SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Mary"/1) | (@(roleclean,performerclean) "Lady Mary")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5013 matches on Performance Comments, 2558 matches on Event Comments, 565 matches on Performance Title, 164 matches on Roles/Actors, and 29 matches on Author.

Performances

Mainpiece Title: The Greek Slave; Or, The School For Cowards

Afterpiece Title: The Pannel

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deuce is in Him

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Citizen

Song: As17911119

Performances

Mainpiece Title: Huniades

Performance Comment: The Christian Characters by Kemble, R. Palmer, Wroughton, Barrymore, Aickin, Dignum, Whitfield, Maddocks, Packer, Bland, Jones, Cooke, Lyons, A Young Lady (Author of the Tragedy; 1st appearance on any stage), Miss Collins. The Mahometan Characters by Palmer, Benson, Webb, Sedgwick, Caulfield. Cast from London Chronicle, 21 Jan.: Hungarians: Huniades-Kemble; Vilach-R. Palmer; Corvinus-Wroughton; Count of Cilley-Barrymore; Campestran-Aickin; Zilugo-Whitfield; Old Officer-Packer; Agmunda-Miss Brand; Ella-Miss Collins; Turks: Mahomet II-Palmer; Mustapha-Benson; Zoganus-Webb; Aga-Sedgwick; Chusanes-Caulfield; Dignum, Maddocks, Bland, Jones, Cooke, Lyons; Prologue-Miss Farren; Epilogue-Bannister Jun.

Afterpiece Title: The Deaf Lover

Event Comment: Mainpiece: Not acted these 3 years. [Genest, VII, 51, remarks that "The bill is rightly printed as the characters were called originally," i.e., on the playbills it had become customary to call Norval Douglas, Stranger Norval or Old Norval, and Matilda Lady Randolph.] Receipts: #308 (276.17; 26.15; 3.19; tickets not come in: 0.9)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Author

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Lady Anne Actor: Mrs Wells

Afterpiece Title: Harlequin's Museum [and see17921220]

Dance: In afterpiece: the Burlesque Pas de Russe-Byrn, Miss Smith; Hornpipe-Holland; rest of the Dances-Byrn, Ratchford, Cranfield, Rayner, Platt, Jackson, Wilde, Mrs Watts, Miss Francis, Mrs Ratchford, Mrs Lloyd, Mrs Crowe, Mrs Bayzand, Mme Rossi

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Harlequin's Museum

Dance: As17921226

Event Comment: Double Drums by Ashbridge. Trombones by Flack, Dressler, Zwingham, Schubert. The Chorusses, which will be far more numerous than on any former occasion, will be supported by the Young Gentlemen of His Majesty's Chapel Royal, and the Choristers of St. Paul's. A Subscription of Two Guineas and a Half will receive Eleven Tickets for the Boxes, transferable either to a Lady or a Gentleman; any number of Tickets may be used nightly at the pleasure of the Subscriber. Books of the performance to be had at the Theatre, price #6d. Boxes 6s. Pit 3s. 6d. Gallery 2s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Music: End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE VIRGIN UNMASK'D

Song: As17940421

Event Comment: 3rd piece [Ist time; MF 2, attributed to Mrs Rainsford, for whom see Morning Herald, 9 May; London Chronicle, 23 May, states that it was written by "A Lady," but gives no name. MS: Larpent 1025; not published]: The Music composed by Webbe. Receipts: #118 4s. (109/3; 9/1)

Performances

Mainpiece Title: Netley Abbey

Afterpiece Title: THE SIEGE OF MEAUX

Afterpiece Title: THE SPEECHLESS WIFE

Performances

Mainpiece Title: Peeping Tom

Performance Comment: Peeping Tom (with The Little Farthing Rushlight)-Bannister Jun.; Mayor of Coventry-Suett; Crazy-Barrett; Earl of Mercia-Pindar; Count Lewis-Palmer Jun.; Harold-Davies//Mayoress-Mrs Hopkins; Emma-Miss De Camp; Lady Godina [sic]-Mrs Cuyler; Maud-Mrs Kemble .

Afterpiece Title: THE DEAD ALIVE

Afterpiece Title: THE VILLAGE LAWYER

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: PEEPING TOM

Afterpiece Title: THE VILLAGE LAWYER

Performances

Mainpiece Title: Emilia Galotti

Performance Comment: [Characters by Kemble, Palmer, C. Kemble, Aickin, Wroughton, Barrymore, Caulfield, Maddocks, Phillimore, Mrs Siddons, Mrs Powell, A Young Lady (who has never appeared on any stage Miss Miller]). [Cast from European Magazine, Nov. 1794, p. 363, and Genest, VII, 180: Duke of Guastalla-Kemble; Marquis Marinelli-Palmer; Count Appiani-C. Kemble; Camilla Rota-Aickin; Odoarto Galotti-Wroughton; Battista-Barrymore; Giuseppe-Caulfield; Pirro-Maddocks; Angelo-Phillimore; Countess Orsina-Mrs Siddons; Claudia Galotti-Mrs Powell; Emilia Galotti-Miss Miller; Prologue-Whitfield; Epilogue-Mrs Siddons.

Afterpiece Title: The Prize

Performances

Mainpiece Title: None

Event Comment: Mainp1ece [1st time; T 5, by Frances D'Arblay. Prologue by the author (see text). Author of Epilogue unknown]. "It did not fail to keep [the audience] in the height of good humour, by frequent irresistible claims on their risible faculties; a particular instance of this was in Elgiva 's dying scene, when a passing stranger, in a fine tragic tone, says, 'Let us carry her to the other side of the hedge.' This hedge, which is supposed to be remotely situated from any dwelling, nevertheless proved to be a very accomodating retreat; for, in a few minutes after, the wounded lady is brought from behind it on an elegant couch, and, after dying in the presence of her husband, is carried off and placed once more 'on the other side of the hedge.' The laughter which this scene occasioned, although supported by the dying words of Mrs Siddons, was inconceivable" (Morning Herald, 23 Mar.). Powell, 20 Mar.: Edwy and Elgiva rehearsed at 10; 21 Mar.: Edwy and Elgiva rehearsed at 10. Receipts: #350 19s. (296.4.6; 51.9.0; 3.5.6)

Performances

Mainpiece Title: Edwy And Elgiva

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom (with The Little Farthing Rushlight)-Bannister Jun.; Mayor of Coventry (1st time)-Wathen; Crazy-Suett; Earl of Mercia (1st time)-Caulfield; Count Lewis-Palmer Jun.; Harold-Davies; Mayoress-Mrs Hopkins; Emma-Miss DeCamp; Lady Godina [sic]-Mrs Cuyler; Maud-Mrs Kemble.

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Son-in-Law