SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Cibber"/1) | (@(roleclean,performerclean) "MMr Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2731 matches on Author, 1981 matches on Performance Comments, 560 matches on Event Comments, 8 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Mourning Bride

Cast
Role: Garcia Actor: Cibber

Afterpiece Title: Merlin; or, The Devil of Stone-Henge

Performance Comment: Merlin-Laguerre; Spirits-Mrs Cibber, Mrs Clive; Ghost of Faustus-Salway; Harlequin Faustulus-Le Brun; Harlequin's Servant-Nivelon; Italian-Lalauze; Fanner-Mechlin; Italian Lady-Cibber; Country Lass-Mrs Clive; Italian Lady's Servant-Mrs Laguerre; Shepherds-Pelling, Davenport; Shepherdesses-Mrs Pelling, Mrs Davenport; Pluto-Denoyer; Furies-Livier, Villeneuve, Pelling, Davenport; but edition of 1734 lists: Merlin-Laguerre; Ghost of Faustus-Salway; Spirits-Mrs Cibber, Mrs Clive; Mountebank's Zany-Salway; Country Girl-Mrs Clive; Time-Salway .
Cast
Role: Spirits Actor: Mrs Cibber, Mrs Clive
Role: Italian Lady Actor: Cibber
Role: Spirits Actor: Mrs Cibber, Mrs Clive

Entertainment: [By Lewis Theobald and John Galliard.] With New Habits, Scenes, Machines, and other Decorations. No Money under the full Price to be taken during the whole Time of the Performance. The advanc'd Money to be return'd to those who go out before the Overture of the Entertainment begins. 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Christian Hero

Performance Comment: Parts by Quin, Milward, Mills, Cibber, W. Mills, Berry, Winstone, Hewit, Este, Mrs Thurmond, Mrs Butler, Mrs Pritchard; but edition of 1735 lists: Amurath-Quin; Mahomet-W. Mills; Hellena-Mrs Thurmond; Osmyn-Berry; Kister Aga-Hewit; Cleora-Mrs Pritchard; Scanderbeg-Milward; Aranthes-Mills; Althea-Mrs Butler; Amasie-Cibber; Paulinus-Winstone. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .

Performances

Mainpiece Title: The Man Of Taste; Or, The Guardian

Performance Comment: Parts by Mills, Cibber, Griffin, Harper, Miller, Milward, W. Mills, Este, Cross, Turbutt, Mrs Thurmond, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross, Miss Mann; but edition of 1735 lists: Sir Positive Bubble-Griffin; Freelove-Mills; Valentine-Milward; Sir Humphrey Henpeck-Harper; Harcourt-Mills Jr; Horatio-Este; Martin-Cibber; Reynard-Miller; Lewis-Cross; Almanzor-Master Arne; Justice Diligence-Turbut; Lady Henpeck-Mrs Cross; Maria-Mrs Clive; Dorothea-Mrs Pritchard; Dorinda-Mrs Thurmond; Angelica-Mrs Holiday; Lisetta-Mrs Mann. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .

Afterpiece Title: Harlequin Orpheus

Event Comment: Benefit Mrs Cibber. At the Desire of several Ladies of Quality. [Tickets at Mrs Cibber's, Great Queen Street.] N.B. Mrs Cibber's present Condition not permitting her to play on her Benefit Night, as she purpos'd, she is oblig'd to change the Play; and Tickets deliver'd out for The Conscious Lovers will then be taken

Performances

Mainpiece Title: The Alchymist

Cast
Role: Drugger Actor: Cibber

Afterpiece Title: Harlequin Restor'd

Dance: I: Tambourine by Mlle Roland. II: Shepherd's Mount, as17360410 III: Double Jealousy, as17360327but Mrs Villeneuve replaces Miss Brett. IV: English Maggot by Villeneuve and Mrs Walter. muSIC V: Preamble on Kettle Drums by Poitier

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-W. Mills; Belvil-Mills; Blunt-Cibber; Hellena-Miss Holliday; Angelica-Mrs Butler; but see17351106. With a Prologue to be spoken by Cibber, and an Epilogue by Mrs Clive . but see17351106. With a Prologue to be spoken by Cibber, and an Epilogue by Mrs Clive .
Cast
Role: Blunt Actor: Cibber

Afterpiece Title: The Mock Doctor

Cast
Role: Doctor Actor: Cibber

Dance: I: Mason's Dance by Delamayne. II: English Maggot by Villeneuve and Mrs Walter. IV: Black and White Joak by Phillips and Miss Mann. After Epilogue: The Rover by Essex, Mrs Walter, Miss Mann, &c

Song: I: The Enter'd Prentice's Song: Come let us Prepare. III: On, on, my dear Brethren. V: Sing then my Muse

Performances

Mainpiece Title: Art And Nature

Performance Comment: Parts by Quin, Cibber, Griffin, Mills, Miller, Mrs Clive, Mrs Mills; but edition of 1738 lists: Sir Simon Dupe-Griffin; Truemore-Mills; Outside [Courtly]-Quin; Julio-Cibber; Alphabet-Turbutt; Lord Gewgaw-Raftor; Jeffery-Miller; Jeremy-Cross; Constable-Winstone; Flaminia-Mrs Mills; Violetta-Mrs Clive; Prologue-Cibber; Epilogue-Mrs Clive.
Cast
Role: Julio Actor: Cibber
Role: Prologue Actor: Cibber

Performances

Mainpiece Title: The Prodigal; Or, Recruits For The Queen Of Hungary

Performance Comment: Sir NicholasSpottey-Cibber; Sir Anthony Wildwit-Mills; Sir Toby Riot-Morgan [General Advertiser], Bernard [1st ed.]; Scrape-Paget; Freeman-Mozeen; Gayly-Naylor; Bounce-Paddick; Bluster-Hotham [Holtham in General Advertiser]; Timothy-Hacket; Steward-Furnival; Mrs Scrape-Mrs Mills; Harriot-Mrs Chetwood; Serjeant-Mrs Hill; Isabella-Mrs George; Fool-Miss Charke [1st ed.], Mrs Clark [General Advertiser]; Charlotte-Mrs Freeman [not in General Advertiser]; [Cast from first edition, but listed on order of actors given in General Advertiser] Prologue-Cibber; Epilogue-Miss Jenny Cibber.
Cast
Role: Sir NicholasSpottey Actor: Cibber
Role: Prologue Actor: Cibber
Role: Epilogue Actor: Miss Jenny Cibber.
Event Comment: Benefit for Mrs Cibber (Cross). And the Stage (for the better Accommodation of the Ladies) will be form'd into Front and Side Boxes, where Servants will be allow'd to keep Places, as well as in the Boxes and the Pit. Ladies are desired to send Servants to keep Places by 3 o'clock. Tickets to be had of Mrs Cibber, at her house in Thrift St, Soho, and of Hobson, at the Stage Door of the Theatre, where Places may be taken. Tomorrow The Foundling (being the 13th Night). Receipts: #250 (Cross); house charges, #60 (Powel); cash, #81 17s.; tickets, #187 5s. 6d. (Clay MS). This charge was also set down that the principle [sic] treasurer should not know to the contrary, because it was told him that Mrs Cibber paid for her benefit, and if he had imagin'd otherwise, he perhaps would have insisted upon the same terms for his wife (Mrs Pr-h-d). I must therefore subtract it with Mr G-k's Benefit, it standing in their Books exactly in the same manner as his (Powel)

Performances

Mainpiece Title: Venice Preserved

Cast
Role: Belvidera Actor: Mrs Cibber.

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Address-Cibber; Rural Dance Blind Man's Buff-Master Settree, Miss Twist; Hooley and Fairley-Lauder; Two Comic Lectures-Cibber, Company; the Tailors-Mas. Settree, Miss Twist; Grand Concerto for French horns-; When all the Attic Fire was fledfrom Eliza-Miss Gaudry; Auction-Cibber; Italian air-Mimicotti, accompanied by Myn Heer Von@Poop Broomsticato; As17570728 New Cantata by Mr Shuman-Mr Sadler 1st appearance on any stage; Minuet-Mas. Settree, Miss Twist; Italian Peasants-Joly, Mlle Dulisse; Marine Boys Marching to Portsmouth-; Handel's Water Music-; with Preamble on Kettle Drums-Mother Midnight; Comic Epilogue-Miss Midnight (riding on an Ass).
Cast
Role: Address Actor: Cibber
Role: Two Comic Lectures Actor: Cibber, Company
Role: Auction Actor: Cibber

Afterpiece Title: Harlequin's Frolic

Dance: End: As17570819

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim And Novelty

Performance Comment: With a new Introduction-Mrs Trampwell, her Troop, In which Miss Midnight will give some specimens of Oratory a la mode de Theatre; An Address-Mr Cibber; A Concerto Hooley and Fairley, a Scotch Song-Mr Lauder; Blind Man's Buff, a dance-Lilliputians; A Concerto for French Horns-; The Comic Lectures (in two parts) varied-Mr Cibber; end of First Lecture a piece of Music-; End of 2nd, a new pantomime dance call'd The Taylors-Master Settree, Miss Twist; The music and dresses new. When all the Attic Fire was fled, in Eliza-Miss Gaudry; An auction of Choice curiosities of extraordinary value-Mr Cibber (auctioneer); a new Italian Air-Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Also a Grand Comic Ballet called the Marine Boys Marching to Portsmouth-; , in which will be introduced a Hornpipe-Mossis, Miss Durham; Mr Handel's Water Music, with a Preamble on the Kettle Drums-Mother Midnight; Also a Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: With a Lilliputian Pantomime call'dHarlequin's Frolic; or, A Voyage to Prussia

Performances

Mainpiece Title: An Impromptu Faragolio

Performance Comment: An Address-Cibber; Comic Oration-Miss Dorothy Midnight; Hooley and Farley, a Scots song-Lauder; Blindman's Buff-; Comic Lectures-Cibber; Lilliputian Taylors-Master Settree, Miss Twist; Wounded Gizzard-Lauder; Grand Concerto for French Horns-; Kitty-Miss Gaudry; Auction-Cibber; Italian Air-Signora Mimicotti as17570902; Italian Peasants-Joly, Madam Dulisse as17570902; The Marine Boys Marching to Portsmouth-as17570617; Handel's Water Musick-Mother Midnight; Dialogue-Mr Gaudry, Miss Gaudry; Speech of Old Time to the People of Great Britain-; Minuet-Master Settree, Miss Twist; Miss Midnight, for this Night only, will give Caudle; Comic Epilogue-Miss Midnight riding on an Ass; Prussians March to Bohemia-; Colin and his Rival Lassies-.

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: The Gamesters

Performance Comment: Parts by: Garrick, Palmer, Yates, Woodward, Beard, Jefferson, Walker, Vaughan, Mas. Cautherly, Vernon, Ackman, Brownsmith, Atkins, Miss Macklin, Mrs Cibber. Wilding-Garrick; Hazard-Palmer; Barnacle-Yates; Nephew-Woodward; Penelope-Miss Macklin; Mrs Wilding-Mrs Cibber; Careless-Beard; Littlestock-Jefferson; Acreless-Walker; Dwindle-Vaughan; Page-Master Cautherly; Sellaway-Vernon; Boxkeeper-Ackman; Servant-Brownsmith; Drawer-Atkins; Prologue-Garrick; Epilogue-Mrs Cibber (Edition of 1757).
Cast
Role: Mrs Wilding Actor: Mrs Cibber
Role: Epilogue Actor: Mrs Cibber

Dance: TThe Market, as17571126

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Elvira Actor: Mrs Cibber
Role: Epilogue Actor: Mrs Cibber

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: The Lost Lover; Or, The Jealous Husband

Performance Comment: Edition of 1696: Prologue-Mr Horden; Epilogue-Miss Cross; Sir Rustick Good Heart-Johnson; Wilmore-Verbrugen; Wildman-Horden; Sir Amorous Courtall-Powell; Smyrna-Cibber; Pulse-Penkethman; Knowlittle-Haynes; Lady Young Love-Mrs Kent; Marina-Mrs Rogers; Belira-Mrs Knight; Orinda-Mrs Cibber; Olivia-Mrs Verbrugen; Isabella-Mrs Cole; Phoebe-Mrs Mills.
Cast
Role: Smyrna Actor: Cibber
Role: Orinda Actor: Mrs Cibber

Performances

Mainpiece Title: The Campaigners; Or, The Pleasant Adventures At Brussels

Performance Comment: Edition of 1698: Prince Landevile-Evans; Don Leon-Sympson; The Sieur Bondevelt-Johnson; Col. Darange-Mills; Kinglove-Thomas; Min Heer Tomas-Penkethman; Marqui Bertran-Cibber; Van Scopen-Fairbank; Mascarillo-Bullock; Angellica-Mrs Knight; Madam la Marquise-Mrs Verbruggen; Anniky-Mrs Powel; Gusset-Mrs Kent; Fardell-Mrs Lynsey; Prologue-Mr Pinkethman in a Cloak, with a Poetical Wreath on; Epilogue-Mr Cibber (Acting the Fr. Marquis).
Cast
Role: Marqui Bertran Actor: Cibber
Role: Epilogue Actor: Mr Cibber

Performances

Mainpiece Title: The Bath; Or, The Western Lass

Performance Comment: Edition of 1701 lists: Lord Lovechace-Griffin; Sir Oliver Oldgame-Norris; Sir Carolus Codshead-Johnson; Collonel Philip-Mills; Charles-Pinkiman; Harry-Bullock; Crab-Cibber; Lydia-Mrs Knight; Sophronia-Mrs Rogers; Delia-Mrs Kent; Gillian-Mrs Verbruggen; Combrush-Mrs Moor; Dearnwell-Mrs Stephens; Sisse-Mrs Baker; Prologue-Cibber; Epilogue, being a Satyr upon May-Fair,-Pinkeman.
Cast
Role: Crab Actor: Cibber
Role: Prologue Actor: Cibber

Performances

Mainpiece Title: The Fair Example; Or, The Modish Citizens

Performance Comment: Edition of 1706 lists: Sir Charles-Mills; Springlove-Cibber; Sir Rice ap Adam-Johnson; Whimsey-Penkethman; Symons-Norris; Fancy-Bullock; Mrs Whimsey-Mrs Verbruggen; Lucia-Mrs Oldfield; Florinda-Mrs Knight; Flora-Mrs Lucas; Mrs Furnish-Mrs Powell; Lettice-Mrs Mills; Prologue-Mills; Epilogue-Cibber.
Cast
Role: Springlove Actor: Cibber
Role: Epilogue Actor: Cibber.

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Performance Comment: Edition of 1710 lists: Sir Jeffrey Constant-Bowman; Captain Constant-Mills; Lovely-Husband; Faithful-Wilks; Sir David Watchum-Johnson; Trusty-Estcourt; Num-Dogget; Slouch-Cross; Clinch-Pinkeman; Roger-Bullock; Manage-Cibber; Coachman-Harris; Belinda-Mrs Oldfield; Laura-Mrs Cross; Maria-Mrs Porter; Dorothy-Mrs Saunders; Lucy-Mrs Bicknell; Prologue-Wilks; Epilogue by Cibber-Mrs Oldfield.
Cast
Role: Manage Actor: Cibber
Role: Cibber Actor: Mrs Oldfield.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Entertainment: Higgins

Performances

Mainpiece Title: Love For Love

Performance Comment: As17110212, but Tattle-Cibber; Nurse-Mrs Willis; With the last new Epilogue-Mrs Cibber see17110312.

Performances

Mainpiece Title: The Spartan Dame

Performance Comment: Edition of 1719 lists: Leonidas-Mills; Cleombrotus-Booth; Eurytion-Wilks; Agesilaus-Corey; Lysander-Thurmond; Zenocles-Williams; Mandrocles-Wm. Mills; Thracion-Oates; Crites-Cibber; Celona-Mrs Oldfield; Thelamia-Mrs Porter; Euphemia-Mrs Seal; Byzanthe-Mrs Garnet; Prologue by Fenton-Cibber; Epilogue by Major Richardson Pack-.
Cast
Role: Crites Actor: Cibber
Role: Fenton Actor: Cibber

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Fourth; With The Humours Of Sir John Falstaffe Henry Iv, Part Ii

Performance Comment: With a new Prologue-; Epilogue-; Prince John-Walker; Gloster-Oates; Clarence-Th. Cibber; Westmoreland-Williams; Lord Chief Justice-Boman; Archbishop of Canterbury-Cory; Bishop of Ely-Rogers; Archbishop of York-Thurmond; Norfolk-W. Mills; Hasting-Watson; Poins-W. Wilks; Falstaff-Mills; Shallow-Cibber; Silence-Miller; Bardolph-Shepard; Pistol -Norris; Davy-Wright; Feeble-Penkethman; Shadow-Ray; Wart-Cole; Mouldy- Wilson; Bullcalf-Wetherilt; Falstaff's Boy-Miss Lindar; Hostess-Mrs Willis; Doll Tearsheet-Miss Willis.
Cast
Role: Clarence Actor: Th. Cibber
Role: Shallow Actor: Cibber

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Sir Fopling-Cibber; Dorimant-Wilks; Medley-Mills; Old Bellair-Penkethman; Young Bellair-Cibber Jr; Loveit-Mrs Oldfield; Harriet-Mrs Booth; Belinda-Mrs Younger; Emilia-Mrs Heron; Pert-Mrs Bicknell.
Cast
Role: Sir Fopling Actor: Cibber
Role: Young Bellair Actor: Cibber Jr

Dance:

Performances

Mainpiece Title: Love In A Forest

Performance Comment: Edition of 1723 lists: Duke Frederick-Williams; Alberto-Booth; Jaques-Cibber; Amiens-Corey; Oliver-Thurmond; Orlando-Wilks; Roberto-Roberts; Adam-Mills; Le Beau-Th. Cibber; Charles-W. Mills; Rosalind-Mrs Booth; Celia-Mrs Thurmond; Hymen-Miss Lindar; Pyramqs-Penkethman; Wall-Norris; Lion-Wilson; Moonshine-Ray; Thisbe-Miller; Prologue-Wilks; Epilogue-Mrs Thurmond.
Cast
Role: Jaques Actor: Cibber
Role: Le Beau Actor: Th. Cibber