Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Event Comment: Benefit for Bannister. 3rd piece [1st time: INT 1. Larpent MS 1218; not published]: A Sequel [to Sylvester Daggerwood], written by John? O'Keeffe. Times, 24 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #318 17s. (86.6.0; 44.4.6; 2.0.6; tickets: 186.6.0, of which Bannister to pay for half over #100) (charge: none listed)

Event Comment: The last Night of the Company's performing this season. [This was John Palmer's last appearance in London. He died on the stage of the Liverpool theatre, while acting in The Stranger, on 2 Aug. 1798.] Receipts: #164 19s. (113.2.6; 50.9.0; 1.7.6)

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Event Comment: Afterpiece [1st time in London; F2, by Thomas John Dibdin, 1st acted at Maidstone, 12 July 1798]. Receipts: #286 3s. (279.13; 6.10)

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Event Comment: Mainpiece [1st time; C 5, by Joseph George Holman. Prologue by William Thomas Fitzgerald; Epilogue by John Taylor (see text)]: With new Dresses, Scenery, &c. [Afterpiece in place of The Farmer, advertised on playbill of 11 Jan.] Morning Chronicle, 26 Mar. 1799: This Day is published The Votary of Wealth (2s.). Receipts: #326 10s. 6d. (321.2.6; 5.8.0)

Event Comment: 2nd piece [1st time; C 3, by Thomas John Dibdin, altered from Die Versohnung, by August Friedrich Ferdinand von Kotzebue. Author of Prologue unknown. Epilogue by the author (see text)]: With new Scenery, Dresses, &c. [3rd piece in place of The Old Cloathsman, advertised on playbill of 6 Apr.] Receipts: #180 3s. (177.1; 3.2)

Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Event Comment: Benefit for Fawcett. 3rd piece [DO 2. Larpent MS 1251; not published]: Never acted at a Public Theatre [1st acted privately at Brandenburgh House, Hammersmith, 28 Feb. 1798]; Written by her Serene Highness the Margravine of Anspach. The Music partly by the Margravine, and partly by Sarti, Guglielmi, Paisiello, and Saphio. Grand Overture, La Chasse, by Reeve. The Scenery painted by Phillips, Lupino, Hollogan, &c. The Machinery by Sloper. The Dresses by Dick and Mrs Egan. Morning Chronicle, 17 Apr.: Her Serene Highness the Margravine of Anspach having, with unprecedented Kindness and Liberality, lent Mr Fawcett the Manuscript of the above magnificent and interesting Opera, he begs leave to state that nothing shall be wanted on his Part to render it as acceptable to the Public as it was to the Nobility who had the pleasure of seeing it at the Brandenburgh house Theatre. Ibid, 4 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho. Receipts: #532 6s. 6d. (239.1.6; 2.9.0; tickets: 290.16.0)

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Event Comment: [In mainpiece the playbill retains Miss Biggs as Angela, but "On account of the sudden indisposition of Miss Biggs, Miss Heard will perform the part of Angela, and hopes for the usual indulgence of the audience" (printed slip attached to Kemble playbill).] Afterpiece [1st time; MF 2, by Thomas John Dibdin, based on Der Wildfang, by August Ferdinand Friedrich von Kotzebue. Prologue by Miles Peter Andrews (London Chronicle, 4 Feb. 1800)]: The Overture and Musick composed by Kelly [with one selection from Paisiello]. Books of the Songs to be had in the Theatre. Receipts: #264 17s. (139.8.6; 122.17.0; 2.11.6)

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin. Larpent MS 1280; not published]: With New Music, Dresses and Decorations. The Music composed by Attwood. Books of the Songs to be had in the Theatre. Receipts: #354 16s. (347.18; 6.18)

Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin]: With appropriate music (composed and selected by Attwood), Scenery, &c. Books of the Songs to be had at the Theatre. Receipts: #256 17s. (251.10; 5.7)

Event Comment: Account-Book, 5 Apr.: Received from John Ashley charge for oratorios #380; Paid One Years Insurance on #10,000 of the Theatre at the Phoenix Fire Office to Lady Day next #115

Event Comment: Benefit for the Humane Society. A new grand Commemorative Oratorio [1st time; in two parts], as originally performed by Busby, in aid of the Fund for the Naval Pillar, including the new Music [by Busby: Song and Chorus, From where the sun; Song, To thy brave sons; Recitative and Song, Peace to the soul, Around the ever-honoured urn], introduced in the Grand National Concert, performed the 28th of May, at the Opera House. Leader of the Band-Cramer. Organ-Russell. The performance to be conducted by Busby, who will preside at the Piano Forte. Tickets, at playhouse prices, to be had at all the principal music shops...and of Busby, No. 9, China Terrace, Vauxhall Road. The Doors to be opened at 6:00. To begin at 7:00. "The words [of Part I] are taken entirely from Gray's well-known Pindaric Ode, The Progress of Poesy," with six introductory lines written by John Gretton andthe concluding stanzas by Thomas Dutton; the text of Part II by Gretton (Dramatic Censor, II, 285-86)

Event Comment: [Mrs Mountain was from cg. "To her claims as a singer she adds (what we rarely find associated in one and the same person) the qualifications requisite to constitute a performer" (Dramatic Censor, III, 5).] Afterpiece [1st time; F 2, by John Till Allingham]

Event Comment: [Extra night] By Grant from the Proprietors, a Free Night; Benefit for Lacy, formerly of the Theatre Royal, Drury Lane. [Address by John Taylor (Poems, I, 68).] Receipts: #97 3s. (53.15.6; 40.16.6; 1.10.0; odd money: 1.1.0; tickets: none listed) (charge: free)