SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "M B"/1) | (@(roleclean,performerclean) "M B")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 265 matches on Author, 110 matches on Roles/Actors, 86 matches on Event Comments, 35 matches on Performance Comments, and 5 matches on Performance Title.

Performances

Mainpiece Title: The Rover

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performances

Mainpiece Title: The Perjured Husband; Or, The Adventures Of Venice

Performance Comment: Edition of 1700 lists: Count Bassino-Mills; Armando-Simpson; Alonzo-Thomas; Pizalto-Norris; Ludovico-Fairbank; Placentia-Mrs Kent; Aurelia-Mrs Oldfield; Florella-Mrs Baker; Lady Pizalto-Mrs Moore; Lucy-Mrs Lucas; Prologue (by a gentleman)-Mrs Oldfield; Epilogue [by Mr B [William Burnaby?]-Haines.

Performances

Mainpiece Title: Love The Leveller; Or, The Pretty Purchase

Performances

Mainpiece Title: Clotilda

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: The King and the Miller of Mansfield

Dance: LLa Tambourine-Mlle Chateauneuf; Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf

Performances

Mainpiece Title: The Spanish Fryar

Dance: I: Italian Gardeners, as17421231; III: a New Serious Dance-Sga Aquilanti; V: A New Sicilian Peasant-Checo, Chiaretta

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Miss in Her Teens

Dance: SSavoyards, as17480920

Event Comment: [M$Mrs Barrington, formerly Mrs Hale.] To the Author of the General Advertiser, &c. Sir: I am far from being of the opinion of too many of my countrymen, who exclaim against the performances of foreigners be they ever so extraordinary: on the contrary whenever I hear of a person who merits Encouragement from the Publick, I use all my interest in his favour; and will always continue so to do, though he should come from the extremity of the globe--Nor am I of the opinion of another class, who imagine no man can by a great performer unless he comes from a strange land. I am convinced we have an artist at present among us, as excellent in his way as ever was seen in Britain. He is an Englishman, and citizen of London; and without any instruction (as I am inform'd) performs all the surprizing Equilibres on the Slack Rope that were exhibited by the famous Turk. I have seem his performances once already and they gave me infinite pleasure. Tomorrow evening I intend to see them again, at the Theatre in the Haymarket, and heartily wish him the success he deserves, Yours, &c A. B. [See 23 Dec. 1749 note about Rich's engaging Caratha@the@Turk, and note, 28 Oct. 1749.] Receipts: #67 9s

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Anatomist

Dance: LL'Entree de Flore, as17521122

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer