SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Katherine Noel"/1) | (@(roleclean,performerclean) "Katherine Noel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 55 matches on Performance Comments, 25 matches on Event Comments, 11 matches on Author, 10 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Lady Mary Bertie to Katherine Noel, 2 Jan. 1670@1: There is letely come out a new play writ by Mr Dreyden who made the Indian Emperor. It is caled the Conquest of Grenada. My brother Norreys tooke a box and carryed my Lady Rochester and his mistresse and all us to, and on Tuestay wee are to goe see the second part of it which is then the first tim acted (Rutland MSS, HMC, 12th Report, Part V [London, 1889], 22). From this letter it is difficult to tell whether by "Tuestay" is meant Tuesday 3 Jan. 1670@1 or Tuesday 10 Jan. 1670@1. Hence, Part II has been entered on both days

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: I have news to send you but that there are two very fine new plays lately acted (HMC, 12th Report, Part V [London, 1889], II, 22)

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: They say the greate Ball is to be danced on Munday night (HMC, 12th Report, Part V, Vol. II, p. 22). If this refers to the ballet, see 9 Feb. 1670@1

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 16 Feb. 1670@1: Here is no newes but that the grand Ballett is not to be danced till Shrove-Munday (HMC, 12th Report, Part V, Vol. II, p. 22). The Bulstrode Papers, 20 Feb. 1670@1: This evening was danced over the grand ballet at Whitehall, wherein the Court appeared in their greatest gallantry imaginable, and the time spent in songs, the chiefest dances and musicke the town could afford (I, 173). Lady Mary Bertie, 23 Feb. 1670@1: I was on Munday atcourt to see the grane ballett danced. It was so hard to get room that wee were forced to goe by four a clocke, though it did not begin till nine or ten. The [they (?)] were very richly [dressed] and danced very finely, and shifted their clothes three times. There was also fine musickes and excelent sing some new song made purpose for it (HMC, 12th Appendix, Part V, Vol. II, p. 22)

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 16 March 1670@1: I have sent you the songs that were in the ballet (HMC, 12th Report, Part V, Vol. II, page 23)

Performances

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Event Comment: Benefit Berry. Mainpiece: Containing the Death of the Duke of Buckingham; The Fall of Cardinal Wolsey; The Divorce and Death of Queen Katherine; The Coronation of Anna Bullen, with the Military Ceremony of The Champion in Westminster Hallv; the Christening of Queen Elizabeth, and many other Historical Passages. Tickets to be had at Mr Berry's, the Corner of Crown-Court in Russel St., Covent Garden, and of Mr Bradshaw. Tickets deliver'd out by Woodburn, Mrs Roberts, and Speer will be taken. Receipts: #130

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry-Berry; Wolsey-Mills; Buckingham-Winstone; Gardiner-Johnson; Cranmer-Turbutt; Norfolk-Havard; Suffolk-Ridout; Lord Chamberlain-Woodburn; Campeius-Shepard; Abergavenny-Raftor; Cromwell-Cross; Lord Sands-Neale; Surveyor-Taswell; Lovel-Ray; Old Lady-Mrs Egerton; Anna Bullen-Mrs Ridout; Queen Katherine-Mrs Roberts.
Cast
Role: Queen Katherine Actor: Mrs Roberts.

Afterpiece Title: The Virgin Unmasked

Dance: I: A Concerto, as17420105; II: The Drunken Peasant, as17411029; III: Le Boufon, as17420325

Song: IV: A Ballad-Lowe; V: Bumper Squire Jones-Beard

Event Comment: Written by Shakespear Containing the Death of the Duke of Buckingham; the Divorce of Queen Katherine; the Fall of Cardinal Wolsey; the Christening of Queen Elizabeth; with many other Historical Passages. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry VIII-Quin; Wolsey-Ryan; Buckingham-Hale; Cranmer-Bridgwater; Norfolk-Cashell; Suffolk-Arthur; Surrey-Gibson; Gardiner-Hippisley; Lord Chamberlain-Ridout; Cromwell-Goodall; Campeius-Chapman; Lord Sands-Woodward; Surveyor-Rosco; Abergavenny-Anderson; Dr Butts-Stoppelaer; Anne Bullen-Mrs Stevens; Old Lady-Mrs Mullart; Queen Katherine-Mrs Pritchard A Representation of the Coronation of Anne Bullenv, the Military Ceremony of the Champion in Westminster Hallv; all other decorations to the play. all other decorations to the play.

Performances

Mainpiece Title: New Spain

Afterpiece Title: Katherine and Petruchio

Dance: As17900723

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: Katherine and Petruchio

Song: In course of Evening: Sigh no more Ladies, Mistress Mine (both composed by Stevens)-Davies, Bannister, Waterhouse, Mrs Iliff, Mrs Bannister

Entertainment: Monologue. As17900816

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Minor

Afterpiece Title: Katherine and Petruchio

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: Katherine and Petruchio

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips

Performances

Mainpiece Title: Horace

Related Works
Related Work: Horace Author(s): Katherine Philips