SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of Sardinia"/1) | (@(roleclean,performerclean) "King of Sardinia")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2634 matches on Performance Title, 2611 matches on Performance Comments, 1593 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: [a tragedy by Alexander Dow]: Never acted before. New Scenes, Dresses and Decorations. This Play was receiv'd with very great Applause Mrs Barry Play'd finely & the Scenes were applauded (Hopkins Diary). Rec'd Stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 8d. Mr King's extra salary #2 (Treasurer's Book). Receipts: #238 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Mayor of Garratt

Event Comment: Mr Daigueville, late Ballet-Master, and First Dancer, at Drury Lane Playhouse begs leave to acquaint the Nobility and Gentry, that he continues to teach the Minuet, Louvre, Cotillions, Allemande, Minuet Dauphine, Country Dances, &c. at his house in King-Square Court, Dean St. Soho. Receipts: #251 14s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Rec'd Stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 6d.; Mr King's extra salary #2; Mr G. Garrick on acct #50. Receipts: #245 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Dance: After the Epilogue: By Desire, The Irish Fair, as17730918

Event Comment: Last time but one of performing the New Tragedy before the Benefits. Rec'd stopages #4 12s. 6d. Paid 4 days salary list #348 14s. 6d.; Mr King's extra salary #2. Receipts: #216 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Event Comment: Benefit for Reddish. Music for Mainpiece composed by an eminent Master. Authorship Henry Jones, Reddish, and Dr Hiffernan (Biographia Dramatica). Rec'd Stopages #2 12s. 6d. Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr Garrick on Acct #50; Mr Costain on note #2 2s. (Treasurer's Book). Receipts: #247 1s. 6d. Charges: #72 10s. Profit: #174 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Event Comment: Benefit for Parsons. Tickets deliver'd by W. Palmer will be taken. Rec'd stopages #31 7s.; Paid salary list #525 2s.; Mr King's extra salary #3.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). Receipts: #195 11s. 6d. Charges: #74 14s. Profits to Parsons: #120 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Irish Widow

Dance: End I Afterpiece: The Irish Fair, as17730918

Event Comment: Benefit for Younger, lately burnt out by the Fire in King Street, Covent Garden. Doors open at half past 5. To begin at exactly half past 6. [Miss Catley returned for this benefit. Description of the Fire in Gentlemen's Magazine, 1774, p. 234.] Charges #67 10s. Profit to Younger, #105 19s.. plus #67 12s. from tickets (Box 216; Pit 76; Gallery 22) (Account Book). [See dl 6 May where Garrick gave Younger & Kennedy #21 as a present to help them. See also dl 25 May.] Receipts: #173 9s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

Song: End I: The Soldier Tir'd of War's Alarms-Miss Catley

Ballet: End: The Wapping Landlady. As17740415 but Orange Woman-Miss Stede[; with Sixfold Hornpipe as17740415

Event Comment: Whitsun Eve No Play. Rec'd from Mr S. Barry's bag #535 15s. 6d.; Paid 5 days salary list #438. Mr King's extra salary #2 10s. (Treasurer's Book)

Performances

Mainpiece Title: None

Event Comment: Afterpiece: By desire. Last time of the company's performing this season. [The Epilogue recites the mock burial of this King of Brentford reviewing certain high points of his management. A mock heroic written by Colman and printed in the Gentleman's Magazine for June 1774 (p. 280). He sold his share for #20,000, which was #5,000 more than he paid for it. (See Page, George Colman, The Elder.) Rec'd half value of ticket returns from 13 servants amounting to #98 3s. 6d. Receipts: #124 8s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Midas

Entertainment: After Opera: the Last New Occasional Epilogue, on the Departure of the Manager,-Miss Barsanti

Event Comment: Benefit for Mr Light, burnt of his music shop by the late fire in King St., Covent Garden

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Song: O What a Charming Thing's a Battle-Bannister; With Hounds and With Horns-Mrs Thompson; Favourite Cantata sung at Ranelagh-Mrs Smith; Nymphs and Shepherds (Arne), Soldier Tir'd of War's Alarm (from Artaxerxes)-Miss Catley

Music: Solos and Concertos on varieties of instruments-

Event Comment: Afterpiece: By Desire. Paid 2 extra Flutes 2 nights (21st incl.) #1; Mr King (glassman) #9 15s. Receipts: #247 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Deserter

Dance: II: The Irish Fair, as17740917

Event Comment: A New Serious Opera. The Music by several eminent composers under the direction of Giordani. Dances under the direction of Lany. New Scenes by Colomba, with magnificent Dresses and Decorations for the Opera and Dances. Tickets Pit and Boxes put together at Half a Guinea. Gallery 5s. Second Gallery 3s. By Command of their Majesties no person whatsoever to be admitted behind the scenes or into the Orchestra. Doors to be opened at 6, to begin at 7:00 p.m. Vivant Rex et Regina. In order to prevent inconveniencies to the ladies in getting to and from their carriages, they are requested to order their coachmen to set down with their horses heads towards Pall Mall, and to take up with their heads towards Picadilly. The door in Market Lane and the King's door for Chairs only

Performances

Mainpiece Title: Armida

Dance: I: Grand Ballet Pirhame et Thisbe-Simonin Vallouis, Mad. Niel Vallouis, Lany, Mlle Bacelli; in which will be introduced a Grand Chaconne-Simonin Vallouis; III: A Grand Dance of Furies-incident to the Opera

Ballet: II: A Grand Ballet Le Baillet de Fleur. La Rose-Mlle Bacelli; Le Zephir-Lany; Boree-Fay; with an Entree-Simonin Vallouis, Mad. Vallouis

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

Event Comment: By Command of their Majesties. [From the Westminster Magazine for March: "On Friday the third instant the Entertainments peculiar to this season commenced. Messrs Bach and Abel were first, and have been at each successive Oratorio since (one night excepted when the King and Queen favored Mr Stanley, with bringing the only good House he has hitherto had), honoured with the presence of their Majesties, who have been accused, we think justly, of partiality to these foreigners, in overlooking Mr Stanley's past services and great personal merits. Justice, however, requires us to observe, that both in point of vocal and instrumental performers, the former have displayed a striking superiority over the latter. The singers at Messrs Bach and Abel's are, Parry, Corse, Mrs Weichsel, Miss Brown and Sga Corri. At Drury Lane, Norris, Reinhold, Mrs Mattocks, Mrs Barthelemon, and a young Lady from the Founding Hospital."

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

Event Comment: [Anthems were Mine Hand be Strenghtened and And the King shall Rejoice (Public Advertiser).

Performances

Mainpiece Title: L'allegro, Il Penseroso

Music: End Part I: Violin@Cello Concerto-Mr Paxton; Part II: Hautboy Concerto-Vincent; After the 1st Anthem: Violin Concerto-Barthelemon (Public Advertiser)

Event Comment: [The Westminster Magazine for October gave a paragraph to a general discussion of the new performers whom Garrick introduced this month. Firske (actually Grist) the young man who played Othello on the seventeenth, Mrs King, Bensley, Yates, and the dancer Sga Paccini.

Performances

Mainpiece Title: None

Event Comment: Mr Garrick inexpressibly fine. Mrs Abington Beatrice, first time-very Great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Sparks and Co. Lace Bill #10 15s. Mr King (glassman) for lustres his bill #75 2s. (Treasurer's Book). [From the Gazeteer and New Daily Advertiser, 7 Nov.: "The desertion of the theatres in consequence of the disease with which so many are afflicted, has been productive of one agreeable effect, that of bringing Mr Garrick forward in Benedict much earlier than was expected. It cannot be a matter of surprise that Roscius should have escaped the infection and his spirits and constitution seems proof against the attacks of age itself; after above 30 campaigns, his ardour and execution appear rather to increase. Benedict owes all its consequence to his attachment; there is a peculiar turn of humour in this soldier that none but Mr Garrick has ever been able to enter into the true spirit of. Last night he supported the character with undiminished excellence, and in the speech where he meditates and then resolves on marriage, he soared beyond himself. Beatrice is Shakespeare's Benedict in petticoats, and very happily has got into the hands of Mrs Abington" (Quoted in Hampden, Eighteenth Century Journal).] Receipts: #264 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Event Comment: By Command. [No mention of the King and Queen in Treasurer's Book.] Paid Mr Grist on act by order #10. Receipts: #280 1s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Queen Mab

Dance: II: The Savage Hunters, as17751118

Event Comment: Mainpiece: By Particular Desire. [MacMillan notes from Kemble: "The Spleen, or Islington Spa was not acted tonight. The Jubilee was perform'd instead of it." The Spleen, tho' advertised was deferred on account of King's illness.] Paid 4 days salary list at #104 1s. 1d. per diem #416 4s. 4d.; Mr Short for attending Jubilee 17 nights #4 5s. Receipts: #212 14s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Jubilee

Event Comment: Benefit for Webster. Mr Barry being ill, the tragedly of King Lear oblig'd to be deferr'd. [A comment in Lloyd's Evening Post for 29 Feb. refers to an incident in cg this evening: "A fellow who sat on the sixth row of the Upper Gallery...Threw a Keg (which he had brought full of liquor into the House) over the Gallery front. It fell upon a lady's head, who sat in that part of the Pit which was railed into the Boxes, but the Lady's hair being dress'd in high ton, the artifical mountain luckily prevented the mischief that otherwise might have been occasioned....The fellow who threw the cask was carried to the Public Office, in Bow Street, and from thence committed to Tothill Fields, Bridewell. As the custom of throwing mugs, bottles, apples, &c. from the galleries of the theatres is equally as wanton and wicked and is frequently the cause of great mischief, it is thought the present culprit will made an example of" (Quoted in Hampden, Journal).

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Syrens

Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Event Comment: Tamerlane (usually presented this Evening) is obliged to be declined, on Account of the Indisposition of two principal Performers. [Mainpiece in place of King Richard III, announced on playbill of 2 Nov.] Receipts: #192 4s. 6d. (191.6.6; 0.18.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Love a-la-Mode

Song: In II: a Song-Leoni

Event Comment: [Mainpiece in place of King Henry VIII, announced on playbill of 3 Sept.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Midas

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Jewell. The Out-standing Tickets of Mr Jewell [from his benefit on 3 Sept.], and those issued for King Richard III will be admitted

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mayor of Garratt

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton

Event Comment: [Mainpiece in place of King Lear, announced on playbill of 3 Nov.] On playbill of 3 Nov.: Tamerlane [usually acted on this night (see 4 Nov. 1782)] is obliged to be laid aside on account of Mrs Barry's Indisposition. Receipts: #92 18s. 6d. (91.10.0; 1.8.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Love a-la-Mode

Dance: End: The Enchantress-Aldridge, Harris, Miss Valois

Song: As17771008