SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Little"/1) | (@(roleclean,performerclean) "Little")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1006 matches on Roles/Actors, 422 matches on Event Comments, 244 matches on Performance Title, 220 matches on Performance Comments, and 0 matches on Author.
Event Comment: DDaily Advertiser, 14 Sept.: Mr Wilks, the celebrated Comedian...continues still so dangerously ill, that there is but little Hope of his Recovery

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Mock Doctor

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Performances

Mainpiece Title: The Alchymist

Dance: I: La Folette s'cest ravisee by Nivelon and Miss Mann. III: La Bagetelle by Essex and Miss La Tour. V: Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Mann; Les Plaisirs-Essex and Miss Robinson; Sailor and Nymph-F. Tench and Miss Latour

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

Performance Comment: IV: Hush ye little Warbling Choir by Miss Arne .

Performances

Mainpiece Title: The Alchymist

Music: Select Pieces

Dance: I: La Follette s'cest Ravisee by Nivelon and Miss Mann. III: Drunken Peasant by Le Brun. V: Grand Dance in Stomas, as17340316

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

Performance Comment: IV: Hush ye little Warbling Choir by Miss Arne .
Event Comment: Benefit Peploe, Little, Lee. By particular Desire of some Foreign Ministers. Tickets for Castles and Munro taken

Performances

Mainpiece Title: Cato

Afterpiece Title: The Intriguing Chambermaid

Dance: Pierrots. Dutchman and his Wife. Scotch Dance. English Maggot. Revellers

Event Comment: Afterpiece: A New Farce of one Act. [By Robert Dodsley.] Prompter, 18 Feb.: This little Performance, without any Theatrical Merit whatsoever, received the loudest Applauses that I have heard this long while, only on Account of its General and Well-Adapted Satire on the Follies of Mankind

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Toy-Shop

Dance: Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. Tambourine by Miss Rogers. The Medley by S. Lally, de la Garde, Miss Baston

Event Comment: Benefit Topham, the English Sampson. [Tickets at Topham's, Corner of Little Bridges Street.]

Performances

Mainpiece Title: L'embarras Des R1ches

Dance:

Entertainment: After the Play [Topham] will shew Surprising Activities of Strength: And further to oblige the Audience, will endeavor to accommodate them with several New Performances

Song: In English and Italian by Topham

Event Comment: Benefit Mrs Hamilton, and the Little Chimney-Sweepers, her Sons. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Devil to Pay

Dance: III: Pierrots by Vallois and Delagarde. V: Scotch Dance, as17350329

Song: II: Watermen's Song in Britannia by the two Masters Hamilton. IV: In Italian by Mrs Chambers

Event Comment: Never Acted before. [By William Popple.] Grub St. Journal, 26 Feb. 1736: It was play'd the first night to about a 30l. house; three parts of which were the Author's friends, who came on purpose, right or wrong, to applaud it: notwithstanding which, little or no applause was given

Performances

Mainpiece Title: The Double Deceit

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Performance Comment: A fine Piece of Mr Handel's on the little Flute by a Friend of Carey .

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Fatal Extravagance

Performance Comment: Cast not listed. With the Original Prologue written by Aaron Hill, Esq; and an Epilogue written by the same Author, to be spoke by little Miss Ferguson .

Song:

Dance:

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Flora

Dance: I: Comic Ballet, as17360417 III: A new Serious Dance by Scholar of Nivelon. IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars

Performance Comment: IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars .

Song: II: By Leveridge

Event Comment: Benefit Little [Gallery Boxkeeper, DL], who hopes to have the Honour of his Brethren the Free Masons

Performances

Mainpiece Title: The Stratagem

Music: A Preamble on the Kettle Drums by Job Baker

Event Comment: Mainpiece: Written by the late Mr Congreve, London Daily Post and General Advertiser, 2 Oct.: Last Night in the Entertainment of Dr Faustus...when the Machine wherein were Harlequin, the Miller's Wife, the Miller and his the Miller's Man, was got up to the full Extent of its flying, one of the Wires which held up the hind part of the Car broke first, and then the other broke, and the Machine, and all the People in it fell down Upon the Stage; by which unhappy Accident the young Woman who personated the Miller's Wife had her Thigh broke, and her Kneepan shatter'd, and was otherways very much bruised, the Harlequin had his Head bruised, and his Wrist strained; the Miller broke his Arm; and the Miller's Man had his Scull so fractured that his Life in despaired of. Thomas Gray to Horace Walpole, 6 Oct.: Covent Garden has given me a sort of surfeit of Mr Rich and his cleverness, for I was at [cg] when the machine broke t'other night; the house was in amaze for above a minute, and I dare say a great many in the galleries thought it very desterously performed, and that they screamed as naturally as heart could wish, till they found it was no jest, by their calling for surgeons, of whom several luckily happened to be in the pit. I stayed to see the poor creatures brought out of the house, and pity poor Mrs Buchanan not a little, whom I saw put into a chair in such a fright that as she is big with child, I question whether it may not kill her.-Horace Walpole's Correspondence with Thomas Gray, I, 113-14

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Necromancer

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

Event Comment: Benefit Haughton. Tickets at Haughton's, at the Wheatsheaf in Little Russel Street, cg. Daily Advertiser, 24 March: An Order having been sent to Mr Giffard, forbidding all Performances on Wednesdays and Fridays in Lent, Mr Haughton was oblig'd to defer his Benefit to this Day

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Lover His Own Rival

Dance:

Event Comment: Benefit the Author of the Farce. Afterpiece: a Farce. [Author not known.] Preface to edition of 1737: The Misrepresentation of this little Piece upon the Stage, and the proper Indifference with which it was received by the Audience, made it necessary, for my Reputation sake, to publish it with all convenient Expedition. My Friends, who had read the Thing, did not know it again, it was in so disastrous a Plight; and they that had not read it (from a Prepossession in my Favour) imputed its Aukwardness to the Mismanagement, or Incapacity of the Players

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Author's Triumph; or, The Manager Manag'd

Dance: End Afterpiece: Pierrots-Vallois, Delagarde

Song: II: Dialogue by Purcell-the Masters Hamilton; III: Miss Jones; IV: Singing in Italian-Mrs Chambers

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Madhouse

Performance Comment: Edition of 1737 lists no cast. The Prologue-as it was first intended for the Little House in the Haymarket.; Epilogue-Penkethman , leading in an Ass.
Event Comment: As 17 May. The Usefulness of the Stage (1738) stated (p. 18) that The Dragon of Wantley was acted at hay with little success and that the audience was dismissed on the third night [this night, presumably]

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: The Dragon of Wantley

Event Comment: Benefit Allen, Gallery Officekeeper. Tickets for Walker, Rumbal, Hewett, Little, Fuller taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Music: Second Music: the First Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto by Geminiani for Hautbois-; IV: March in Zara-

Dance: I: Russian Sailor-Denoyer's@Prentice; II: English Maggot-Villeneuve, Mrs Walter; III: Harlequin-Denoyer's@Prentice; IV: Wooden Shoe Dance-Livier, Villeneuve

Event Comment: DDaily Advertiser, 4 Oct.: The French Company of Comedians newly arriv'd from Paris, it's said, consists of seventy Persons. It seems to be a little unnatural that French Strollers should have a Superior Privilege to those of our own Country

Performances

Event Comment: LLondon Daily Post and General Advertiser, 13 April. Letter: Upon my Arrival in Town three Days ago, I was not a little surpriz'd, to find that Mr Handel's last Oratorio, (Israel in Egypt) which had been performed but once, was advertis'd to be for the last time on Wednesday....I was indeed concern'd, that so excellent a Work of so great a Genius was neglected, for tho' it was a Polite and attentive Audience, it was not large enough I doubt to encourage him in any future Attempt

Performances

Event Comment: Benefit Short. Mainpiece: Written by Colley Cibber, Esq; Poet Laureat. Afterpiece: Alter'd from Hob; or, The Country Wake. [Tickets at Short's House, Little Ormond Street, near Bedford-Row, Holborn.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Flora

Song: I: Genius of England-Salway; III: Roberts

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: La Badinage de Provence-Poitier, Mlle Roland; V: Grand Ballet-Glover, Mlle Anne Roland

Music: End Afterpiece: A preamble on the Kettle Drums-Woodbridge; followed by Handel's Water Musick-

Event Comment: A New Serenata. [Music by Giovanni Battista Pescetti.] Tickets half a guinea. 6 p.m. Mrs Pendarves to Lady Throckmorton, 28 Nov.: The concerts begin next Saturday at the Haymarket. Caristini sings, Peschetti composes; the house is made up into little boxes, like the playhouses abroad; Lord Middlesex is the chief undertaker, and I believe it will prove to his cost, for concerts will not do. --Delany, Autobiography, II, 66

Performances

Mainpiece Title: Diana And Endymion

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke; Or, The Conjuror's Bastard; With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble; or, A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman