SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Mary Stuart"/1) | (@(roleclean,performerclean) "Lady Mary Stuart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5289 matches on Performance Comments, 2577 matches on Event Comments, 601 matches on Performance Title, 110 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 3 years. With new Dresses and Decorations. The Characters dressed in the Habits of the Times. [Palmer Jun. was from the hay.] "It is necessary to remind both Macbeth and his Lady that there is a measured declamation, of which the natural utterance of passion knows nothing, and that words and syllables may be divided and subdivided till the fatigue of the ear overcome every other feeling...Between the first and second acts Ca ira was loudly called for from the pit and gallery. The clamour, after preventing the first part of the second act from being heard, subsided as unaccountably as it rose. The performers, in compliance with an admonition from the pit, began the act again, and proceeded without further interruption" (Morning Chronicle, 20 Feb.). "In Macbeth there was too much that was not Shakespeare, too much bad taste and shabbiness in the costumes of the witches, and all in all too much claptrap. He found it insufferable that Banquo should take the part of his own ghost and felt that the audience should behold the specter only in Macbeth's terror, as was the case with the banquet guests. 'Mr Kemble has desired on several occasions to suppress the ghost,' Meister says, 'but has never had the courage to do so.'" (J. H. Meister quoted in J. A. Kelly, 134). For Kemble's eventual courage in this matter see dl, 21 Apr. 1794.] Receipts: #425 6s. (383.2; 40.4; 2.0)

Performances

Mainpiece Title: Macbeth

Performance Comment: Duncan-Packer; Malcolm-Palmer Jun. (1st appearance on that stage); Donalbain-Bland; Macbeth-Kemble; Banquo-Bensley; Lenox-Whitfield; Macduff-Wroughton; Rosse-Barrymore; Fleance-Master Gregson; Seward-Fawcett; Seyton-Phillimore; Doctor-Jones; Captain-Benson; Messenger-Banks; Murderer-Webb; Hecate-Bannister; Witches-Aickin, Moody, Burton; Lady Macbeth-Mrs Siddons; Gentlewoman-Miss Tidswell.
Cast
Role: Lady Macbeth Actor: Mrs Siddons

Afterpiece Title: The Virgin Unmask'd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Event Comment: Mainpiece: In Four Acts. The Music by Dr Arne and Giardini. Books of the Lyric Part of the Drama to be had at the Theatre. [Mrs Pollock is identified in European Magazine, Dec. 1792, p. 456. "Candour and impartiality compel us to advise this lady to desist from a pursuit that affords her not the most distant prospect of success. She is deficient in every dramatic requisite, her person alone excepted" (Morning Herald, 26 Nov.).] Receipts: #182 0s. 6d

Performances

Mainpiece Title: Elfrida

Performance Comment: Edgar-Holman; Organ [recte Orgar ]-Farren; Edwin-Harley; Ardulph-Macready; Athelwold-Pope; Elfrida-A Young Lady (1st appearance on any stage [Mrs Pollock]); Albina (with the Odes)-Mrs Pope.
Cast
Role: Elfrida Actor: A Young Lady

Afterpiece Title: Animal Magnetism

Dance: End: A New Divertisement-Byrn, Holland, Mme Rossi

Song: In: the Principal Vocal Parts-Miss Broadhurst, Mrs Blanchard, Miss Barnett, Mrs Martyr

Event Comment: Benefit for Miss Chapman. [In 1st piece the Young Lady is identified in Morning Herald, 20 May, only as "Niece to the late Alexander Fordyce, Esq., and a pupil of the veteran Macklin."] Morning Herald, 10 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #199 8s. 6d. (62/4/0; 10/12/6; tickets: 126/12/0)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17931223, but Mrs Strickland-A Young Lady (1st appearance on any stage); Jacintha-Miss Chapman; omitted: Tester . omitted: Tester .
Cast
Role: Mrs Strickland Actor: A Young Lady

Afterpiece Title: MODERN ANTIQUES

Cast
Role: Flounce Actor: Miss Stuart

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502

Event Comment: [In mainpiece "Evans Lady Sneerwell's Servant for Maddocks"; in afterpiece the playbill retains Mrs Bramwell as Nelly, but "Mrs Bramwell being Ill Miss Tidswell play'd the part of Nelly, and Miss DeCamp sang the Trio" (Powell).] Powell: New Ballet rehearsed at 12. Receipts: #139 1s. 6d. (93.1.0; 40.2.0; 5.18.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17950122, but Charles Surface-Wroughton; Careless-Barrymore; Rowley-Maddocks; Lady Sneerwell-Miss Tidswell.

Afterpiece Title: No Song No Supper

Song: As17941112

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Holman; King Henry-Murray; Buckingham-Macready; Stanley-Hull; Tressel-Toms; Prince Edward-Master Curties; Duke of York-Miss Standen; Catesby-Claremont; Lieutenant-Haymes; Ratcliffe-Thompson; Lord Mayor-Powel; Richmond-Pope; Lady Anne-Miss Chapman; Duchess of York-Mrs Platt; Queen-Mrs Fawcett.
Cast
Role: Lady Anne Actor: Miss Chapman

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Event Comment: [In 1st piece the playbill retains Mrs Siddons as Lady Macbeth, but "The Publick is most respectfully informed that Mrs Siddons, being suddenly taken ill...Lady Macbeth will be performed by Mrs Powell, who having undertaken the part at a very short notice, humbly intreats their indulgence" (printed slip attached to BM playbill, Harris, Vol. V).] 3rd piece: Engagement as 6 Mar. Receipts: #173 18s. 6d. (106.18.6; 62.19.6; 4.0.6)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17961010, but Banquo-Barrymore; Lenox-Campbell; Rosse-Holland; Lady Macbeth-Mrs Powell; Gentlewoman-_.
Cast
Role: Lady Macbeth Actor: Mrs Powell

Afterpiece Title: My Grandmother

Afterpiece Title: Cape St

Cast
Role: Lady Helen Actor: Mrs Powell

Song: In 1st piece: as17961010, but Mrs Bland_

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Performance Comment: Principal Characters-Quick, Holman, Pope, Munden, Murray, Middleton, Thompson, Miss Chapman, Miss Mansel, Mrs Davenport, Mrs Mattocks. Cast from European Magazine, May 1797, p. 341: Cobler-Quick; Shatter-Holman; Allworthy-Pope; Froward-Munden; Sir ThomasSevern-Murray; Woodville-Middleton; Jonathan-Thompson; Miss Severn-Miss Chapman; Fanny Allworthy-Miss Mansel; Madge Haggard-Mrs Davenport; Lady Nettleton-Mrs Mattocks; Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Lady Nettleton Actor: Mrs Mattocks

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Event Comment: [Miss Molini is identified in MS list in Kemble playbills of new performers for this season.] "Mrs Jordan...has taken considerable pains with a young lady of the name of Moline [sic], who, under her tuition, has frequently performed at Richmond theatre" (Monthly Visitor, Feb. 1798, p. 175). Receipts: #209 (120.15.6; 85.1.6; 3.3.0)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17971122, but Moody-Wroughton; Countryman-Grimaldi; Miss Peggy-A Young Lady (1st appearance on the [recte this] stage [Miss Molini]).recte this] stage [Miss Molini]).
Cast
Role: Miss Peggy Actor: A Young Lady

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: Douglas; Or, The Noble Shepherd

Performance Comment: Douglas (the Noble Shepherd)-Brown; Glenalvon-Twaits; Lord Randolph-Ives; Officer-Humphreys; Old Norval-Hallam; Anna-Mrs Humphreys; Lady Randolph-Mrs Brooks.
Cast
Role: Lady Randolph Actor: Mrs Brooks.

Afterpiece Title: Sylvester Daggerwood; or, A Trial for a London Engagement

Afterpiece Title: The Waterman

Song: Between acts: Twaits, Master Seabrook

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Performances

Mainpiece Title: Lady Jane Gray

Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

Performance Comment: Cato-Norris; Juba-Penkethman; other characters including women's parts-low comedians (Chetwood); Marcia-Young Wilks; Lucia-Shepherd; Porcius-Fieldhouse (Lady Bristol).

Performances

Mainpiece Title: The Conscious Lovers

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Britannia

Event Comment: Both pieces By Command of their Majesties. Afterpiece: Not acted these 7 years. [See 27 Nov. 1760.] Present their Majesties, Dukes of Gloster and Cumberland, Princess of Brunswick and Lady Louisa. Gave Yeomen of the guard #2 2s.; Paid Mr Cousins for hair dressing in the Fairy Favour #1 4s. and Mr Thompson for the same #1 12s. Paid Ellis (scourer) a bill for the Men's Wardrobe, #1 4s. 6d. Paid for the license of Love in the City #2 2s. (Account Book). Receipts: #231 16s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Lottery

Performance Comment: Jack Stocks (Alias Lord Lace)-Dyer; Stocks-Dunstall; Lovemore-Mattocks; Chloe (Alias Lady Lace)-Mrs Mahon.

Dance: II: The Gallant Peasants, as17670113; End: The Female Archer, as17661215

Music: End: By Command, Violin Solo-Linley

Event Comment: 1st piece: In 3 acts; never performed here. 3rd piece [1st time; INT I, by "A Lady"]. Diary, 27 June 1789: This Day is published Half an Hour after Supper (1s.)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: Half an Hour after Supper

Performance Comment: [Principal Characters by Kemble, Iliff, Johnson, Williamson, Mrs Barresford, Mrs Edwin, Miss Heard, Miss Prideaux, A Young Lady (1st appearance Mrs Taylor]). [Cast from text (J. Debrett, 1789): Mr Sturdy-Kemble; Captain Berry-Iliff; Frank-Johnson; Mr Bentley-Williamson; Miss Tabitha-Mrs Barresford; Mrs Sturdy-Mrs Edwin; Miss Elizabeth-Miss Heard; Nanny-Miss Prideaux; Miss Sukey-Mrs Taylor.

Dance: End 2nd piece: The Graces-the Miss Simonets

Performances

Mainpiece Title: Albion Queens

Performance Comment: Mary Queen of Scots-Mrs Horton; Queen Elizabeth-Mrs Porter (being the last time of her appearing on this stage); No others listed. No others listed.

Dance: CCharacters of Dancing, as17421025; Dutch Skipper, as17421025