SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Lacy"/1) | (@(roleclean,performerclean) "John Lacy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9833 matches on Author, 1862 matches on Performance Comments, 1204 matches on Event Comments, 324 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late

Performance Comment: Troilus-Ryan; Hector-Walker; Achilles-Hale; Ulysses-Aston; Diomedes-Chapman; Ajax-Hall; Priam-Morgan; Aeneas-Houghton; Pandarus-Hippisley; Agamemnon-Lacy; Calchas-Neale; Patroclus-Salway; Menelaus-Wignell; Thersites-Quin; Nestor-Dawson; Andromache-Mrs Buchanan; Cressida-Mrs Bullock .
Cast
Role: Agamemnon Actor: Lacy
Related Works
Related Work: Troilus and Cressida; or, Truth Found Too Late Author(s): John Dryden

Dance: By Maker and Mlle Salle

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17331201, but Macheath-Salway; Player-Wignell; Mat-Lacy .
Cast
Role: Mat Actor: Lacy
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Dance: Tambourine by Miss Rogers. The Kilkenny by Glover and Mrs Laguerre. Scot's Dance by Glover and Mrs Laguerre

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mullart; Peach'em-Aston; Lockit-Jones; Mat-Lacy; Filch-Turner; Polly-Mrs Charke; Lucy-Mrs Mullart; Mrs Peach'em-Mrs Talbot; Jenny-Miss Brunette; Dolly-Miss Bennet. hathi.
Cast
Role: Mat Actor: Lacy
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Tragedy of Tragedies

Dance: Hornpipe by Taylor

Song: A New Ballad (never sung before) In Praise of English Plumb Pudding by Mullart

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Marc Antony-Lacy (1st appearance in that character); Dollabella-Brereton; Alexis-Farren; Serapion-Chambers; Romans-Chaplin, Norris; Ventidius-Palmer; Octavia-Mrs Robinson (1st appearance in that character); Charmion-Mrs Johnston; Iras-Mrs Colles; Cleopatra-Miss Younge.
Cast
Role: Marc Antony Actor: Lacy
Role: Charmion Actor: Mrs Johnston
Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: A ChristmasTale

Dance: As17780422

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Related Works
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley
Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Related Works
Related Work: Wit Without Money Author(s): John Fletcher
Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Sir John Brute Actor: Garrick
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Chinese Festival

Event Comment: Benefit Hippisley. Afterpiece: [By Lacy Ryan.] Receipts: money #64 18s.; tickets #111 13s. Probable attendance: boxes, 116 by money and 185 by tickets; stage, 31 by money; pit, 37 by money and 346 by tickets; slips, 13 by money; first gallery, 110 by money and 135 by tickets; second gallery, 122 by money

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Cobler's Opera

Related Works
Related Work: The Cobler's Opera Author(s): Lacy Ryan
Event Comment: Betterton's Company. A playbill for this performance was once in the possession of Thomas Hailes Lacy (1809-73); Fitzgerald, A New History, I, 389, refers to it; the playbill seems no longer to be extant

Performances

Mainpiece Title: The Maid's Tragedy

Related Works
Related Work: The Maid's Tragedy Author(s): John Fletcher
Event Comment: Benefit Hall and Chapman. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #32 5s. 3d.; tickets #109 4s

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Cobler's Opera

Related Works
Related Work: The Cobler's Opera Author(s): Lacy Ryan

Dance: TTwo Pierrots-Salle, Pelling; Fingalian-Newhouse, Mrs Ogden; Scottish Dance-Mrs Bullock

Performances

Mainpiece Title: The Distrest Wife

Performance Comment: Parts by Ryan, Quin, Neal, Chapman, Aston, Salway, Morgan, Hall, Mrs Younger, Mrs Buchanan, Miss Binks, Miss Norsa, Mrs Stevens, Mrs Younger, Mrs Lacy, Mrs Forrester .
Related Works
Related Work: The Distrest Wife Author(s): John Gay

Dance: By Maker and Mlle Salle

Event Comment: SSignor Campioni first danc'd here--well (Cross). Afterpiece: With Scenes, Music, Cloths and Decorations entirely new. Paid Rigg (a Smith) #2 10s.; Mr Oram (Scene Painter) on acct #30 by order Mr Lacy (Treasurer's Book). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Acis and Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles
Event Comment: Mainpiece: Not acted these 5 years. [See 21 March 1768.] Paid Mr Davies's note to Dennis #6 6s.; ditto to Lacy, #3 6s. 3d.; Rec'd Mr Condill for Fruit Office (1st payment) #20. (Treasurer's Book). Receipts: #197 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Ventidius-Aickin, first time; Antony-Barry; Dolabella-Palmer; Cleopatra-Miss Younge, first time; Octavia-Mrs Barry, first time; Alexas-J. Bannister; Iras-Miss Platt; Serapion-Bransby; Charmion-Mrs Johnston; Mysis-Keen; Romans-Ackman, Wrighten.
Cast
Role: Charmion Actor: Mrs Johnston
Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: The Elopement

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Related Works
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards Author(s): John Dryden
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performance Comment: [Altered from John Webster, Appius and Virginia, probably by ThomasBetterton.] Downes (Roscius Anglicanus, p. 30): Virginius-Betterton; Appius-Harris; Virginia-Mrs Betterton. [An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.
Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster

Performances

Mainpiece Title: The Beggar's Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.
Related Works
Related Work: The Beggar's Bush Author(s): John Fletcher

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: All the Parts to be perform'd by Lilliputians, but edition of 1728 lists: Peachum-Mary Shaftoe; Lockit-James Bencraft; Nimming Ned-James Bencraft; Macheath-Elizabeth Binks; Filch-Henry Woodward; Ben Budge-Henry Woodward; Beggar-Henry Woodward; Crookfinger'd Jack-James Weeks; Wat Dreary-James Weeks; Robin-John Wilson; Harry Paddington-Fisher Tench Charke; Player-Fisher Tench Charke; Mat-John Verhuyck; Mrs Peachum-Esther Wherrit; Diana Trapes-Esther Wherrit; Mrs Slammekin-Esther Wherrit; Polly-Elizabeth Rogers; Lucy-Susanna Rogers; Mrs Coaxer-Margaret Lowe; Dolly Trull-Sarah Foxwell; Mrs Vixen-Mary Vincent; Betty Doxy-Mary Weyman; Jenny Diver-Margaret Gold; Sukey Tawdry-Beatrice Boitar; Molly-Susanna Caun.
Cast
Role: Robin Actor: John Wilson
Role: Mat Actor: John Verhuyck
Related Works
Related Work: The Beggar's Opera Author(s): John Gay
Event Comment: Benefit John Roberts, now Confin'd in the Fleet Prison. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Sir John Actor: Cibber
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Lottery

Dance:

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Duke-Packer; Petruchio-Aickin; Antonio-Waldron; Peter-Burton; Antony-Phillimore; Francisco-Chaplin; Surgeon-Jones; Frederick-Barrymore; 1st Constantia-Mrs Ward; Mother-Mrs Hopkins; Landlady-Mrs Love; Nurse-Mrs Booth; 2nd Constantia-Miss Farren. [Edition of 1791 (John Bell) adds: Musician-$Spencer; Antonio's Boy-$Alfred; Kinswoman-$Miss Barnes.]
Cast
Role: Don John Actor: Palmer
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Waterman

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Related Works
Related Work: The Roman Actor Author(s): John Philip Kemble

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Related Works
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): John Philip Kemble

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Edition of 1668: No actors' names. Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 28): Sir Martin Marall-Nokes; Sir John Swallow-Smith; Lord Dartmouth-Young; Old Moody-Underhill; Warner-Harris; Lady Dupe-Mrs Norris; Mrs Millisent-Mrs Davies.
Cast
Role: Sir John Swallow Actor: Smith
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Cast
Role: John Dryden Actor: Mohun.
Related Works
Related Work: Wit Without Money Author(s): John Fletcher

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part I

Performance Comment: Edition of 1677: The Prologue to the First Part-; the Epilogue to Part II states that Mrs Marshal acted Queen Berenice. The Epilogue to the First Part-; Downes (Roscius Anglicanus, p. 13): Titus Vespasian-Kynaston; Phraartes-Hart; Matthias High Priest-Major Mohun; John-Cartwright; Clarona D. to Matthias-Mrs Boutell; Queen Berenice-Mrs Marshall.
Cast
Role: John Actor: Cartwright
Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne
Related Work: The Misery of Civil War Author(s): John Crowne
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Related Works
Related Work: The City Politiques Author(s): John Crowne