Miss P. Hopkins

Afterpiece Title: Polly Honeycomb

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Event Comment: Mainpiece: Not acted these 10 years [not acted since 20 Apr. 1765]; in [it] will be introduced a Grand Triumphal Entry of Publiusv, with the original Music composed by Boyce. [This was included in all subsequent performances.] This is the first Time that Mrs Yates played since the Paper Quarrel between the Managers and her. Before the Play began Mrs Yates went on, and made the following apology, "Ladies and Gentlemen, I hope what has been already published has been sufficient to satisfy the Publick that I did not intend to affront or insult them. I have only to add, that it ever has (been) and ever shall be my Study and Endeavour to please that Publick from (whom) I have received so many Favours." The Audience applauded, and the Play went on--Mrs Yates played finely and had great applause (Hopkins Diary). Receipts: #145 2s. 6d

Performances

Mainpiece Title: The Roman Father

Performance Comment: Horatius-Bensley; Tullus Hostilius-Jefferson; Valesius-Brereton; Citizens-Wrighten, Norris, Griffiths; Soldier-Chaplin; Publius Horatius-Smith; Valeria-Miss Hopkins; Horatia-Mrs Yates.
Cast
Role: Valeria Actor: Miss Hopkins

Afterpiece Title: A ChristmasTale

Event Comment: By Command of Their Majesties. Smith Don Felix--very so, so. The Play was very imperfect (+Hopkins Diary). Receipts: #249 12s. 6d. (235.6.0; 12.15.6; 1.11.0)

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Felix-Smith (1st appearance in that character); Don Lopez-Baddeley; Don Pedro-Parsons; Colonel Briton-Brereton (1st appearance in that character); Frederick-Packer; Gibby-Moody; Lissardo-King; Isabella-Miss Hopkins; Flora-Miss Pope; Inis-Mrs Bradshaw; Violante-Mrs Yates.
Cast
Role: Isabella Actor: Miss Hopkins

Afterpiece Title: Selima and Azor

Dance: End II: The Double Festival-Gallet, Mlle Dupre, Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci, Mrs Sutton

Event Comment: "When Brabantio speaks to Iago and Roderigo from the Window, Aickin should not show to the audience that he stands upon a Ladder, which he manifestly does, by getting down first, and pulling the Window down after him ... Mrs Ward and Mrs Hopkins seemed to have forgot their Engagement on the Stage, and dressed themselves for a Card Party ... frizzed, hooped and fly-capp'd" (Public Advertiser, 4 Oct.). [Afterpiece: Prologue by George Colman, the elder.] Receipts: #152 0s. 6d. (107/7/0; 44/11/0; 0/2/6)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Farren; Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Lodovico-Packer; Duke-Chaplin; Montano-Norris; Gratiano-Wrighten; Iago-Bcnsley; Emilia-Mrs Hopkins; Desdemona-Mrs Ward .
Cast
Role: Emilia Actor: Mrs Hopkins

Afterpiece Title: Bon Ton; or, High Life above Stairs

Event Comment: Benefit for Hull and Miss Hopkins. 2nd piece: Written by [John] Hoole, the elegant Translator of Tasso, Ariosto, &c. Receipts: #208 0s. 6d. (55/2/0; 7/10/0; tickets: 145/8/6)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship

Afterpiece Title: CYRUS

Performance Comment: Cyrus-Holman; Astyages-Richardson; Mithranes-Hull; Harpagus-Harley; Cambyses-Farren//Aspasia-Miss Hopkins; Mandanc-Mrs Yates (Who performed the Grecian Daughter, at Mr Colman's Theatre [31 Mar.], with distinguished Applause; 2nd appearance on any stage) .31 Mar.], with distinguished Applause; 2nd appearance on any stage) .

Afterpiece Title: THE SPRIGS OF LAUREL

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).
Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Performance Comment: Principal Characters by Smith, Bensley, Grist, Farren, Hurst, Chaplin, R. Palmer, Reddish, Mrs Reddish, Mrs Yates. [Cast from text (J. Dodsley, 1776), and Town and Country Magazine, Dec. 1776, p. 659: Ninias (known first as Arzaces)-Smith; Assures-Bensley; Mithranes-Grist; Otanes-Farren; Ghost of Ninus-Hurst; Cedarus-Chaplin; Oroes-Reddish; Azema-Mrs Reddish (in text: Miss Hopkins [see17761216]); Semiramis-Mrs Yates; R. Palmer [is unassigned; Prologue-Reddish; Epilogue-Mrs Yates. [These were spoken, as here assigned, at the first 9 performances only (see17770201.)]These were spoken, as here assigned, at the first 9 performances only (see17770201.)]

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: MMrs Cibber's first appearance this season (Hopkins MS Notes)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Enchanter

Song: II: Lowe

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Event Comment: MMrs Yates very imperfect, and played very bad (Hopkins Diary--MacMillan). Receipts: #63 5s. 6d. (MacMillan)

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: The Witches

Event Comment: MMrs Fitzhenry hissed a little. Mr Dodd being ill, Master Burton played Fribble in the pantomime (Hopkins Diary)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Hermit

Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Devil to Pay

Event Comment: MMrs Hippisley d---k, and could not speak (Hopkins Diary)

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Padlock

Event Comment: MMrs Aubin against Mr Henly. At the particular Desire of several Persons of Quality Mrs Aubin will make an Oration. Also a Concert. At Topham's Great Room, now The Lady's Oratory. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

Event Comment: MMrs Woffington continuing greatly indisposed, the Play of All's Well that Ends Well is oblig'd to be deferr'd till further notice. Receipts: #60

Performances

Mainpiece Title: The Rehearsal

Dance: LLa Foullies-the Fausans

Ballet: LLes Satires Puny. As17420106

Event Comment: MMrs Woffington fainted (Rylands MS.). Last night, in the First Act of All's Well, which was acted at Drury Lane, Mrs Woffington was taken so violently ill, that she fainted away, as she stood at the scenes, ready to come on; After a proper Apology being made, the Audience with great Humanity and Patience, waited till another person dress'd to read the part.--This night the Alchemist (by Particular Desire) is to be performed; and on Thursday, His Royal Highness and the Duke and Princesses have commanded the Tender Husband. On Friday the Play All's Well will be represented; when if Mrs Woffington is not recover'd, Mrs Mills will be ready in the part. Receipts: #100

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Harlot's Progress

Song: I: Sylvia wilt thou was e thy Prime, a new song of Mr Arne's,-Lowe; III: Was ever nymph like Rosamond-Lowe

Dance: II: A Concerto, as17420105; IV: The Italian Peasants, as17411205

Event Comment: MMrs Cross now doubling in Mrs Peachum and Diana Trapes

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss Lucy in Town

Event Comment: MMrs Tame (see 15 April hay) had announced for her benefit this night The Old Batchelor, with Cibber as Fondlewife, Giffard as the Old Batchelor, and Mrs Giffard as Laetitia, to be followed by Tom Thumb, with Mrs Tame playing Tom Thumb, but a notice of 11 April states that Mrs Tame was ill and the performance had to be deferr'd

Performances

Performances

Mainpiece Title: The Country Wife

Dance: As17441117

Event Comment: MMrs Cibber being perfectly recovered of her late indisposition will certainly perform on Saturday next in Hercules

Performances

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Pyramus and Thisbe