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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King of Portugal"/1) | (@(roleclean,performerclean) "King of Portugal")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5852 results for: Keyword - King of Portugal
We found 2636 matches on Performance Title, 2610 matches on Performance Comments, 1598 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

4901
04 April 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Northern Lass

4902
19 April 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Father's Own Son

4903
23 April 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. This was a new play, but it is not clear that this day was the premiere. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For the surprizall it was a good proofe@By its getting them mony it took well enough@Without which Divell take the Play@Be it never so good the Actors say@But they may thanke God with all their hart@That Lacy plaid Brankadoros part.

Performances

Mainpiece Title: The Surprizal

4904
05 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Knight Of The Burning Pestle

4905
07 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: At the Theatre, where I saw the last act of the Knight of the Burning Pestle, which pleased me not at all

Performances

Mainpiece Title: The Knight Of The Burning Pestle

4906
12 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Brenoralt [or, the Discontented Colonel]

4907
17 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Langbaine (English Dramatic Poets, p. 477): This Play has been received with Success (as I said) in our Time; and as I remember, the deceas'd Mr Lacy acted Jonny Thump, Sir Gervase Simple's Man, with general Applause

Performances

Mainpiece Title: Love In A Maze

4908
19 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen and his daughter, and I and my wife by coach to the Theatre, and there in a box saw The Little Thief well done

Performances

Mainpiece Title: The Little Thief

4909
21 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre to The French Dancing Master, and there with much pleasure gazed upon her (Lady Castlemaine); but it troubles us to see her look dejectedly and slighted by People already. The play pleased us [Pepys and Mrs Pepys] very well; but Lacy's part, the Dancing Master, the best in the world

Performances

Mainpiece Title: The French Dancing Master

4910
22 May 1662 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: We by coach to the Theatre and saw Love in a Maze. The play hath little in it but Lacy's part of a country fellow, which he did to admiration

Performances

Mainpiece Title: Love In A Maze

4911
06 June 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also W. J. Lawrence, Times Literary Supplement, 24 Oct. 1929, p. 846; and J. G. McManaway, "Philip Massinger and the Restoration Drama," ELH: A Journal of English Literary History, 1 (1934), 287-88. The manuscript is in Bod. Rawlinson poet. 20

Performances

Mainpiece Title: The Renegado

4912
23 July 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. John Wright (Historia Histrionica [1699], p. 3): [Hart] Acted the Dutchess in the Tragedy of The Cardinal, which was the first Part that gave him Reputation

Performances

Mainpiece Title: The Cardinal

4913
24 September 1662 @ Theatre in Vere Street

Event Comment: Some time (probably not long) before this date Aglaura [by Sir John Suckling] was acted by the King's Company. Pepys, Diary: Thence to Mr Wotton, the shoemaker's, and there bought a pair of boots, cost me 30s., and he told me how Bird hath lately broke his leg, while he was fencing in Aglaura, upon the stage, and that the new theatre of all will be ready against term

Performances

4914
08 October 1662 @ Whitehall or St. James's

Event Comment: See Boswell, Restoration Court Theatre, pp. 56-57, for a stage which may have been used for the puppets, and also Speaight, English Puppet Theatre, p. 73. Pepys, Diary: To my Lord's again, thinking to speak with him, but he is at White Hall with the King, before whom the puppet plays I saw this summer at Covent-garden are acted this night

Performances

Mainpiece Title: Puppets

4915
16 October 1662 @ Whitehall or St. James's

Event Comment: This play was probably given by the King's Company, which presented it a number of times later. See Noyes, Ben Jonson, pp. 42-43. Evelyn, Diary: I saw Vulpone acted at court before their Majesties &c

Performances

Mainpiece Title: Volpone

4916
21 October 1662 @ The Cockpit in Drury Lane

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 334, 336). The company may have been Jolly's, but it may also have been the King's temporarily acting there. See Sprague, Beaumont and Fletcher, p. 22, and Hotson, Commonwealth and Restoration Stage, pp. 178-79

Performances

Mainpiece Title: Friar Bacon And Friar Bungay

4917
27 October 1662 @ Whitehall or St. James's

Event Comment: Pepys, Diary: Here we staid some time, thinking to stay out the play before the King to-night, but it being The Villaine, and my wife not being there, I had no mind

Performances

Mainpiece Title: The Villain

4918
29 October 1662 @ The City, London

Event Comment: The Lord Mayor's show. Evelyn, Diary: Was my L. Majors shew with a number of sumptuous pageantry, speeches & Verses: I was standing in an house in Cheape side, against the place prepared for their Majesties. The Prince & heire of Denmark was there, but not our King

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

4919
01 November 1662 @ Middle Temple

Event Comment: A play, unidentified, was given at the Middle Temple. Since the Duke's Company acted at the Inner Temple, the King's Company probably Played here. The company received the usual fee of #20. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 170

Performances

4920
10 November 1662 @ Whitehall or St. James's

Event Comment: Pepys, Diary: Having sent for Mr Creed, had thought to have shown my wife a play before the King, but it is so late that we could not

Performances

Mainpiece Title: An Unidentified Play

4921
20 November 1662 @ Whitehall or St. James's

Event Comment: See Boswell (Restoration Court Stage, p. 280), who identifies the company as the King's Company. Evelyn, Diary: Saw the Young Admiral acted coram Rege &c

Performances

Mainpiece Title: The Young Admiral

4922
27 November 1662 @ Whitehall or St. James's

Event Comment: The King's Company. This is the first known performance of the comedy, but it may not be the premiere. Evelyn, Diary: At night saw acted the Committe, a ridiculous play of Sir R. Howards where that Mimic Lacy acted the Irish-footeman to admiration: a very Satyrus or Roscius. Downes, Roscius Anglicanus, p. 16: @For his Just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling; The Court gave him the Bays.

Performances

Mainpiece Title: The Committee

4923
01 December 1662 @ Whitehall or St. James's

Event Comment: The Duke's Company. Pepys, Diary: I to the Cockpitt, with much crowding and waiting, where I saw The Valiant Cidd acted, a play I have read with great delight, but is a most dull thing acted, which I never understood before, there being no pleasure in it, though done by Betterton and by Ianthe [Mrs Saunderson], and another fine wench [Mrs Norton] that is come in the room of Roxalana [Mrs Davenport]; nor did the King or Queen once smile all the whole play, nor any of the company seem to take anyPleasure but what was in the greatness and gallantry of the company

Performances

Mainpiece Title: The Valiant Cid

4924
08 December 1662 @ Whitehall or St. James's

Event Comment: Pepys, Diary: I hearing what play it was that is to be acted before the King tonight, I would not stay

Performances

Mainpiece Title: An Unidentified Play

4925
06 January 1663 @ Stationer's Hall

Event Comment: In an edition of Covent Garden Drollery, M. Summers, p. 67, prints an Epilogue, Spoken by the Lady Mary Mordant, before the King and Queen, at court, to the faithfull Shepherdess; Summers includes a letter (p. 121) from Gerrard to Lord Strafford, 9 Jan. 1662@3, concerning a performance of The Faithfull Shepherdess at Court. In another edition of the Covent Garden Drollery (London, 1928), G. Thorn-Drury argues that the performance belongs to Twelfth Night, 1633@4 (pp. 146-47)

Performances