SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Lord John Butler"/1) | (@(roleclean,performerclean) "Lord John Butler")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11077 matches on Author, 3692 matches on Performance Comments, 1707 matches on Event Comments, 451 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Emery, Mrs T. Dibdin & Mrs Johnson. 1st piece: Not acted these 3 years [acted 11 Apr. 1798]. Receipts: #326 12s. (47.4.6; 7.8.0; tickets: 271.19.6)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Performance Comment: Bronzely-Lewis; Sir George Evelyn-Pope; Sir William Dorillon-Munden; Lord Priory-Emery (1st appearance in that character); Mr Norberry-Waddy; Oliver-Simmons; Miss Dorillon-Mrs Johnson; Lady Mary Raffle-Mrs Dibdin (1st appearance in that character); Lady Priory-Miss Chapman.
Cast
Role: Lord Priory Actor: Emery
Role: Miss Dorillon Actor: Mrs Johnson

Afterpiece Title: St

Afterpiece Title: The Hermione

Related Works
Related Work: Cadmus et Hermione Author(s): John Baptist Lully

Song: End I 1st piece: a Song-Master Gray; End II: The Muffin Man (Written by T. Dibdin, and composed by Moorehead)-Dighton (1st appearance on this stage); End 1st piece: the celebrated Laughing Song-Dighton

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: Woodville-Holman; Lord Glenmore-Whitfield; Governor Harcourt-Munden; Grey-Murray (1st appearance in that character); Captain Harcourt-Claremont; Vane-Farley; Jacob-Knight; Bridget-Mrs Mattocks; Miss Mortimer-Mrs St.Ledger; Warner-Miss Leserve; Cecilia-Miss Murray (1st appearance in that character).
Cast
Role: Lord Glenmore Actor: Whitfield

Afterpiece Title: The Spoild Child

Cast
Role: John Actor: Abbot

Afterpiece Title: The Hermione

Related Works
Related Work: Cadmus et Hermione Author(s): John Baptist Lully

Song: End IV: Old Towler-Incledon; End: Black Ey'd Susan-Incledon; The Fight off Camperdown-Townsend

Performances

Mainpiece Title: The Successful Strangers

Performance Comment: Edition of 1690: Don Carlos-Williams; Silvio-Mountfort; Antonio-Powel; Don Lopez-Nokes; Don Francisco-Lee; Don Pedro-Bright; Guzman-Underhill; Sancho-Bowen; Dorothea-Mrs Knight; Feliciana-Mrs Mountfort; Farmosa-Mrs Corey; Biancha-Mrs Bracegirdle; Niece-Mrs Miles; End Act III: Mrs Butler's Dance; Prologue-Mrs Bracegirdle; Epilogue-Mr Nokes, Mr Lee, Mr Mountfort.
Event Comment: The United Company. The date of the premiere is not known, but the Gentleman's Journal, January 1691@2, suggests that it was first given in December 1691, although the tendency of this journal to be dated one month and appear in the next month makes the interpretation of its information difficult: We have had a new Comedy this last Month, call'd The Wives Execuse; or Cuckolds make themselves: It was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town lik'd so well. I will send you The Wives Excuse, as soon as it comes out in Print, which will be very speedily: And tho' the Town hath not been so kind to this last, as to the former, I do not doubt but you will own that it will bear a Reading; which some that meet with a better Fate too often do not; some that must be granted to be good Judges commend the Purity of its Language (pp. 51-52). Henry Purcell composed the music for this work. One song, Corinna I excuse thy face, the words (according to the Edition of 1692) by Tho. Cheek, the music by Henry Purcell, but without the singer's name, is in The Banquet of Musick, The Sixth and Last Book, 1692 (licensed 17 Feb. 1691@2). Say, cruel Amoret, sung by Mountfort; Hang this whining way, sung by Mrs Butler; and Ingrateful lover, the words by Major General Sackville, are in Joyful Cuckoldom, ca. 1695. See also Purcell, Works, Purcell Society, XXI (1917), xxvi-xxix

Performances

Mainpiece Title: The Wives Excuse Or Cuckolds Make Themselves

Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Event Comment: Benefit Butler and Pendrell. Tickets for Thursday 26 for The Squire of Alsatia taken

Performances

Mainpiece Title: The Committee

Music: As17200505

Dance:

Event Comment: DDaily Advertiser, 30 May: We hear that Mr Cibber, Jun. one of the present Directors of his Majesty's Company of Comedians together with Mr Mills, Sen Mr Johnson, Mr Miller, Mr Harper, Mr Griffin, Mr Mills, jun. Mr Shepard, Mr Hallam, jun. Mrs Horton, Mrs Heron, Mrs Butler, and others of the Company, waited Yesterday on his Grace the Duke of Grafton...to deliver...an humble Petition, and they met with gracious Reception

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble
Event Comment: Benefit Mrs Butler. Written by the late Mr Congreve. [Prince of Orange expected to attend.]

Performances

Mainpiece Title: Love For Love

Dance: I: Pierrots by Poitier and Nivelon. III: Black and White Joak by Nivelon and Miss Mann. IV: Revellers by Miss Latour and others. V: Dutchwoman by Miss Robinson

Song: II: Quanto dolce, duanto care by Miss Arne

Event Comment: Benefit Mlle Auguste. Tickets of Page at stage door and of Mlle Auguste at Mrs Butler's over against the Golden Fan in Hanover St., Long Acre

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Musette, as17420405 II: Louvre-Picq; III: New Comic Dance Pantaloon and Enamorata=-Picq, Mlle Auguste; IV: Rigadone Provencale, as17420226; V: La Marie, Minuet-Picq, Mlle Auguste

Performances

Mainpiece Title: The Nonjuror

Cast
Role: Sir John Actor: Peterson
Role: Lady Woodvil Actor: Mrs Butler.

Afterpiece Title: scenes from Tscenes from The Old Batchelor

Performance Comment: Instead of a Farce, will be acted the Scenes of Fondlewife and Laetitia taken from the comedy of The Old Batchelor. As17421230, but Giffard_; Mozeen_; Julian_; Dunstall_; Mrs E._ Giffard; Mrs_ Dunstall; Mrs_ Chetwood; Mrs_ Butler.

Song: Between the Acts: particularly the Songs in the Masque of Comus-a Gentleman (who never perform'd in public before), Mrs Hooper, Mrs Dunstall

Dance: WWelch Buffoon-two Masters Granier [not in Daily Advertiser]

Event Comment: CCross: Mrs Butler died

Performances

Mainpiece Title: None

Event Comment: At the New Wells, Shepherd's Market, May Fair. Benefit for Butler. [No concert formula.

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: Chrononhotonthologos

Song: NNancy, or +the Parting Lovers-

Event Comment: Mainpiece [by Oliver Goldsmith]: Never Perform'd Before. [Quick, mentioned by Genest, does not appear on the playbill. The Edition of 1768 casts Mrs White as Landlady, and Cushing as Butler. It does not include Morris or Morgan, but adds Post@Boy-Quick; Bailiff-R. Smith; Dubardieu-Holtom. (See 1 Feb.) The Theatrical Monitor, No XI (6 Feb.), reviews the mainpiece in a lukewarm, judicial manner.] Receipts: #227 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: The Chaplet

Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preservd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Lyar

Event Comment: Benefit for Wright, Carpenter & Butler. Tickets delivered by Mrs Veal will be taken. Receipts: #299 8s. (39.3; 3.18; 0.0; tickets: 256.7) (charge: #74 14s.)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: Harlequins Invasion

Dance: Dance of Spirits, as17770414; IV: +Grand Dance i.e. The Chaconne, as17770405

Event Comment: Paid Butler, carpenter, #148 11s. Receipts: #277 10s. (276.3; 1.7)

Performances

Mainpiece Title: The School For Scandal

Related Works
Related Work: The School for Scandal Scandaliz'd Author(s): John Philip Kemble

Afterpiece Title: The Wonders of Derbyshire

Song: As17781006

Event Comment: Mainpiece [1st time; CO 5, by Richard Cumberland. Larpent MS 508, which also lists the following parts: Marsyas, Gumias, Chloris. Text not published; synopsis of plot in London Chronicle, 2 Feb. Songs published, without listings parts (G. Kearsley, 1780)]: With new Scenes, Dresses and Decorations. The Songs set to music and a new Overture by Butler. Book of the Songs to be had at the Theatre. Public Advertiser, 1 Feb. 1780: This Afternoon is published the Songs in The Widow of Delphi (6d.). Receipts: #228 4s. 6d. (227.4.6; 1.0.0)

Performances

Mainpiece Title: The Widow Of Delphi Or The Descent Of The Dieties

Related Works
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Thomas Butler

Afterpiece Title: The Upholsterer

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Performances

Mainpiece Title: A Gazette Extraordinary Or The Illumination

Afterpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): John Fletcher

Afterpiece Title: The Elders

Related Works
Related Work: The Elder Brother Author(s): John Fletcher

Dance: IV: The Bedlamites-

Event Comment: Mainpiece: As originally written by Shakespeare. Paid Properties 18s. 4d.; Mantuamaker #5 19s. 9d.; Butler, carpenter, #15; Lampmen #3 18s.; Billstickers #3 3s. Receipts: #189 14s. 6d. (147/3/0; 42/8/6; 0/3/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Divorce

Monologue: 1782 09 24 As 17 Sept

Event Comment: Benefit for Fawcett and Butler. [As mainpiece the playbill announces Edward the Black Prince, but it was not acted. The Account-Book lists the substitute play.] Receipts: #280 7s. (37/9; 4/6; tickets: 238/12) (charge: #115 10s.)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece Hornpipe, as17840517; End of Act hi, as17840311athi

Song: End of mainpiece Gramacbree Molly, as17840503

Event Comment: Paid Butler for carpenters #15 4s. 7d. Receipts: #280 5s. 6d. (248/6/0; 30/10/6; 1/9/0)

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: The Humourist

Song: Mainpiece: With the original Music, composed by Matthew Locke, with full Chorusses and additional accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Mrs Crouch, Miss Field, Miss George, Mrs Wrighten

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Event Comment: By Command of Their Majesties. Receipts: #371 [non-subscription. 488 tickets delivered to Prendergrass (see 23 Dec. 1786), who sold 467; 100 to Reynolds, who sold 63; 300 to Butler, who sold 260; 200 to Snelson, who sold 171. Total sold: 961]

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: As17870301

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228