SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Theatre in Paris"/1) | (@(roleclean,performerclean) "Kings Theatre in Paris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3836 matches on Event Comments, 3153 matches on Performance Title, 3135 matches on Performance Comments, 23 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: (End of Act II) The Rival Knights

Afterpiece Title: Rosina

Performances

Mainpiece Title: King John

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Caldron

Dance: In afterpiece, as17851018

Performances

Mainpiece Title: King John

Afterpiece Title: Too Civil by Half

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Comus

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Romp

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Provocation

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mayor of Garratt

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Oscar and Malvina

Music: In afterpiece: The Harp and Pipes-Myres [recte C. Meyer], Courtney

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Comus

Performances

Mainpiece Title: King John

Afterpiece Title: The Humourist

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Blue Beard

Dance: Dancing, as17921008, but _Ratchford, Holland

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Sprigs of Laurel

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Farm House

Performances

Mainpiece Title: King John

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Performance Comment: Jupiter-Munden; Mercury-Townsend; Momus-Simmons; Paris-Incledon; Juno-Mrs Addison; Pallas-Mrs Clendining; Erynnis-Mr Delpini (1st appearance these 7 years); Iris-Mrs Castelle; Venus-Mrs Mountain; A Description of Part of the Scenery, Machinery. ACT I. The Palace Garden, and Canal of Tyndarus. The introduction of Leda and the Swan. Leda-Mlle St.Amand. The Hesperean Dragon spouting Fire, pursuing Erynnis to recover the Golden Pippin. A Celestial Palace, with a Magnificent Temple, and the Peacock of Juno in Transparency. ACT II. A Plain in Phoenicia, in which Jupiter descends from the Heavens on an Eagle, and Momus on a Goose. A Procession to a Sacrifice. Jupiter in the form of a Bull, bearing Europa, attended by a train of Priests, Virgins, Nymphs, Shepherds. The Sea, with a distant View of the Isle of Crete. Jupiter bearing Europa across the Sea. A View of Mount Idav The Decree of Paris, and the Ascent and Descent of the Deities: Vulcan, Apollo, Mars, Hercules, Bacchus, Pan, Ceres, Diana, Cybele, Flora, Pomona, Proserpine, Hebe. Mercury descends on a Cloud, and Iris on a Rainbow. Pluto rises from the Infernal Regions in a Chariot drawn by Dragons; Neptune in a watery Car, borne by Sea Horses; and Jupiter descends in a Cloud, attended by Hebe and Ganymede. To conclude with the Re-ascent of Jupiter attended by Flying Cupids.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: A Divertisement

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand