SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of the Cherokee Indians"/1) | (@(roleclean,performerclean) "King of the Cherokee Indians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2967 matches on Performance Title, 2660 matches on Performance Comments, 1677 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "At the conclusion of the Opera on Saturday, a scene of riot and tumult took place which the King's Theatre has not witnessed since the celebrated discords between 'Tweedle-dum and Tweedle-dee' in the days of Handel and Bononcini. At the commencement of the last dance hostilities commenced by hissing and hooting from the pit and boxes...The dancers, however, were not dismayed, but continued their evolutions, though the noise was so great that they derived but little aid from the music. At last a body of malcontents, among whom were several stars and ribbons, sallied from the pit and took possession of the stage, from which they drove the light-heeled troops, and immediately began to perform a ballet tragique. The chamber of Ifigenia was despoiled of all its ornaments, and side scenes, and patent lamps; Roman tents and triumphal cars danced on the stage in all the mazes of confusion, nor did they cease, till they had demolished everything they found that was moveable. Mr Carnevale came forward to inform the audience that Mr Gallini could not be found...The ostensible reason given for this riot, which in our opinion is not to be justified on any pretense, is that Mr Gallini has not engaged dancers of sufficient eminence" (Public Advertiser, 10 Feb.)

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: As17890131 Les Fetes Provencales here called A Divertissement

Song: II: song-Marchesi

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Performance Comment: New Overture-(Haydn); Praise the Lord-Double Chorus (Solomon, Handel); See her awful domes-Kelly (Julius Caesar, Handel); No more shall Edom-Miss Hagley (Dr Arnold); On our paternal-Reinhold, Dignum, Miss Hagley, Mrs Crouch, Chorus (Corelli); He bids the circling season-Miss Lockhart; Give glory to his awful name-Chorus (Handel); Cease ah cease-Mrs Crouch [i.e. Ombra Cara (Radamisto, Handel)]; Remember us O Lord-Quartetto, Chorus (Purcell); O thou almighty pow'r-Mrs Ambrose [i.e. Affani del pensier (Ottone, Handel)]; When storms the proud-Reinhold (Athalia, Handel); O Judah boast-Chorus (Handel); Rise O God-Chorus (Funeral Anthem, Handel).

Afterpiece Title: Triumph of Truth 2

Performance Comment: Tis Mighty Wine-Reinhold (Ottone, Handel); 'Tis Generous Wine-Kelly, Chorus (Dr Arnold); Like the raging Ocean-Mrs Crouch (Dr Arne); Shake the Dome-Double Chorus (Solomon, Handel); Prophetic visions-Kelly (Occasional Oratorio, Handel); The Glorious Day is won-Chorus of Soldiers (Handel); The Soldier tir'd-Mrs Ambrose ([Artaxerxes] Dr Arne); From the censer-Double Chorus (Solomon, Handel); Around the Fair attending-Miss Lockhart (Handel); On the charmer-Miss Hagley (Dr Arnold); Strong is the Heart-Chorus (Handel).

Afterpiece Title: Triumph of Truth 3

Performance Comment: Sacred Truth-Mrs Ambrose (Dr Arnold); Vain is Beauty-Mrs Crouch ([Judith] Dr Arne); O God! 'Tis Thou-Chorus (Handel); Hear a Nation's deep Distress-Mrs Crouch, Miss Hagley, Miss Lockhart, Dignum, Reinhold, Chorus (Jomelli); Safely go in Joy and Peace-Reinhold (Handel); Long by adverse motion-Kelly (Handel); Songs of Joy-Mrs Ambrose; accompanied on the hauboy-W. Parke (Sacchini); Glory to God (Joshua, Handel), We will rejoice (Joseph, Handel)-Grand Chorus; God save Great George our King-.

Music: As17890311

Event Comment: Charge [for rental of theatre] #50

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 2

Performance Comment: Jehovah crowned-Pearson, Chorus; He was Eyes unto the Blind-Miss Cantelo; Second Hautboy +Concerto-; So shall the Lute and Harp-Miss Mahon (Judas Maccabaeus); Gird on thy Sword-Chorus; Thanks to my Brethren, How vain is Man-Harrison (Judas Maccabaeus); Then round about the starry Throne-Chorus (Samson); Every Day will I give Thanks-Sga Storace (Chandos? Anthems); Fix'd in his everlasting Seat-Chorus (Samson).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Tamerlane) and Dead March-(Saul); Honour and Arms-Griffiths (Samson); Fallen is the Foe-Chorus (Judas Maccabaeus); Ye Men of Gaza-Miss Cantelo (Samson); When his loud Voice-Chorus (Jephtha); O come let us worship-Harrison; The Lord shall reign-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Chorus (Israel in Egypt); God save Great George our King-.

Music: As17890306

Event Comment: Charge [for rental of theatre] #50

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: Fourth Hautboy Concerto-; Here amid the shady Woods-Miss Mahon (Alexander Balus); For unto us a Child is born-Chorus (The Messiah); Arm arm ye Brave-Sale; We come in bright Array-Chorus (Judas Maccabaeus); Heart the seat of soft Desire-Sga Storace (Acis and Galatea); No more of Ammon's God-Chorus (Jephtha); Brethren farewell, Then when the Sun-Harrison (Samson); The Mighty Power-Chorus (Athalia).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture-(Berenice); Happy Pair-Harrison, Chorus (Alexander's Feast); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Lift up your Heads-Chorus (The Messiah); The morning Lark-Miss Mahon (Semele); He rebuked the Red Sea-Chorus (Israel in Egypt); Rendi il Sereno al Ciglio-Harrison (Sosarme); See the conqu'ring Hero comes-Chorus (Judas Maccabaeus); The Prince Unable-Sga Storace (Alexander's Feast); Immortal Lord of Earth and Skies-Chorus (Deborah).

Afterpiece Title: Grand Selection 3

Performance Comment: O the Pleasures-Chorus (Acis and Galatea); Come ye smiling Hours-Miss Cantelo (Nabal); How excellent-Chorus (Saul); Pleasure my former Ways resigning-Harrison (Time and Truth); He smote all the First Born-Chorus (Israel in Egypt); Joys in gentle Strains-Miss Cantelo, Harrison (Athalia); Grateful Hearts enjoy the Blessing-Sga Storace (Nabal); Hallelujah!-Grand Chorus (The Messiah); God save Great George our King-.

Music: As17890306

Event Comment: Benefit for Kelly. Public Advertiser, 28 Mar.: Tickets to be had of Kelly, No. 7, King-street, Covent Garden. Receipts: #216 15s. 6d. (76.9.0; 21.7.6; 2.18.0; tickets: 116.1.0) (charge: #120 17s. 5d.)

Performances

Mainpiece Title: The Strangers At Home

Performance Comment: As17890309but Still the Lark finds Repose-Mrs Crouch.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: In afterpiece: a new Hunting Glee ['Tis health that gives birth] (1st time; composed by Callcott)-Kelly, Dignum, Sedgwick

Event Comment: Benefit for Johnstone. 1st piece: The Music by Hook; the rest compiled from the most eminent Masters. Public Advertiser, 30 Apr.: Tickets to be had of Johnstone, No. 12, Norton-street, Portland Chapel. Receipts: #313 17s. (166.16.6; 12.2.6; tickets: 134.18.0)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon [i

Performance Comment: e. The Sons of Anacreon]. Principal Parts-Bannister, Johnstone, Blanchard, Davies, Darley, Cubitt, Edwin; President (with the Anacreontic Song)-Bannister; Come come all Noble Souls-; Jack thou'rt a Toper-; How shall we Mortals spend our Hours?-; When Bibo went down to the Regions below=-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; Sing Old Rose and burn the Bellows-; God save the King-Full Chorus.

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Mrs Martyr. Afterpiece: The Music composed by Dibdin. Public Advertiser, 4 May: Tickets to be had of Mrs Martyr, No. 13, King-street, Covent Garden. Receipts: #314 18s. 6d. (167.15.0; 12.7.6; tickets: 134.16.0)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: The Quaker

Performance Comment: Lubin (for the 1st and positively that night only, with an entire new Hunting Song, composed by Shield)-Mrs Martyr; Steady-Bannister; Easy-Thompson; Solomon-Edwin; Floretta-Mrs Wells; Cicely-Mrs Davenett; Gillian-Mrs Mountain (1st appearance in that character).

Dance: End II: Negro Dance- as l Jan.; End: Mirth by Moonshine-, as17890113

Song: In I: Sweet Bird, as17890126

Event Comment: [In 3rd piece the playbill retain Iliff, but "On the fifth night of the representation, while R. Palmer was reading the part of Lord Megrim (Iliff being ill) an alarm of fire occasioned a disgreeable tumult; the performers assured the audience there was no danger, it being the opposite theatre (the Opera House, which was consumed) that was in flames. The Ladies, however, still retained their apprehensions, and all were eager to depart; happily this anxiety produced no accident" (Oulton, 1796, II, 52). Iliff perhaps did not act in Vimonda.

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Vimonda

Afterpiece Title: As It Should Be

Entertainment: Monologue. End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews

Performance Comment: End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews.

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Performance Comment: As17890611at king's, but Almaviva-_.
Cast
Role: Father Paul Actor: Darley
Role: The Duenna Actor: Mrs Webb

Dance: As17890630

Event Comment: Benefit for Blandford and Randall. 3rd piece: A Pantomimical Interlude, from Don Juan. First Scene opens with a Tempestuous Sea, and Shipwreck of Don Juan and his man Scaramouch, who is cast on shore from off the Back of a Dolphin on the Island of Martinico. Scene from the pantomimes of The Enchanted Island, Wizard of the Silver Rock, The Witches Frolic, &c. The whole to conclude with a View of the Inside of the Bastille, with the different Gratings, Railings, and Instruments of Death and Torture by which the unfortunate Victims suffered, and the Grand Chorus of God save the King. The Curtain will rise precisely at 6:45

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Performance Comment: Young Belmont-Blandford; Sir Charles Raymond-Banks; Colonel Belmont-Brooke; Sir Roger Belmont-Jones; Villiard-Frimbley; Faddle-Tunstall; Rosette-Miss Brooke; Fidelia (the Foundling)-Mrs Tunstall.
Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Afterpiece Title: The Shipwreck; or, Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

Performance Comment: End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall.
Event Comment: [As mainpiece the playbill announces King Henry the Fifth, but it was not acted "on account of the indisposition of Kemble" (Public Advertiser, 8 Dec.). Kemble Mem. lists the substitute play.] Receipts: #167 5s. 6d. (106.4.0; 58.0.6; 3.1.0)

Performances

Mainpiece Title: George Barnwell

Performance Comment: This was the only performance of this play this season.

Afterpiece Title: The Island of St

Performance Comment: Marguerite. Principal Characters-Kelly, Barrymore, Suett, Waldron, Sedgwick, Bannister Jun., Miss Romanzini, Mrs Edwards, Miss Hagley, Mrs Fox, Mrs Crouch. [For assignment of parts see17891113] Prologue omitted [and thereafter.]For assignment of parts see17891113] Prologue omitted [and thereafter.]

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Performance Comment: [From the Performances in Westminster Abbey [on 26 May 1784.] As17900219, but Principal Singers-_Griffiths, _Champness, _Gore, _Webb, _Reynoldson, _Choristers.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's Fertile plain-Sale; For all these Mercies-Chorus (Joshua); This new Creation-; Vain your Triumph-Miss Poole (Israel in Egypt); When his loud Voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created beam-Chorus (Samson); Where e'er you walk-Miss Poole (Semele); He gave them Hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Praise the Lord-Miss Dall (Esther); In sweetest Harmony-Miss Cantelo; O fatal Day-Chorus; O filial Piety, No cruel Father-Saville (Saul); Tyrants would-Miss Mahon, Chorus (Athalia); Every Day will I give thanks-Harrison (Chandos Anthems); The mighty Power-Chorus (Athalia); O worse than Death, Angels ever bright and fair-Miss Cantelo (Theodora); Gird on thy Sword-Chorus (Saul).
Cast
Role: Praise the Lord Actor: Miss Dall
Role: No cruel Father Actor: Saville
Role: The mighty Power Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Ye Sons of Israel-Chorus (Joshua); Thou shalt bring them in-Saville (Israel in Egypt); O God@like Youth-Miss Dall; Sinfonia on Carrillons-; Welcome welcome mighty King-Chorus (Saul); Rendi il sereno al ciglio-Harrison (Sosarme); From the censer-Chorus (Solomon); O had I Jubal's lyre-Miss Mahon (Joshua); Ye sacred Priests, Farewell ye limpid springs-Miss Cantelo (Jephtha); The Horse and his Rider-Double Chorus (Israel in Egypt).

Music: End II: concerto on the Piano Forte-Clementi

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Happy Iphis-Miss Poole (Jephtha); The many rend the Skies-Chorus (Alexander's Feast); The Lord is a man of war-Griffiths, Sale (Israel in Egypt); O come let us worship-Harrison (Coronation? Anthems); Behold the Monster Polypheme-Chorus (Acis and Galatea); Ye Men of Gaza-Miss Poole (Samson); Bless the true Church and save the King-Saville, Chorus (Athalia); The Mansion of Peace-Harrison (composed by Webbe).

Afterpiece Title: Grand Selection 2

Performance Comment: Eleventh Grand Concerto-; As when the Dove-Miss Dall (Acis and Galatea); Dryads and Sylvans-Saville; Lo we all attend-Chorus (Time and Truth); O sing unto the Lord-Miss Cantelo; accompanied on the oboe-Patria; All the whole Earth-Chorus; Tune your Harps-Miss Mahon; Declare his Honour-Chorus; The Waves of the Sea-Saville; O worship the Lord-Miss Cantelo, Harrison; Let all the whole Earth-Chorus (Anthems); Deeper and deeper still, Waft her Angels-Harrison (Jephtha); Fixed in his everlasting Seat-Grand Chorus (Samson).

Afterpiece Title: Grand Selection 3

Performance Comment: Jehovah crown'd-Saville; He comes he comes-Chorus (Esther); Let me wander, Or let the merry Bells ring round-Miss Mahon, Chorus (L'Allegro); Softly sweet-Miss Cantelo (Alexander's Feast); Crown with festal pomp-Chorus (Hercules); Oft on a Plat-Harrison (L'Allegro); As from the power of sacred Lays-Miss Cantelo, Grand Chorus; accompanied on the trumpet-Sarjant (Dryden's Ode); God save Great George our King-.

Music: As17900224

Performances

Mainpiece Title: Judas Maccabaeus; Grand Selection 0; Messiah

Performance Comment: As17900226, but End of Part I Bless the True Church and Save the King-Chorus (Athalia), which was encored by the whole House on Wednesday.

Music: As17900224

Event Comment: [The playbill retains Mrs Crouch, but "Though [her] indisposition occasioned some disappointment, the loss was felt the less, as her place was supplied by the pleasing and unaffected Miss Hagley" (Public Advertiser, 12 Mar.).

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Oft on a plat of rising ground-Cizo (L'Allegro); For unto us a Child is born-Chorus (The Messiah); Ye sacred Priests, Farewell ye limpid springs and floods-Sga Storace (Jephtha); Fallen is the foe-Chorus; Thus we view-Miss Hagley; Disdainful of danger-Dignum, Miss Romanzini, Reinhold (Judas Maccabaeus); Tyrants would in impious throngs-Sga Storace; Tyrants ye in vain conspire-Chorus (Athalia).
Cast
Role: Fallen is the foe Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Let me wander not unseen-Sga Storace; Or let the merry bells ring round-Sga Storace; accompanied with the Carillon-; And young and old come forth-Chorus (L'Allegro); Concerto violin (1st time)-Weichsel; The Smiling dawn-Miss Romanzini (Jephtha); Wretched lovers-Chorus; I rage! I melt! I burn!, O! ruddier than the cherry-Reinhold; Oh! didst thou know the pains, As when the Dove-Miss Hagley (Acis and Galatea); What though I trace-Cizo (Solomon); We worship God-Chorus (Judas Maccabaeus).

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Hautboy Concerto-; Venus laughing from the skies-Chorus (Theodora); Ask if yon damask rose be sweet-Miss Romanzini (Susanna); My arms against this Gorgias, Arm arm ye brave=-Reinhold; We come in bright array-Chorus (Judas Maccabaeus); Hence loathed melancholy, Come thou goddess fair and free-Cizo (L'Allegro); From mighty kings-Miss Hagley (Judas Maccabaeus); To sing and dance, Fix'd in his everlasting seat-Grand Chorus (Samson).

Music: End II: concerto on the violin-Weichsel

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Performance Comment: From the censer-Chorus as17900224; Come thou Goddess-Saville; +Hush ye pretty warbling choir-Miss Mahon; Kings shall be thy nursing fathers-Grand Chorus; Softly rise-Harrison; Ye southern breezes-Chorus; What though I trace-Miss Poole all as17900317 Venus laughing from the skies-Chorus (Theodora); Let the bright Seraphim-Miss Cantelo; Let their celestial Concerts all unite-Chorus.

Afterpiece Title: Grand Selection 2

Performance Comment: First Grand Concerto-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; With ravish'd ears-Miss Mahon; Bacchus ever young and fair-Griffiths; Baccahus' blessings are a treasure-Chorus (Alexander's Feast); Consider fond shepherd-Miss Dall (Acis and Galatea); Disdainful of danger-Saville, Harrison, Sale; Pious Orgies-Miss Cantelo (Judas Maccabaeus); No more to Ammon's God-Chorus as17900317 The Prince unable-Miss Poole as17900319 The Horse and his Rider-Double Chorus as17900224.

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Performance Comment: Overture-; Comfort ye my people, Every valley-Harrison; And the glory of the Lord-Chorus; Behold a virgin shall conceive-Saville; O thou that tellest good tidings-Saville, Chorus; For behold! darkness shall cover the earth, The people that walked-Sale; He was cut off, But thou didst not leave his soul-Miss Dall; Life up your heads O ye gates-Chorus; I know that my Redeemer liveth-Miss Cantelo; Hallelujah! for the Lord God omnipotent reigneth-Grand Chorus.

Music: As17900219

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: The Little Hunchback

Cast
Role: The Hunchback Actor: Quick

Dance: End II: As17891013; End: The Guardian Outwitted (1st time at this theatre)-Byrne, Boyce, Ratchford, the two Miss Simonets. [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.

Performance Comment: [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.]
Event Comment: Benefit for Wrighten, prompter. [Afterpiece in place of The Farm-House, advertised on playbill of 22 Apr.] Gazetteer, 21 Apr.: Tickets to be had of Wrighten, No. 25, Bow-street, Covent-Garden. Receipts: #326 19s. (64.7.0; 13.4.6; 2.5.6; tickets: 247.2.0) (charge: #116 12s. 6d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Pannel

Dance: As17900308

Entertainment: MonologuePrevious: his being the Anniversary of His Majesty's Happy Recovery, British Loyalty; or, a Squeeze for St. Paul's-Bannister Jun

Song: After which: the Stage being decorated and illuminated in the same Superb Stile which it was for the Reception of his Majesty on Dec. the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore

Performance Comment: the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore.
Event Comment: Benefit for Suett. On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. 1st piece: From [The Devil upon Two Sticks, by] Foote. Gazetteer, 28 Apr.: Tickets to be had of Suett, No. 21, King-street, Bloomsbury-square. Receipts: #232 19s. 6d. (62.12.0; 19.18.6; 1.14.0; tickets: 148.15.0) (charge: #107 6s. 4d.)

Performances

Mainpiece Title: The College Of Physicians; Or, Doctor Last's Examination

Afterpiece Title: The Heiress

Cast
Role: Brothers Actor: Benson, Banks
Role: The Lady Actor: Mrs Ward

Afterpiece Title: The Doctor and the Apothecary

Cast
Role: Theresa Actor: Mrs Booth

Song: End II 2nd piece: The Greenwich Pensioner-Dignum

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Taste; or, Frolicks of Fancy

Performance Comment: Prologue [to Barbarossa] (as a Country Boy, from D. Garrick, Esq.)-Bannister Jun.; The Lark at Heaven's Gate-Dignum, Williames, Danby, Miss Romanzini; A Dance-the young D'Egvilles, Miss Blanchet, Miss DeCamp.

Afterpiece Title: Arthur and Emmeline

Entertainment: Monologue. Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby

Performance Comment: Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby.
Event Comment: Benefit for Wild. 1st piece: Not acted these 12 years. [acted 23 Feb. 1784]. 2nd piece [1st time; M. INT 1]. Morning Herald, 20 May: Tickets to be had of Wild, No. 34, Long-acre. Receipts: #274 12s. (149.10; 9.7; tickets: 115.15)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Marc Antony (Emperor of Rome)-Holman; Ventidius (the Roman General)-Harley (Their 1st appearance in those characters); Dollabella-Farren; Alexas-Davies; Serapion (Priest of Isis)-Hull; Cleopatra (Queen of Egypt)-Miss Brunton; Octavia (for that night only)-Mrs Pope (Their 1st appearance in those characters).
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: An Harmonic Festival

Performance Comment: In which the Performers of the Concert of Ancient Music have obligingly offered their Assistance. The Wooden Walls of Old England (composed by Reeve)-Darley; As I saw fair Clora-Johnstone, Bannister; September 13th; or, The Siege of Gibraltar-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; How stands the glass around-Johnstone; Bless the true Church and save the King- (composed by Handel).

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

Event Comment: Tickets delivered for King Lear will be admitted. Account-Book: Tickets delivered by Mrs Lampe, Clarke, Plank, Linton, Mrs Booth, Brandon, Longley, Dalby, Furkins, Pilbrow, Anselmo, Byrne, Copland, Rye, Jealous, Pugh, Berecloth, the Band will be admitted. Receipts: #405 5s. (69.12; 6.7; tickets: 329.6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Love and War

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: A Merry Sketch of Folly and Fashion

Performance Comment: Lee Lewes. In which will be exhibited Characters and Caricatures, many of them entirely new, and others selcted from Subjects of the most approved Wit and Humour. Two very astonishing figures will be introduced, of the late King of Prussia, and his General Ziethen; also the Propagation of a Lie, in Characters as large as life, with several whimsical Paintings in Transparency. The whole prepared for the East Indies, at a prodigious expense. The above two figures cost at Berlin 275 guineas.
Event Comment: Paid 1@2 yrs Kings Taxes for Theatre #84 2s. 6d. Receipts: #146 3s. 6d. (140.3.6; 6.0.0)

Performances

Mainpiece Title: As You Like It

Dance: End I in V: As17901020; In afterpiece: Dancing, as17901123