Event Comment: To the Author of the General Advertiser: Sir: Several Parodies on the favourite Soliloquy in Hamlet having appear'd lately, and all of the serious and grave Kind; the following Attempt in Burlesque, if you think it will be agreeable to the Publick, is at their and your Service: Yours, Rigdum Funnidos. @To drink, or not to Drink? that is the Question--@Whether 'tis easier for a Man, to suffer@The Pangs and Horrors of Outrageous Thirst;@Or boldly venture on a Sea of Liquor.... Receipts: #140 (Cross); #111 19s. 6d. (Powel)

Event Comment: [This dance had been introduced in Act IV of The Refusal on 29 Sept.] Receipts: #100 (Cross); #102 6s. (Powel)

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Event Comment: Afterpiece: A Farce in 2 Acts [by Garrick] never perform'd there before. The characters new Dress'd. [For comment on this piece, see Fugitive Pieces on Various Subjects, printed by Dodsley, 1761, I, pp. 194 ff.: "The Pretty Gentlemen; or Softness of Manners Vindicated from the False ridicule under the Character of William Fribble, First printed in the year 1747."] Receipts: #140 (Cross); #149 (Powel)

Event Comment: By Particular Desire. Receipts: #190 (Cross); #182 12s. 6d. (Powel)

Event Comment: Receipts: #120 (Cross); #129 11s. (Powel)

Event Comment: By Desire; Being the last Time of Performing till the Holidays. Receipts: #180 (Cross); #179 11s. (Powel)

Event Comment: Mainpiece: As written by Shakespear. Receipts: #200 (Cross); #188 13s. (Powel)

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Event Comment: Mainpiece: By Desire. Receipts: #80 (Cross); #68 19s. (Powel)

Event Comment: Receipts: #80 (Cross); #95 3s. (Powel)

Event Comment: Receipts: #80 (Cross); #94 5s. (Powel)

Event Comment: Receipts: #160 (Cross); #135 7s. 6d. (Powel)

Event Comment: Receipts: #190 (Cross); #180 15s. (Powel)

Event Comment: Receipts: #110 (Cross); #115 19s. 6d. (Powel)

Event Comment: Mainpiece: As written by Shakespear. With the songs, dances and other decorations. Receipts: #120 (Cross); #120 3s. 6d. (Powel)

Event Comment: Receipts. #120 (Cross); #103 9s. 6d. (Powel)

Event Comment: Receipts: #180 (Cross)

Event Comment: Mainpiece: As written by Shakespear. With proper Decorations. Receipts: #130 (Cross)

Event Comment: Receipts: #150 (Cross)

Event Comment: Receipts: #120 (Cross); #124 4s. 6d. (George Garrick's Drury Lane MS Treasurer's Book)

Event Comment: Afterpiece. A Grand New Dance, with Scenes, Music and Habits entirely new. No money to be return'd after the curtain is drawn up. Receipts: #100 (Cross); #133 4s. 6d. (Treasurer's Book)

Event Comment: Paid Blandford (Tallow Chandler) #12 11s. 2d. (Treasurer's Book). Receipts: #60 (Cross); #78 6s. (Treasurer's Book)

Event Comment: DDaily Advertiser [see Woodward's mimicry of Foote, 22 Jan.]: We hear from Drury Lane that on Monday night Harry the Smuggler, who was tried and convicted last summer in the Haymarket, was found hanging in one of the cells of that prison: It seems he has long had a Design to make way with himself and at several times procured poison from Foppington, Harry Wildair, Tom Thimble, &c. but the Quantity, though it made him exceeding sick, not being sufficient to dispatch him, he at last tuck'd himself up in his own Tit for Tat. When he was cut down he look'd very ghastly, and great groanings were heard in the prison before, at, and after his committing the Fact....It is very remarkable that he had on the very coat, which, in Conjunction with one Abel Drugger, not yet taken, he stole from Sammy the Auctioneer; but from the diligent search made after Drugger, it is believed he will soon be brought to Justice. Receipts: #60 (Cross); #67 8s. (Treasurer's Book)