Event Comment: Afterpiece [1st time; MD 3, by John Philip Kemble, adapted from LODOISKA; ou, Les Tartares, by Jean Elie Bedeno Deiaure]: The Music composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. With entirely new Dresses, Scenes, Decorations and Machinery. [Scenery for Acts I and III was by Greenwood, for Act II by Malton, Lupino and Demaria; machinery was by Cabanel (see text).] Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Oct. 1794: This day is published LODOISKA (1s. 6d.). Powell, 7 June: Lodoiska rehearsed at 12 and at night (Bannister Jun., Hobler absent). 8 June: Lodoiska rehearsed at night at 6. 9 June: Lodoiska rehearsed at 12. Receipts: #318 1s. (213/11; 101/15; 2/15)

Event Comment: [Miss Palmer, a daughter of John Palmer, was from the Edinburgh theatre.]

Event Comment: Benefit for Bannister Jun. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MD 2, by John Cartwright Cross]: The Overture and the Musick entirely new, by Reeve. Books of the Songs to be had at the Theatre. Morning Chronicle, 9 Sept. 1794: This day is published THE APPARITION (1s.). Morning Chronicle, 30 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Event Comment: A new Edition of Measure for Measure [altered by John Philip Kemble] to be had in the Theatre. Powell: Miss Leak absent from this Evening's Performance, Ill. New Ballet rehearsed at 12. Receipts: #248 8s. 6d. (193.2.6; 53.18.0; 1.8.0)

Event Comment: [1st piece in place of The Miser, advertised on playbill of 22 Apr.] 2nd piece [1st time; MF 2, by John O'Keeffe]: With new Scenes and Dresses. The Music partly compiled and partly composed by Shield. 3rd piece: Compressed into One Act. Morning Chronicle, 13 June 1795: This Day is published The Irish Mimick (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 2 May]. Receipts: #173 2s. (140.2; 33.0)

Event Comment: Benefit for Bernard. 3rd piece [1st time; MF 2, by John Bernard. Larpent MS 1084; not published]: To conclude with a View of the Town of Portsmouthv on a Rejoicing Night, embellished with Grand Illuminations. [This was included in all subsequent performances.] The Music by Attwood. Morning Chronicle, 27 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton-Garden. Receipts: #253 6s. 6d. (70.8.0; 12.4.6; tickets: 170.14.0)

Event Comment: Mainpiece [Altered by John Philip Kemble]: With new Scenes and Dresses. The Scenes painted by Marinari, and the Dresses design'd by Johnston and Miss Rein. [Kemble introduced a tableau of the conspirators being led to their execution, to the sound of tolling bells and muffled drums. This scene held the stage for many years.] Receipts: #269 16s. (208.18.6; 59.10.0; 1.7.6)

Event Comment: Benefit for Lewis. 1st piece [1st time: C 3, by John O'Keeffe, altered by him from his The Toy]. [2nd piece in place of The Irish Mimick, advertised on playbill of 17 Mar.] Oracle, 15 Mar.: Tickets to be had of Lewis, No. 6, Bow-street, Covent-Garden. Receipts: #384 18s. (272.4; 12.8; tickets: 100.6)

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe. Author of Prologue unknown]. Receipts: #168 16s. (158.5.6; 10.10.6)

Event Comment: Benefit for Suett. Afterpiece [1st time; F 2, by John Grubb. Larpent MS 1132; not published. Author of Prologue unknown]. Morning Herald, 16 May: Tickets to be had of Suett, No. 19, Martlet-court, Covent-Garden. Receipts: #403 13s. 6d. (152.10.0; 57.5.0; 4.16.0; tickets: 187.10.0; odd money: 1.2.6) (charge: none listed). [Account-Book: Suett to have #100 of Tickets and half those above that sum which he brings in; of which due him #43 15s.

Event Comment: Afterpiece [1st time; CO 2. but printed in 3, by John O'Keeffe]: Taken [by its author]. with various Alterations, from the Opera of The Lad of the Hills [see 9 Apr. 1796]. The Music partly compiled, and the Overture, new Music and the Accompaniments to the National Airs, composed by Shield. Books of the Songs to be had in the Theatre. Account-Book. 3 Oct.: Paid O'Keeffe for the Alteration of the Lad of the Hills and the Golden Pippin [see 5 Nov.] #100. Receipts: #220 19s. 6d. (209.15.6; 11.4.0)

Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross. MSS: Larpent MS 1139 (as licensed for the hay in Aug. 1796, but, although advertised for performance on 31 successive nights, not acted there), and Larpent MS 1142 (as licensed for dl); not published; synopsis of plot in Morning Herald. 7 Nov.]: The Overture and Musick by Reeve. Books of the Songs to be had in the Theatre. Receipts: #320 4s. (213.14.6; 104.10.0; 1.19.6)

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Event Comment: Benefit for Munden. [Mrs Litchfield is identified in Thespian Dictionary, 1805; as Miss Hay she had acted at cg on 27 May 1796.] 2nd piece [1st time; MF 1, by John O'Keeffe. MS not in Larpent MS; not published]: Altered [by the author] from Sprigs of Laurel. True Briton, 1 May: Tickets to be had of Munden, No. 16, Clement's-Inn. Receipts: #418 8s. 6d. (122.8.6; 9.19.6; tickets: 286.0.6)

Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross, altered from The Hue and Cry, by Elizabeth Inchbald. Larpent MS 1184; not published; synopsis of plot in Morning Herald, 14 Nov.]: The Overture and Music composed by Reeve. Books of the Songs to be had at the Theatre. Receipts: #268 4s. (264.4; 4.0)

Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Event Comment: Benefit for Mrs Mattocks. 1st piece [1st time; INT 1, by John Cartwright Cross. Larpent MS 1213; not published]. Genest, VII 365, states that the Epilogue Address "was in all probability the Epilogue to Alonzo [by David Garrick]." 3rd piece: conclude with a Rural Procession: Four Lads bearing Streamers-Plough decorated with Flowers-Four Countrymen bearing a May-day Garland-Four Lasses Bearing Implements of Husbandry-Country Girls leading a Lamb, decorated with Flowers-Four Lasses bearing a Garland-a Chorus and Finale. Tickets delivered for Every One has His Fault will be admitted. Times, 17 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-garden. Receipts: #259 16s. 6d. (124.7.0; 2.13.0; tickets: 132.16.6)

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)