11 March 1676

Event Information
Theatre: Dorset Garden Theatre
Theatrical Season: 1675-1676
Volume: 1
Comments: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performance List

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  • Original Data

    Source: London Stage Information Bank

    *p?dg The Man of Mode; or, Sir Fopling Flutter. [Edition of 1676:% Prologue [by $Sir Car Scroope Baronet=%-; Epilogue [by $Mr Dryden=%-; [$Downes= (<i>Roscius Anglicanus</i>, p. 36):% Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as $Mrs Mary Lee=]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford. *c?dg The <i>Duke's Company</i>. This performance is on the <i>L. C. list</i>, 5@142, p. 81: At <i>the Man of Mode</i>. See also <i>Nicoll, Restoration Drama</i>, p. 348. $Nell Gwyn= also attended this performance. See $VanLennep=, <i>Nell Gwyn's Playgoing</i>, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. $Downes= (<i>Roscius Anglicanus</i>, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, <i>As Amoret with Phyllis sat</i>, the words by $Sir Car Scroope= and the music by $Nicholas Staggins=, is in <i>Choice Ayres and Songs</i>, The Second Book, 1679; another, <i>When first Amintas charmed my heart</i>, the music by $Staggins=, is in the same collection, Fifth Book, 1684. $John Dennis=: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with <i>Dorimont</i>r (<i>A Defence of Sir Fopling Flutter</i>, 1722, p. 18). For the full text of Dennis' discussion of this play, see <i>The Critical Works of John Dennis</i>, ed. $E. N. Hooker= (<i>Baltimore</i>, 1943), II, 241-50.
  • Cleaned Data

    *p1676 03 11 dg The Man of Mode; or, Sir Fopling Flutter. Edition of 1676: Prologue [by $Sir Car Scroope Baronet=-; Epilogue [by $Mr Dryden=-; [$Downes= (<i>Roscius Anglicanus</i>, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as $Mrs Mary Lee=]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.*c1676 03 11 dg The <i>Duke's Company</i>. This performance is on the <i>L. C. list</i>, 5@142, p. 81: At <i>the Man of Mode</i>. See also <i>Nicoll, Restoration Drama</i>, p. 348. $Nell Gwyn= also attended this performance. See $VanLennep=, <i>Nell Gwyn's Playgoing</i>, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. $Downes= (<i>Roscius Anglicanus</i>, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, <i>As Amoret with Phyllis sat</i>, the words by $Sir Car Scroope= and the music by $Nicholas Staggins=, is in <i>Choice Ayres and Songs</i>, The Second Book, 1679; another, <i>When first Amintas charmed my heart</i>, the music by $Staggins=, is in the same collection, Fifth Book, 1684. $John Dennis=: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with <i>Dorimont</i>r (<i>A Defence of Sir Fopling Flutter</i>, 1722, p. 18). For the full text of Dennis' discussion of this play, see <i>The Critical Works of John Dennis</i>, ed. $E. N. Hooker= (<i>Baltimore</i>, 1943), II, 241-50.
  • Parsed Data

    Event: 1213 | 16760311 | dg | The <i>Duke's Company</i>. This performance is on the <i>L. C. list</i>, 5@142, p. 81: At <i>the Man of Mode</i>. See also <i>Nicoll, Restoration Drama</i>, p. 348. $Nell Gwyn= also attended this performance. See $VanLennep=, <i>Nell Gwyn's Playgoing</i>, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. $Downes= (<i>Roscius Anglicanus</i>, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, <i>As Amoret with Phyllis sat</i>, the words by $Sir Car Scroope= and the music by $Nicholas Staggins=, is in <i>Choice Ayres and Songs</i>, The Second Book, 1679; another, <i>When first Amintas charmed my heart</i>, the music by $Staggins=, is in the same collection, Fifth Book, 1684. $John Dennis=: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with <i>Dorimont</i> (<i>A Defence of Sir Fopling Flutter</i>, 1722, p. 18). For the full text of Dennis' discussion of this play, see <i>The Critical Works of John Dennis</i>, ed. $E. N. Hooker= (<i>Baltimore</i>, 1943), II, 241-50
    Performance: 1216 | 1213 | p | The Man Of Mode; Or, Sir Fopling Flutter | Edition of 1676: Prologue [by $Sir Car Scroope Baronet=-; Epilogue [by $Mr Dryden=-; [$Downes= (<i>Roscius Anglicanus</i>, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as $Mrs Mary Lee=]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
    Cast:
    1431 | 1216 | Sir Car Scroope Baronet=
    1432 | 1216 | Mr Dryden=
    1433 | 1216 | Dorimant | Betterton
    1434 | 1216 | Medly | Harris
    1435 | 1216 | Sir Fopling | Smith
    1436 | 1216 | Old Bellair | Leigh
    1437 | 1216 | Young Bellair | Jevon
    1438 | 1216 | Mrs Loveit | Mrs Barry
    1439 | 1216 | Bellinda | Mrs Betterton
    1440 | 1216 | Lady Woodvill | Mrs Leigh
    1441 | 1216 | Emilia | Mrs Twiford.

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Comments:
Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Cast:

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