SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Dryden"/1) | (@(roleclean,performerclean) "John Dryden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1754 matches on Performance Comments, 1401 matches on Event Comments, 366 matches on Performance Title, and 4 matches on Roles/Actors.
Event Comment: Lady Marow to Arthur Kay, 12 March 1699@1700: The Way of the World, Congreve's new play doth not answer expectation, there being no plot in it but many witty things to ridicule the Chocolate House, and the fantastical part of the world (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, p. 145). John Dryden to Mrs Steward, 12 March: Congreves New Play has had but moderate success; though it deserves much better (Letters of John Dryden, p. 134)

Performances

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that it was entered in the Term Catalogues in February 1679@80 suggests a first production in December 1679 or January 1680. A song, Tell my Strephon that I die, with music by John Blow, is in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Loyal General

Performance Comment: Edition of 1680: Prologue by Mr Dryden-; King-Harris; Theocrin-Betterton; Theron-Norris; Diphilus-Gillo; Escalus-Jevan; Pisander-Bowman; Abardanes-Jo. Williams; Sossacles-David? Williams; Queen-Mrs Currer; Arviola-Mrs Lee; Edraste-Mrs Price.
Cast
Role: Prologue by Mr Dryden Actor:
Event Comment: Walsh to Dryden: Is Cleomenes finisht pray or have you begun ye other design you told mee of abt ye priesthood (The Letters of John Dryden, ed. Ward, p. 44)

Performances

Event Comment: Benefit for Holman. Afterpiece : Not acted these 8 years [not acted since 16 sar. 1786]. Oracle, 16 Mar.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #318 19s. (205.3.6; 5.11.0; tickets: 108.4.6)

Performances

Mainpiece Title: King Henry The Fourth, First Part

Performance Comment: As17951214, but Westmorland-_; Sheriff-_; Peto-_; Gadshill-_; Prince John of Lancaster-_; Messenger-_; Hotspur's Servant-_; Travellers-_.
Related Works
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Afterpiece Title: St

Related Works
Related Work: A Song for St Cecilia's Day Author(s): John Dryden
Related Work: The Fair of St. Germain Author(s): John Ozell
Related Work: The Island of St. Marguerite Author(s): John St. John
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): John O'Keeffe
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): John O'Keeffe
Related Work: Mary Queen of Scots Author(s): John St. John
Related Work: St. Andrew's Festival; or, The Game at Golf Author(s): John Peter Roberdeau

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Performance Comment: End: Dryden's Ode of Alexander's Feast-Holman.

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314

Event Comment: Afterpiece [1st time; C 3, author unknown. Not in Larpent MS; not published]: Taken from Amphitryon, as altered by Garrick from Plautus and Moliere [recte from John Hawkesworth's alteration of Amphitryon, by John Dryden]

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Two Socias

Performance Comment: Jupiter-Davies; Amphitryon-Williamson; Mercury-R. Palmer; Gripus-Wewitzer; Socia-King; Polidas-Johnson; Tranio-Lyons; Phaedra-Miss Palmer; Alcmena-Mrs Goodall.
Cast
Role: Polidas Actor: Johnson
Event Comment: In April or May 1667, probably, John Dryden's The Wild Gallant may have been revived, perhaps because of the success of Secret Love. The 1667 edition of The Wild Gallant, which was entered in the Stationers' Register, 7 Aug. 1667, contains: A Prologue to The Wild Gallant revived. An Epilogue to The Wild Gallant revived

Performances

Performances

Mainpiece Title: The Tempest

Performance Comment: [Altered by Sir William Davenant and John Dryden.] See16671107.
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: The Duke's Company. The Prologue, by John Dryden, is in Covent Garden Drollery (1672). Pepys, Diary: To the Duke's playhouse, and there saw Albumazar, an old play, this the second time of acting. It is said to have been the ground of B. Jonson's Alchymist: but, saving the ridiculousnesse of Angell's part, which is called Trinkilo, I do not see any thing extraordinary in it, but was indeed weary of it before it was done. The King here, and, indeed, all of us, pretty merry at the mimique tricks of Trinkilo

Performances

Mainpiece Title: Albumazar

Event Comment: The King's Company acted at Oxford. John Dryden wrote a Prologue, To the University of Oxon, Spoken by Mr Hart, at the Acting of The Silent Woman, 1673, and an Epilogue, Spoken by the Same. There were first printed in the 1684 Miscellany Poems

Performances

Event Comment: The Duke's Company. The date of the first production is not known. The play was entered in the Term Catalogues, May 1680, and advertised in the True News, 12-15 May 1680, suggesting a production not later than April 1680. Nevertheless, the fact that the Prologue refers to the attack on John Dryden in Rose Street (18 Dec. 1679) and to the petitions to Parliament--Luttrell, A Brief Relation, I, 31, on 13 Jan. 1679@80, refers to petitions subscribed by several thousands--suggests that the play appeared during January 1679@80

Performances

Mainpiece Title: The Loving Enemies

Event Comment: Both playhouses were closed for the burial services of John Dryden. See The Patentee; or some Reflections in Verse (1700), titlepage

Performances

Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: Bonduca Author(s): John Fletcher

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode

Music: As17670306

Event Comment: [A humorous parody on Alexander's Feast. Music composed by Dr Arne.] Complete Books with the parody on one side and Dryden's Ode on the other, that the allusions may be traced throughout, and the words of the Catches and Glees are to be had at the Theatre. 1s. Dr Arne's last night this season

Performances

Mainpiece Title: Whittington's Feast

Performance Comment: The Ode of Odes new written by a College Wag. The Music interpersed with Grand Chorusses new composed by the Doctor...who humbly hopes the Literati will not be offended by this harmless banter, as nothing can lessen the supreme merit of Dryden's Great Original.

Song: Catches and Glees-; after Part I: New Italian Song-Mrs Barthelemon

Music: After the Parody: Concerto on Violin-Barthelemon

Performances

Mainpiece Title: Acis And Galatea; Judas Maccabaeus

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode; Judas Maccabaeus

Music: As17770214

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

Performances

Mainpiece Title: L'allegro, Penseroso; Alexander's Feast

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: Dryden's Ode On St

Music: As17800211

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode

Music: As17820220

Performances

Mainpiece Title: L'allegro Il Penseroso

Afterpiece Title: Dryden's Ode for St

Music: End of Part II of oratorio concerto on the clarionet by Mahon

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

Event Comment: Ode: Written by Dryden, and set to Music by Handel. Instrumental Performers as 15 Feb., but added: Parkinson, Flack

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End II oratorio: concerto on the violin-Mme Gautherot

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1790]. Paid Say for Tallow Candles last Season #88 6s. 3d. "That beautiful and best drawn character that the world ever saw, Sir John Falstaff, was mangled by Ryder. He substitutes savageness to jollity, and stiff mimicry to the natural debauchery that should hang as easily on Sir John as the Roomy mantle he moves in...Lewis gave us more the manner of the pretty man of fashion than of a dissipated hero" (Prompter, 4 Nov.). Receipts: #168 1s. 6d. (164.12.6; 3.9.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Sir John Falstaff-Ryder; King-Aickin; Prince of Wales-Lewis; Sir Richard Vernon-Farren; Worcester-Powel; Poins-Davies; Francis-Edwin; Sir Walter Blount-Macready; Bardolph-Rock; Douglas-Egan; Carriers-Bernard, Blanchard; Hotspur-Fennell (1st appearance in that character); Hostess-Mrs Pitt; Lady Percy-Miss Chapman.
Cast
Role: Sir John Falstaff Actor: Ryder

Afterpiece Title: Don Juan

Dance: As17890916

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]
Cast
Role: John Grum Actor: Alfred
Role: Tully Actor: Johnstone
Role: John Actor: Lyons
Related Works
Related Work: The London Hermit; or, Rambles in Doresetshire Author(s): John O'Keeffe

Afterpiece Title: The Deaf Lover

Performance Comment: As17930612 but John-Burton; Sternhold-Barrett.
Cast
Role: John Actor: Burton