SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Scarsdale"/1) | (@(roleclean,performerclean) "Lord Scarsdale")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1657 matches on Performance Comments, 568 matches on Event Comments, 108 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

Event Comment: London Journal, 21 April: The Scholars of Mr Weston...performed the Play of Tamerlane...before the Lords of the Admiralty, with great Applause

Performances

Mainpiece Title: Tamerlane

Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

Event Comment: Not Acted these Twenty Years. Written by the Lord Lansdowne. With new Scenes and Habits

Performances

Mainpiece Title: Heroick Love

Event Comment: Written by the Lord Lansdowne. With new Scenes and Habits

Performances

Mainpiece Title: Heroick Love

Event Comment: RRich's Register: No Play by reason of a great Fire yesterday at my Lord Cardigans House being next door to the Theatre

Performances

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Hulett; Tamerlane-Smith; Moneses-Gillow; Axalla-Williams; Dervise-Machen; Omar-Giffard; Prince of Tanais-Downes; Arpasia-Mrs Purden; Selima-Mrs Seal, lately arrived from Ireland; To which will be added a Whimsical Letter from the Lord Viscount Flame to the Mufti of Terra@Australis@Incognita repeated-Mr Johnson of Chesire, Author of Hurlothrumbo.

Dance:

Event Comment: By Command of his Royal Highness. [The Prince, accompanied by the Duke of Manchester, Lord Charles Cavendish, and Colonel Schutz, present.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Perseus and Andromeda

Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. [Prince of Wales, attended by Lord Ashburnham and Colonel Townshend, attended. In Daily Post, 5 Nov., The Conscious Lovers had been announced for this day.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: By Command of His Royal Highness. [The Prince, attended by Lord Charles Cavendish and Colonel Townshend, and Princess Caroline, attended by the Countess of Suffolk, present.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Beggar's Wedding

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

Event Comment: [T$Their Majesties, Prince, Duke, Princesses, and Duke of Lorrain present. See Lord Hervey and His Friends, p. 103.

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: [T$Their Majesties and the Royal Family present. See also Lord Hervey and his Friends, pp. 114-15.

Performances

Mainpiece Title: Porus

Event Comment: [T$Their Majesties, Prince, Prince William, Princess Royal, the young Princesses, and Duke of Lorrain present. See also Lord Hervey and his Friends, p. 115.

Performances

Mainpiece Title: Porus

Event Comment: By Command of His Royal Highness. [Prince of Wales, Lord Malpas, Marquis of Caernarvan present.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

Dance:

Event Comment: For an amusing account of the performance, see Lord Hervey and his Friends, p. 69. Hervey's letter is dated 4 April 1731 by the editor, but 4 January 1732 must almost certainly be the correct date

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Lottery

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 5s. [For an account of this performance, see Lord Hervey and his Friends, pp. 156-57. Mrs Theophilus Cibber died on this day.

Performances

Mainpiece Title: The Unhappy Favourite

Dance: Essex, Haughton, Mrs Walter, Miss Robinson

Event Comment: Written by the late Mr Gay. Receipts: #163 12s. [See Lord Hervey and his Friends, pp. 162-63.

Performances

Mainpiece Title: Achilles

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Event Comment: At the Desire of several Persons of Quality. Applebee's, 31 March: On Thursday 7-Night last at the Performance of...Love runs all Dangers...one of the Commedians took the Liberty to throw out some Reflections upon the Prime Minister and the Excise, which were not design'd by the Author; Lord Walpole being in the House, went behind the Scenes, and demanded of the Prompter, whether such Words were in the Play, and he answering they were not, his Lordship immediately corrected the Comedian with his own Hands very severely

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love Runs All Dangers

Dance: End of Mainpiece: Hornpipe-Jones Sr; Concluding with a Dutch Skipper-Jones Sr, Jones Jr

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah