SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Reddish"/1) | (@(roleclean,performerclean) "MMr Reddish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 304 matches on Performance Comments, 151 matches on Event Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMr Reddish played Lord Townly, being his first appearance in London, --was well received and met with Applause, --but an indifferent figure, --will be useful (Hopkins MS Notes)

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Reddish, 1st appearance there; Manly-Jefferson; Count Basset-Dodd; Sir Francis Wronghead-Love; John Moddy-Burton; Squire Richard-a young gentleman, [1st appearance [Mr Wingfield]; Lady Grace-Mrs Barry; Mrs Motherly-Mrs Cross; Lady Wronghead-Mrs Hopkins; Myrtilla-Mrs Lee; Miss Jenny-Miss Pope; Mrs Trusty-Mrs Johnston; Lady Townly-Mrs Abington[, 1st time., 1st time.

Afterpiece Title: Daphne and Amintor

Event Comment: MMr Barry's 1st appearance this season.--A quarrel in the Green Room between Mrs Barry and Mr Aickin (Hopkins Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Barry; Raymond-Packer; Grey-Aickin; Morton-Palmer; Sir Ardolf-Hurst; Laroches-Strange; Lord William-Miss Collett; Peasant-Ackman; Knights-Keen, Fawcett, Fox; Eleanor-Mrs Reddish; Countess of Salisbury-Mrs Barry.
Cast
Role: Eleanor Actor: Mrs Reddish

Afterpiece Title: The Elopement

Event Comment: MMr Waldron from Edinburgh made his first appearance upon this Stage in Scrub he is a mean figure a small Impediment in his speaking and wants power he met with some applause (Hopkins Diary)

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-King; Aimwell-Packer; Boniface-Love; Foigard-Moody; Sullen-Burton; Gibbett-Bransby; Sir Charles Freeman-J. Aickin; Scrub-Waldron, first appearance; Dorinda-Mrs Reddish; Lady Bountiful-Mrs Cross; Cherry-Miss Pope; Mrs Sullen-Mrs Abington; Aipsey-Mrs Simpson.
Cast
Role: Dorinda Actor: Mrs Reddish

Afterpiece Title: The Ode

Dance: IV: The Wake-Giorgi, Mrs King

Event Comment: Reddish spoiled last scene by being imperfect (Potter, Theatrical Review). Paid three days salary at #81 8s. 11d. per diem--#244 6s.; Paid Mrs W. Barry's half salary 17s. 6d.; Paid Messrs. Reddish, J. Palmer, and Waldron short paid last week #1 (Treasurer's Book). Receipts: #229 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Reddish; Stukely-Palmer; Jarvis-Aickin; Lewson-Cautherly; Bates-Packer; Dawson-J. Aickin; Waiter-Wheeler; Charlotte-Mrs Morland; Lucy-Miss Platt; Mrs Beverley-Mrs Barry.
Cast
Role: Beverley Actor: Reddish

Afterpiece Title: Harlequin's Invasion

Event Comment: [Reddish was from dl.

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: Hamlet

Performance Comment: Hamlet-Reddish (1st appearance on this stage); King-Clarke; Ghost-Aickin; Horatio-Hull; Laertes-Whitfield; Ostrick-Lee Lewes; Polonius-Quick; Grave@Diggers-Dunstall, Jones; Queen-Mrs Jackson; Ophelia-Mrs Mattocks.
Cast
Role: Hamlet Actor: Reddish

Afterpiece Title: The Wives Revenged

Event Comment: Mainpiece: Not played for 20 years. Afterpiece: By Desire. The Play very dull Little Applause (Hopkins Diary). Benefit for Reddish. Theatrical Review, 28 March: The plot of this piece is taken from a well known passage in history, which, however, is too barren of incidents for the support of a piece of 5 acts, on which account it is rather languid and tedious, notwithstanding the language in general is tolerable poetical. What could induce Mr Reddish to revive so dull a performance, after it had been neglected for 20 years, we cannot conceive, unless it was with a view of having an opportunity to rant a few speeches in favor of liberty; but (as the piece was miserably represented except in the characters of Timoleon and Eunesia) we think Mr Reddish extended his liberty a little too far with the public; for which neither his Occasional Prologue, the Solemn Sacrifice, nor the Epilogue spoken by Miss Younge, made sufficient atonement. Paid 4 days salary #333 19s.; Mrs Abington's Cloaths Acct #1; Mr S. French 6 days #1 10s. (Treasurer'sBook). Receipts: #205 16s.; Charges: #67 6s. 6d.; Profit to Reddish: #138 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timoleon; Or, Liberty Restored

Performance Comment: Timolean-Reddish; Dinarchus-Aickin; Timophanes-Palmer; Olinthus-Cautherly; Lycander-Wright; Ghost-Hurst; Orthagoras-Davies; Eschylus-Inchbald; Pheron-Wheeler; Egon-[?]; Senators-Wrighten, Follet; Cleone-Miss Hayward; Eunesia-Miss Younge; In V a Solemn Sacrifice-; the Vocal Parts-Champnes, Fawcett, Davies, Mrs Scott, Mrs Wrighten; [With a New Occasional Prologue-Reddish; Epilogue-Miss Younge.

Afterpiece Title: The Author

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Performance Comment: Principal Characters by Smith, Bensley, Grist, Farren, Hurst, Chaplin, R. Palmer, Reddish, Mrs Reddish, Mrs Yates. [Cast from text (J. Dodsley, 1776), and Town and Country Magazine, Dec. 1776, p. 659: Ninias (known first as Arzaces)-Smith; Assures-Bensley; Mithranes-Grist; Otanes-Farren; Ghost of Ninus-Hurst; Cedarus-Chaplin; Oroes-Reddish; Azema-Mrs Reddish (in text: Miss Hopkins [see17761216]); Semiramis-Mrs Yates; R. Palmer [is unassigned; Prologue-Reddish; Epilogue-Mrs Yates. [These were spoken, as here assigned, at the first 9 performances only (see17770201.)]These were spoken, as here assigned, at the first 9 performances only (see17770201.)]
Cast
Role: Oroes Actor: Reddish
Role: Azema Actor: Mrs Reddish
Role: Prologue Actor: Reddish

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: great applause to the Play (Hopkins Diary). Mainpiece: A tragedy never before acted [by Mrs Celisia]. Prologue (by Whitehead)-Reddish; Epilogue (by Garrick)-Mrs Barry. New Scenes, Dresses and Decorations (Winston MS 10). [The Gentleman's Magazine for Feb. reviewed the mainpiece in great detail, concluding: "A combat between two knights in the days of chivalry and honour, not to determine whether a person accused is innocent or guilty, but whether a person under the infamy of acknowledged guilt shall suffer, is, as the Scotch peasant says emphatically of his pupil, a phenomenon. It is, however, but justice to Mrs Barry, to say, that in performing the part allotted her in this piece, she rises like perfection out of chaos, and therefore those who have not yet seen it represented should by no means be deterred by these strictures on the composition, supposing them to be just."

Performances

Mainpiece Title: Almida

Performance Comment: Parts-Barry, Reddish, Aickin, Palmer, J. Aickin, Inchbald, Mrs W. Barry, Mrs Barry. Prologue-Reddish; Epilogue-Mrs Barry; Tancred-Barry; Arnolph-Reddish; Orbassan-Aickin; Catanio-Palmer; Loredan-J. Aickin; Aldamon-Inchbald; Sophia-Mrs W. Barry; Almida-Mrs Barry (Genest, V, 205).

Afterpiece Title: The Lyar

Event Comment: Benefit for Reddish. Music for Mainpiece composed by an eminent Master. Authorship Henry Jones, Reddish, and Dr Hiffernan (Biographia Dramatica). Rec'd Stopages #2 12s. 6d. Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr Garrick on Acct #50; Mr Costain on note #2 2s. (Treasurer's Book). Receipts: #247 1s. 6d. Charges: #72 10s. Profit: #174 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Performance Comment: Principal parts by: Reddish, Palmer, Cautherly, Jefferson, J. Aickin, Dimond, Packer, Davies, Hurst, Wheeler, Wright, Fawcett, Keen, Griffith, Miss Platt, Miss Younge. In V, an Ode-; Procession-; the vocal parts-Bannister, Champnes, Kear, Fawcett, Mrs Scott, Mrs Wrighten, Mrs Hunt; Prologue-Reddish; Epilogue-Miss Young; Alberti-Reddish; Colredo-Palmer; Everard-Packer; Clermont-Cautherly; Emperor of Germany-Jefferson; Rodolpho-J. Aickin; Mentzel-Davies; Lorenzo-Diamond; Seyfert-Hurst; Col. of Guards-Wheeler; Faulkner-Fawcett; Officers-Griffith, Wright, Keen; Laura-Miss Platt; Constantia-Miss Younge (Genest, V, 405).
Cast
Role: Prologue Actor: Reddish
Role: Alberti Actor: Reddish

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17781024, but Posthumus-Reddish; Imogen-Mrs Bulkley.
Cast
Role: Posthumus Actor: Reddish

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Reddish. Afterpiece (musical): Taken from Dryden's Don Sebastian by Bickerstaffe. Part of the Pit paid into the Boxes. Ladies send servants at 4 o'clock. Mainpiece [by Edward Moore]: Not acted in 15 years. [See 5 April 1753.

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Reddish; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-J. Aickin; Lewson-Cautherly; Charlotte-Mrs Reddish; Lucy-Miss Platt; Mrs Beverley-Mrs Baddeley; With a New Occasional Address to the Town by way of a Prologue-Reddish; The Original Epilogue-Mrs Abington. By Particular Desire.

Afterpiece Title: The Captive

Dance: I: Cunning Love, as17710204

Event Comment: Benefit Reddish. Mainpiece was originally written by Mr Jones, Author of the Earl of Essex, but not quite finish'd it is now altered by Dr Hiffernan--very bad (Hopkins Diary). Paid Salary List 4 days #378 10s. 8d.; J. French on Acct #5 5s. Receipts: #219, 4s. 6d. Charges: #70 11s. 6d. Profit to Reddish: #148 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Performance Comment: The Principal characters-Reddish, Cautherly, Palmer, Aickin, Brereton, Hurst, Packer, Davies, Fawcett, Wheeler, Griffiths, Keen, Everard, Jefferson, Miss Platt, Miss Younge; Prologue-Reddish; Epilogue-Miss Younge; In Act II, a Solemn Hymn-; Chorus-; [In Act V, an Olde and Grand Procession-; Music-Barthelemon. [See17740319.]See17740319.]

Afterpiece Title: The Guardian

Cast
Role: Guardian Actor: Reddish

Dance: The Grand Provencalle Dance, as17750202

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 4 years. [See 22 Dec. 1772.] Monimia by Mrs Canning very So, so. The Farce much hiss'd it was badly performed (Hopkins Diary). Rec'd Mrs Groath's one years rent to Xmas last #3. Paid Salary list #416 4s. 4d.; Johnston's Music Bills #24 2s. (Treasurer's Book). [The Westminster Magazine concluded with respect to the afterpiece: "This little drama met with rather an unfavourable reception. It would be breaking a butterfly on the wheel, were we to enter into strict examination of it; and as it was a mere benefit-night performance, it would be going out of our way to dwell much on its defects; suffice it therefore that although we so far join with the audience in condemnation of it, that we allow it wanted terseness of dialogue, brilliancy of wit, and strength of fable, yet we protest we have seen worse singing pieces received with applause. Jerry Jingle had same humor, and the music had great prettiness about it."] Receipts: #140. Charges: #67 14s. Profits to Reddish: #72 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.

Afterpiece Title: Valentine's Day

Dance: II: The Grand Garland Dance, as17760311

Event Comment: Benefit for Reddish. Mainpiece: By Desire. Farce (adapted by Thomas Ryder from Vanbrugh's Mistake) never acted there

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17670917, but Richard-Reddish, 1st time; King Henry-Burton; Buckingham-Aickin; Norfolk-Hurst; Lady Anne-Mrs Reddish.
Cast
Role: Richard Actor: Reddish, 1st time
Role: Lady Anne Actor: Mrs Reddish.

Afterpiece Title: Like Master Like Man

Dance: End: The Wake, as17680220

Event Comment: AAlexander by Mr Reddish-Very Bad (Hopkins Diary)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Alexander-Reddish, 1st time; Clytus-Jefferson, 1st time; Perdiccas-Ackman; Thessalus-Aickin; Cassander-Palmer; Polyperchon-Bransby; Eumenes-Keen; Hephestion-Packer; Lysimachus-Hurst; Roxana-Mrs Hopkins; Parisatis-Mrs Reddish; Sysigambis-Mrs Johnston; Statira-Mrs W. Barry; With the Triumphal Entry-.
Cast
Role: Alexander Actor: Reddish, 1st time
Role: Parisatis Actor: Mrs Reddish

Afterpiece Title: A Peep behind the Curtain

Event Comment: Benefit for Reddish. Neville MS Diary: Went to see the Maid of the Mill played for the first time at Drury Lane. Bannister is the best Giles I have seen since Beard left the stage. The farce was No Wit like a Woman's, played but once before. Assisted in hissing it as both foolish and immoral

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Reddish (that night only); Sir Harry Sycamore-Parsons; Giles-Bannister; Ralph-Dibdin; Fairfield-Jefferson; Mervin-Fawcett; Patty-Mrs Baddeley; Fanny-Miss Pope; Theodosia-Miss Radley; Lady Sycamore-Mrs Bradshaw; With a New Occasional Prologue-Reddish.

Afterpiece Title: No Wit Like a Woman's

Dance: I: New Comic Dance, as17681210; End of Opera: The Wake, as17680929

Event Comment: Benefit for Reddish. Mainpiece: Not acted in 40 years

Performances

Mainpiece Title: The Double Falsehood

Performance Comment: Julio-Reddish; Henriquez-Aickin; Roderick-Palmer; Duke Angelo-Bransby; Master of the Flocks-Moody; Camilo-Hurst; Don Bernard-Parsons; Shepherds-Hartry, Booth; Violante-Mrs Jeffries; Leonora-Miss Younge; Prologue-Reddish; Epilogue-Miss Younge; In IV: the Original Song (New composed by Mr Hook)-Miss Radley.
Cast
Role: Julio Actor: Reddish
Role: Prologue Actor: Reddish

Afterpiece Title: The Padlock

Dance: III: Hearts of Oak-Giorgi, Mrs King

Event Comment: Benefit for Mr Reddish. Receipts: #162 19s. 6d. Charges: #67 18s. Profits to Reddish: #95 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: As17730121, but Jaffer-Reddish, first time.
Cast
Role: Jaffer Actor: Reddish, first time.

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance-Daigville, Mas. Holland, Miss Armstrong, his scholars

Entertainment: End Dance: , for second time, and by way of Epilogue will deliver The Wishing Cap-King. [See17730323]

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove-Reddish; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Younge; Araminta-Mrs Baddeley; Silvia-Miss Essex (1st appearance upon that stage); Lucy-Miss Pope; Laetitia-Mrs Abington; New occasional Prologue (in the Character of a modern fine gentleman)-Dodd. [This was spoken, as here assigned, at the first 4 performances only (see17761207).]This was spoken, as here assigned, at the first 4 performances only (see17761207).]
Cast
Role: Vainlove Actor: Reddish

Afterpiece Title: A ChristmasTale

Dance: As17761115

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Performance Comment: As17671022, but Orlando-Reddish, 1st time.
Cast
Role: Orlando Actor: Reddish, 1st time.

Afterpiece Title: A Peep behind the Curtain

Dance: I: Hearts of Oak, as17671022

Event Comment: Afterpiece: By Particular Desire. Reddish made his first appearance on the Irish Stage (Smock Alley) in the character of Etan (Genest, X, 458)

Performances

Mainpiece Title: The Orphan Of China

Performance Comment: Etan-Reddish, 1st time; Timurkan-Havard; Hamet-Cautherley, 1st time; Zamti-Holland; Mirvan-Packer; Octar-Bransby; Morat-Burton; Orasmin-Ackman; Zimventi-Keen; Mandane-Mrs Hopkins.
Cast
Role: Etan Actor: Reddish, 1st time

Afterpiece Title: Harlequin's Invasion

Event Comment: Mr Barry being Ill Mr Reddish play'd Bajazet (not the thing) Miss Hayward Shamefully imperfect in Selima (Hopkins). Paid 8 extra trumpets 6 nights (this incl.) #18 (Treasurer's Book). Receipts: #241 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Aickin; Bajazet-Reddish, 1st time; Moneses-Cautherly, 1st time; Axalla-Packer; Selima-Miss Hayward, 1st time; Arpasia-Mrs Barry; Dervise-Bransby; Omar-Hurst; Prince of Tanais-Ackman; Stratocles-J. Aickin; Haly-Wheeler; Usual Prologue-Cautherly; In Act IV: Original Song of O, Gentle Sleep-Mrs Scott.
Cast
Role: Bajazet Actor: Reddish, 1st time

Afterpiece Title: The Institution of the Garter

Event Comment: Mainpiece: By Particular Desire. Mr King being Ill Mrs Reddish play'd Belcour (not the thing) (Hopkins Diary). Paid Tallow Chandler's Bill (2nd) #42 6s. (Treasurer's Book). Receipts: #171 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: As17711116, but Belcour-Reddish, 1st time.
Cast
Role: Belcour Actor: Reddish, 1st time.

Afterpiece Title: The Institution of the Garter

Event Comment: On Saturday, a New Tragedy (never performed) call'd Alonzo. Paid Duke of Gloster's Footmen, Xmas Box #2 2s.; Mr Reddish per order, #6. (Treasurer's Book). Receipts: #175 7s. (Treasurer's Book)

Performances

Mainpiece Title: Amphitryon

Performance Comment: Jupiter-Reddish; Mercury-Jefferson; Amphitryon-J. Aickin; Gripus-Parsons; Sosia-King; Phaedra-Miss Pope; Bromia-Mrs Bradshaw; Night-Miss Platt; Alcmena-Miss Younge; In Which will be Introduced an Interlude of Singing, Dancing-; Plutus-Champnes; Wit-Mrs Scott; The Dance-Sg Daigville, Sga Vidini.
Cast
Role: Jupiter Actor: Reddish

Afterpiece Title: The Pigmy Revels

Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Fainall-Reddish; Mirabel-Jefferson; Petulant-Baddeley; Sir Wilful-Yates; Witwou'd-King; Waitwell-Parsons; Lady Wishfort-Mrs Hopkins; Mrs Marwood-Miss Sherry; Mrs Fainall-Mrs Greville; Foible-Mrs Davies; Mincing-Miss Platt; Millamant-Mrs Abington; in Act III, a Cantata-Mrs Scott.
Cast
Role: Fainall Actor: Reddish

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter