SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Smith"/1) | (@(roleclean,performerclean) "John Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 9827 matches on Author, 3474 matches on Performance Comments, 1459 matches on Event Comments, 555 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: Paid John Doe and John Claridge 12s. 6d. each for performing 5 nights in the Ass [in Mother Shipton] to the 2nd inst. Paid John Smith 12s. 6d. for performing in the Hog in the same. Paid Younger for writing parts as per bill #7 4s. 10d. (Account Book). [N.B. The three Johns receiv'd 2s. 6d. each for making up in the ass and hog each night Mother Shipton was played for the rest of the season. No further notation will be transcribed of this payment.] Receipts: #152 8s. (Account Book)

Performances

Mainpiece Title: Rule A Wife

Cast
Role: Leon Actor: Smith
Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): John DaltonJohn Milton
Event Comment: Benefit Smith and a Tradesman under Misfortunes. 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Tickets at Ed. Pinchbeck's in Fleet St.

Performances

Mainpiece Title: The Country Lasses; Or, Custom Of The Manor

Performance Comment: Modely-Smith; Heartwell-Bowman (son of Late Bowman of Drury Lane); Flora-Mrs Smith; Aura-Mrs Daniel; Sir John-Daniel.
Cast
Role: Modely Actor: Smith
Role: Flora Actor: Mrs Smith
Role: Sir John Actor: Daniel.
Related Works
Related Work: The Country Lasses: or, The Custom of the Manor Author(s): Charles Johnson
Related Work: The Country Lasses Author(s): Charles Johnson
Related Work: The Farm House Author(s): Charles JohnsonJohn Philip Kemble

Afterpiece Title: The Fond Husband: or, The Intriguing Wife

Song: Blogg, Mrs Freeman

Event Comment: Benefit for Marten, Anderson, R. Smith

Performances

Mainpiece Title: The Relapse

Performance Comment: As17631015, but Shoemaker-Anderson; Sir John Friendly-R. Smith; Miss Hoyden-Mrs Green.
Cast
Role: Sir John Friendly Actor: R. Smith
Role: Loveless Actor: Smith
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Mattocks
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: II: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.
Cast
Role: Hotspur Actor: Smith
Role: Prince John Actor: Lamash

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Dance: End II: Comic Dance-the Miss Stageldoirs

Event Comment: Benefit for Smith. Mainpiece: Not acted these 4 years [acted 31 Mar. 1777]. Public Advertiser, 2 Mar.: Tickets to be had of Smith at his house, Beaufort Buildings, Strand. Receipts: #243 17s. 6d. (129.3.0; 18.17.6; 2.9.0; tickets: 93.8.0) (charge: #74 15s. 6d.)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Philimore; Sir Bashful Constant-Yates; Mrs Lovemore-Miss Younge; Muslin-Miss Pope; Lady Constant (1st time)-Mrs Brereton; Mignionet-Mrs Bradshaw; Widow Belmour (with a song in character)-Mrs Abington.
Cast
Role: Lovemore Actor: Smith
Role: John Actor: Philimore

Afterpiece Title: The Camp

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): John O'Keeffe
Event Comment: Benefit for Smith. [See note for 6 March.] Part of Pit laid into Boxes. Ladies send servants by half past 4 o'clock, and those who have taken places in the Pit requested to come early to prevent Confusion in getting to their seats. Tickets deliver'd for Lady Jane Grey will be taken. Charges #65 10s. Profit to Smith #84 6s. 6d., plus #172 15s. from tickets (Box 640; Pit 85). Paid Blanchville Clark as per certificate from Sir John Fielding 10s. (Account Book). Receipts: #149 16s. 6d

Performances

Mainpiece Title: The Earl Of Warwick

Performance Comment: Earl of Warwick-Smith; King Edward-Bensley; Pembroke-Perry; Buckingham-Wignel; Officer-Thompson; Messenger-R. Smith; Suffolk-Gardner; Lady Eliz Grey-Mrs Mattocks; Lady Clifford-Miss Pearce; Margaret of Anjou-Mrs Yates; The Original Epilogue by Garrick-Mrs Yates.
Cast
Role: Earl of Warwick Actor: Smith
Role: Messenger Actor: R. Smith

Afterpiece Title: Man and Wife

Dance: End: The Irish Lilt, as17721028

Event Comment: Paid John Doe for performing five nights in the Ass to 28 Oct. 12s. 6d.; Paid John Clarridge for ditto 12s. 6d.; Paid John Smith for ditto in the Hog, 12s. 6d. (Account Book). [Apparently animals in Mother Shipton.] Receipts: #230 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Cast
Role: Raleigh Actor: R. Smith
Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Afterpiece Title: The Fairy Prince

Event Comment: [Mainpiece advertised on this bill as Never Performed" (playbill).] Paid John Doe, John Claridge, and John Smith each #1 12s. 6d. for performing 13 nights in the Ass and the Hog [in Mother Shipton] to the 7th inst. (Account Book). [See account of damning of mainpiece in Town and Country Magazine (Theatre No. XXXV). Halfpennies and apples thrown at chandeliers and one broken.] Receipts: #243 6s. 6d. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Cast
Role: Lord Seaton Actor: Smith

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: Not acted these 3 years. [See 27 Nov. 1765. Hogan noted the following additions from the 1770 edn.: Mortimer-Lewes; Glendower-Morris; Prince John-Miss Cockayne; Northumberland-Redman; Gadshill-P. Smith; Peto-Wild.] Receipts: #149 17s. 6d

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Falstaff

Performance Comment: Hotspur-Smith; King-Gibson; Worcester-Hull; Prince of Wales-Wroughton; Vernon-Davis; Douglas-Gardner; Falstaff-Shuter; Poins-Perry; Westmorland-Cushing; Blunt-R. Smith; Bardolph-Wignell; Francis-Hamilton; Carriers-Dunstall, Quick; Hostess-Mrs Pitt; Lady Percy-Mrs Bulkley.
Cast
Role: Hotspur Actor: Smith
Role: Blunt Actor: R. Smith
Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne
Related Work: The Misery of Civil War Author(s): John Crowne
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Afterpiece Title: The Rape of Proserpine

Dance: II: The Merry Sailors, as17691018

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Cast
Role: Sir Fopling Actor: Smith
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Cast
Role: Scandal Actor: Smith
Event Comment: By His Majesty's Command. Afterpiece: a New Dramatick Entertainment of Musick and Grotesque Dancing. Edition of 1740: Set to Musick by Mr John-Frederick Lampe. [For further letters concerning John Hill and Rich, see London Daily Post and General Advertiser, 11 and 12 Feb.

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Orpheus and Eurydice: With The Metamorphoses of Harlequin

Performance Comment: Orpheus-Salway; Rhodope-Mrs Lampe; Eurydice-Miss Young; Followers of Eurydice-Mlle Roland, Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mrs Ozanne; Pluto-Leveridge; Ascalax-Laguerre; Daemons-Villeneuve, Delagarde, Richardson; Harlequin-Lun; Colombine-Mrs Kilby; Pantaloon-Grimaldi; Squire Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Thompson; Drudge-Hippisley; Woman Dwarf-French Boy; Country Lads-Desse, Villeneuve, Richardson, Dupre; Lasses-Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mlle Ozanne; Rural Swain and Nymph-Glover, Mlle Roland; Arcadian Shepherdess-French Girl; Swains-Desse, Villeneuve, Richardson, Delegarde, Fromont, Dupre; Villagers-Waltz, Berry, Lad, Thompson, Roberts, Smith, Davies, Mrs Wright, Mrs Chambers, Miss Davies.
Event Comment: Benefit for Smith

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Barry; Sir John-Bridgwater; Sealand-Sparks; Tom-Dyer; Phillis-Mrs Vincent; Cimberton-Arthur; Mrs Sealand-Mrs Bambridge; Lucinda-Mrs Baker; Humphrey-Anderson; Isabella-Miss Ferguson; Daniel-Collins; Myrtle-Smith, 1st time; Indiana-Miss Bellamy; Singing-Lowe.
Cast
Role: Sir John Actor: Bridgwater
Role: Myrtle Actor: Smith, 1st time

Afterpiece Title: The Lying Valet

Dance: Maranesi, Sga Bugiani

Event Comment: Mon: 29 Sept. Mr Rich open'd wth ye Nonjuror. Mr Smith not coming to town, Mr Palmer, from Drury Lane, play'd Frankly wth great Applause (Cross). Jno. Rich paid to Charlotte Lane for the Theatre for Mr Sparks in Dr Wolfe for a superfine full trim'd black cloth coat and breeches, 14s. Sewing silk & twist 4s. 6d. Buckram stays 2s. 6d. Frilly sleeve lining, pockets, & interlining Cuffs 2s. 6d. Hair Cloth, wadding & Poll Davy 5s. Dimety lining, leather pockets, & silk garters 6s. 6d. 4 doz 2 Coat Death's Head Buttons at 14d.-4s. 11d. 12 breast ditto at 7d.-7s. 7d. 5 yds fine black shaloon at 2s. 2d.-10s. 10d. Making a Camblet Surtout Coat, 7s. 6d. Sewing silk, twist, buckram & stays, 4s. Velvet to line the collar, 1s. 17 Coat, 1 breast black basket buttons, 1s. 8d. (MS list Folger Library, Davies, Life of Garrick, Extra Illustrated, II, 322)

Performances

Mainpiece Title: The Non Juror

Performance Comment: Dr Wolf-Sparks; Sir John-Ridout; Colonel-Dyer; Heartly-Smith; Charles-White; Lady Woodvil-Mrs Elmy; Maria-Mrs Woffington.
Cast
Role: Sir John Actor: Ridout
Role: Heartly Actor: Smith

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for furnishing the new Wards in the Middlesex Hospital. Paid Charlotte Lane for altering a cloth coat, and green corded silk waistcoat lac'd with silver for Mr Wm. Smith, 5s. 6d.; shalloos back & bod lining to coat & stiffening, 3s. (MS list in Davies, Life of Garrick II, 332). [The Occasional Prologue, written by Mr Boyce was publish'd in the Public Advertiser 19 Dec. 1755]: @And, Britons, Godlike charity is yours...@'Tis yours to silence Misry's plaintive moan@And make the grief of others all your own...@Give balm to Nature's accidental woes,@And sooth th'impovrish'd matron's pregnant throes...@ [The Epilogue, written by C. Smart, and spoken by Shuter in the character of a Man-midwife, was published in the same paper: Shuter enters with a child]: @Whoe'er begot thee has no cause to blush:@Thou'rt a brave chopping boy (child cries) nay, hush, hush, hush.@.......................@Nay if you once begin to puke and cough@Go to the nurse. Within, here, take him off.@Well Heav'n be prais'd, it is a peopling age,@Thanks to the Bar, the Army, and the Stage...

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Barry; Myrtle-Smith; Sir John Bevil-Gibson; Cimberton-Arthur; Humphrey-Anderson; Daniel-Collins; Tom (with a song in Character)-Dyer; Sealand-Sparks; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Lucinda-Mrs Baker; Indiana-Mrs Bellamy; Phillis-Mrs Woffington; Occasional Prologue-Mrs Woffington; and an Epilogue-Shuter.
Cast
Role: Myrtle Actor: Smith
Role: Sir John Bevil Actor: Gibson

Afterpiece Title: The Cheats of Scapin

Cast
Role: Sly Actor: R. Smith.

Dance: Mrs Roland; and "By Desire" the Fingalian Dance, as17551126

Song: Lowe

Event Comment: Receipts: #58 4s. Paid for sundries for Mr Ross, viz.: a hat at #1 1s. and a pair of shoes at 14 shillings for Essex; a pair of black shoes at 14 shillings and a pair of black shammy shoes at 10s. 6d. for Hamlet (Account Book). [See Hamlet in Shammy Shoes, by John Yoklavitch, Shakespear Quarterly, III (1952), pp. 209-18.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Ross; Myrtle-Smith; Sir John-Gibson; Sealand-Sparks; Cimberton-Arthur; Tom-Dyer; Humphrey-Anderson; Daniel-Collins; Lucinda-Mrs Baker; Phillis-Mrs Vincent; Mrs Sealand-Mrs Stephens; Isabella-Miss Ferguson; Indiana-Mrs Hamilton; with Singing-Lowe.
Cast
Role: Myrtle Actor: Smith
Role: Sir John Actor: Gibson

Afterpiece Title: Merlin (Harlequin Skeleton)

Dance: JJovial Coopers, as17571107

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall; Sir John-Bensley; Flower-Morris; Brush-Dyer; Canton-Quick; Traverse-Thompson; Truman-R. Smith; Miss Sterling-Mrs Gardner; Fanny-Mrs Mattocks; Betty-Mrs Lessingham; Chambermaid-Miss Ward; Mrs Heidleberg-Mrs Green.
Cast
Role: Sir John Actor: Bensley
Role: Truman Actor: R. Smith

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: [Mrs Siddons's 1st appearance as Mrs Lovemore was at Bath, 31 Oct. 1778. Afterpiece in place of The Humourist, announced on playbill of 25 Nov.] "[Mrs Siddons's] retort courteous, mimicry of laugh, and listless indifference of Lovemore were truly excellent . . . [Miss Farren's] descriptions of Ranelagh Ladies meeting, &c. were highly seasoned, and had an excellent counterpart in Smith's appendix" (Public Advertiser, 28 Nov.). Receipts: #232 2s. 6d. (219/3/0; 12/17/0; 0/2/6)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Widow Belmour (with a song in character)-Miss Farren; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Mrs Lovemore-Mrs Siddons(i st appearance in that character [in London]) .in London]) .
Cast
Role: Lovemore Actor: Smith
Role: John Actor: Phillimore

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Ld. Trinket-Simpson; Major Oakly-Follett Sen.; Sir Harry Beagle-Follett Jun.; Charles-Cooper; Russet-Connor; Captain O'Cutter-Grace; Tom-Curtis; John-Smith; Paris-Gaudry; Mr Oakly-L'Estrange; Mrs Oakly-Mrs Hunter; Harriet-Mrs Marsh; Toilet-Mrs Waldron; Lady Freelove-Mrs Greville.
Cast
Role: John Actor: Smith

Afterpiece Title: The Ephesian Matron

Related Works
Related Work: The Ephesian Matron Author(s): Charles Johnson

Afterpiece Title: The Irish Widow

Dance: End I 3rd piece: Hornpipe-Alison

Event Comment: 2nd piece [1st time; F 1, by Thomas John Dibdin; incidental music by John Moorehead]: Altered from [Die Witwe und das Reitpferd, This Day is published The Horse and the Widow (1s.). 3rd piece: Altered into Two acts. Receipts: #187 17s. 6d. (180.6.6; 7.11.0)

Performances

Mainpiece Title: The Birth Day

Cast
Role: Captain O'Neill Actor: Johnstone
Related Works
Related Work: The Birth Day; or, The Prince of Arragon Author(s): John O'Keeffe

Afterpiece Title: The Horse and the Widow

Performance Comment: Principal Characters by Johnstone, Murray, Emery, Farley, Abbot, Mrs Davenport. Cast from text (J. Barker, 1799): Killruddery-Johnstone; Touchwood-Murray; Ferret-Emery; Count Sans Chateau-Farley; Peter-Abbot; Mrs Touchwood-Mrs Davenport.
Cast
Role: Killruddery Actor: Johnstone

Afterpiece Title: Albert and Adelaide

Performance Comment: Principal Characters-Incledon, Emery, Clarke, Betterton, Townsend, Miss Gilbert, Simmons, Claremont, Mrs Atkins, Miss Walcup, Mrs Whitmore, Mrs Chapman; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee; Chorus of Guards in the Castle-Linton, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel. [And see17981211.]And see17981211.]

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray

Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Performance Comment: Edition of 1682: The Prologue-; Sir Charles Kinglove-Smith; Heartall-Williams; Broom-Bowman; Sir Oliver Oldcut-Lee; Sir Paul Eitherside-Jevan; Captain Jonas-Persival; Copyhold-Underhill; Slouch-Bright; Camilla-Mrs Betterton; Aurelia-Mrs Twyford; Philipa-Mrs Petty; The Epilogue-Mr Underhill.
Cast
Role: Sir Charles Kinglove Actor: Smith
Event Comment: Benefit the Author, Mr Johnson of Chesire. Never Acted before. [See Remains of John Byrom, Vol. I, Part II, pp. 349-50.

Performances

Mainpiece Title: Hurlothrumbo; Or, News From Terra Australis Incognita: With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.
Related Works
Related Work: Hurlothrumbo; or, News from Terra Australis Incognita: With the Whimsical Flights of My Lord Flame Author(s): Samuel Johnson
Event Comment: Mainpiece: A New Tragedy [by John Hoole] never perform'd. Paid Younger for a license for Cyrus & the New Occasional Prologue, #3 3s. (Account Book). [Account of the plot of the mainpiece, but without observational comment appeared in Lloyd's Evening Post, 2-5 Dec.] Receipts: #229 4s. (Account Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Parts by Powell, Clarke, Smith, Hull, Bensley, Mrs Lessingham, Mrs Yates. With a Prologue-; Epilogue-; Cyrus-Powell; Cambyses-Smith; Mithranes-Bensley; Astyages-Clarke; Harpagus-Hull; Mandane-Mrs Yates; Aspasia-Mrs Mattocks (1768 edn. The edn. lists Mirza-Davis, but Davis does not appear on the playbill, which lists Mrs Lessingham, though no part appears for her in the 1768 edn.). Mrs Lessingham played Aspasia according to the listing in Lloyd's Evening Post, 2 thru 5 Dec.
Cast
Role: Cambyses Actor: Smith
Related Works
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks
Related Work: Cyrus Author(s): John Hoole

Afterpiece Title: Country Wife

Related Works
Related Work: The Country Wife Author(s): John Lee
Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Performance Comment: Parts-Woodward, Shuter, Morris, Lewes, R. Smith, Davis, Dunstall, Perry, Quick, Wignell, Fox, Herbert, Mrs Green, Mrs Gardner, A Young Gentlewoman, who never appeared on any stage, Mrs Mattocks, Mrs Bulkley. With a Prelude-; Marcourt-Woodward; Cross-Shuter; Landlord-Morris; Luke-Lewes; Fleece-R. Smith; Buck-Davis; Kitchen-Dunstall; Col. Frankly-Perry; Ostler-Quick; Snarl-Wignell; Passengers-Fox, Herbert; Mrs Cross-Mrs Green; Landlady-Mrs Gardner; Sally-A Young Gentlewoman who never appeared on any stage; Miss Mary Linley, afterwards Mrs Tickell (Winston MS 10); Lettice-Mrs Mattocks; Charlotte-Mrs Bulkley; Passengers-Miss Pearce, Mrs Copin; With a Prelude, Dapperwit-Dyer; Jenkins-Hull; Townly-Wroughton (Edition of 1770).

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Event Comment: Mainpiece: Altered from [The Relapse, by] Sir John Vanbrugh [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick (see edition of 1781)]. The Characters new dressed. Receipts: #229 7s. 6d. (217.13.0; 10.8.0; 1.6.6)

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Loveless-Smith; Lord Foppington-Dodd; Sir Tunbelly Clumsey-Moody; Col. Townly-Brereton; Probe-Parsons; Lory-Baddeley; Young Fashion-Reddish; Miss Hoyden-Mrs Abington; Amanda-Mrs Robinson; Berinthia-Mrs Yates; The other parts-Burton, Lamash, Carpenter, Wrighten, Norris, Nash, Everard, Mrs Bradshaw, Mrs Booth, Miss Platt, Mrs Smith; Edition of 1781 (G. Wilkie) specifies: La Varole-Burton; +Jewelle-Lamash; +Shoemaker-Carpenter; +Hosier-Norris; +Taylor-Baker (see17770225); +Nurse-Mrs Bradshaw; +Mrs Coupler-Mrs Booth; New +Prologue-King.

Afterpiece Title: The Waterman

Dance: End III: The Triumph of Love, as17761107: