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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Dryden Esq"/1) | (@(roleclean,performerclean) "John Dryden Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12127 results for: Keyword - John Dryden, Esq.
We found 9825 matches on Author, 1782 matches on Performance Comments, 1657 matches on Event Comments, 371 matches on Performance Title, and 0 matches on Roles/Actors.

2076
04 March 1767 @ Covent Garden

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

2077
04 February 1772 @ Drury Lane Theatre

Event Comment: Paid Dan Malthus, Esq</a>, 1 year's Rent to Xmas last, Land Tax #3 5s. to Mich last deducted #29 15s.; Mr Thomson (Smith &c.) #1 1s. 8d. sewer tax; #36 1s. 6d. (Treasurer's Book). Receipts: #189 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Vernon; Jobson-Love; Lady Loverule-Miss Ambrose; Nell-Miss Pope.
Cast
Role: Sir John Loverule Actor: Vernon
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: V: The Sailors Revels, as17711008

2078
18 October 1776 @ Drury Lane Theatre

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Moody; Sir John Lambert-Packer; Seyward-Brereton; Col. Lambert-Jefferson; Maw@Worm-A Young Gentleman (3rd appearance upon any stage [Baker]); Darnley-Bensley; Lady Lambert-Miss Sherry; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington (1st appearance this season).
Cast
Role: Sir John Lambert Actor: Packer

Afterpiece Title: A ChristmasTale

Performance Comment: Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Legg; Tycho-Dodd; Robinette-Mrs Wrighten; Camilla-Mrs Baddeley; The Other Characters-Hurst, Burton, Lamash, R. Palmer, Wright, Fawcett, Kear, Master Pulley, Miss Platt, Mrs Scott, Miss Jarratt, Edition of 1776 (T. Becket) specifies: Radel-Lamash; Messengers-R. Palmer, Master Pulley; Good and Evil Spirits, in various characters-Hurst, Burton, Wright, Carpenter, Miss Platt, Mrs Scott, Miss Jarratt, Mrs Johnston, Mrs Bradshaw; Account-Book adds: Chorus Singers-Follett, Chaplin, Reynoldson, Webbe, Mrs J. Smith, Miss Collett, Mrs Love, Mrs Pitt, Miss Abrams, Miss Boyd.
Cast
Role: in various characters Actor: Hurst, Burton, Wright, Carpenter, Miss Platt, Mrs Scott, Miss Jarratt, Mrs Johnston, Mrs Bradshaw

2079
13 May 1777 @ Covent Garden

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Sir George Hastings-Lee Lewes; Sir John Dormer-Hull; Mr Willoughby-Aickin; Capt. Dormer-Whitefield; Villars-Lewis; Miss Willoughby-Mrs Hartley; Mrs Willoughby-Mrs Jackson; Miss Dormer-Mrs Whitefield; Miss Montague-Mrs Bulkley.
Cast
Role: Sir John Dormer Actor: Hull

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

2080
08 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece: Never Acted Here. 2nd piece: Written by G. Colman Esq., with Alterations [from his Occasional Prelude]. 3rd piece: Not acted these 10 years [not acted since 17 May 1763]. Receipts: #207 18s. 6d. (89.5.0; 29.19.0; 1.13.6; tickets: 87.1.0) (charge: #106 13s. 8d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Young Actor

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck-Bannister Jun. (1st appearance in that character); Classic-Packer; Subtle-Waldron; Sir John Buck-Wrighten; Lucinda (with a song)-Miss Collett.
Cast
Role: Sir John Buck Actor: Wrighten

Dance: End 2nd piece: The Butterfly, as17800921; In 3rd piece: The Minuet de la Cour-Henry, Miss Collett

2081
26 April 1784 @ Covent Garden

Event Comment: Benefit for Edwin. Public Advertiser, 9 Apr.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Written by Ben Jonson, and altered by George Colman, Esq. Receipts: #349 15s. 6d. (250/15/6; tickets: 99/0/0) (charge: #105)

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Performance Comment: Truewit-Wroughton; Morose-Aickin; Sir John Daw-Quick; Clerimont-Davies; Dauphine-Whitfield; Frederick (with a song)-Brett; Otter-Booth; Cutberd-Wewitzer; Mute-Stevens; Sir Amorous La-Foole-Edwin; Epicasne-Mrs Bates; Haughty-Mrs Wilson; Centaur-Miss Platt; Mavis-Miss Stuart; Trusty-Miss Brangin; Mrs Otter-Mrs Webb .
Cast
Role: Sir John Daw Actor: Quick

Afterpiece Title: M id as

Performance Comment: Midas-Edwin; Pan-Bannister; Sileno-Reinhold; Damaetas-Doyle; Jupiter-Darley; Apollo-Johnstone; Daphne-Mrs Morton; Mysis-Mrs Webb; Juno-Miss Stuart; Nysa-Mrs Bannister .
Cast
Role: Apollo Actor: Johnstone

Song: End of Act II of mainpiece A Description of the Curiosities of the Tower of London; End of mainpiece Four and Twenty Fiddlers all on a Row, both by Edwin

2082
29 November 1666 @ no theater listed

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq</i>., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

2083
31 October 1732 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. St. James's Evening Post, 31 Oct.: We are informed, that John Ellys Esq</a>: the eminent painter, succeeds Mr Wilks in the management of Drurylane Play-House; and that Mr Cibber Jr succeeds his father, who has resign'd to him

Performances

Mainpiece Title: Love For Love

Cast
Role: Foresight Actor: Johnson

Afterpiece Title: The Contrivances

Dance: Mrs Booth

2084
17 July 1735 @ York Buildings

Event Comment: Benefit Stone and Freeman. By Desire. Mainpiece: Written by the late Sir John Vanbrugh. 6 P.M

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Fatal Extravagance

Performance Comment: Cast not listed. With the Original Prologue written by Aaron Hill, Esq; and an Epilogue written by the same Author, to be spoke by little Miss Ferguson .

Song:

Dance:

2085
22 January 1790 @ Covent Garden

Event Comment: Mainpiece: Altered from Shirley, by David Garrick, Esq</a>. Receipts: #193 0s. 6d. (185.10.0; 7.10.6)

Performances

Mainpiece Title: The Gamesters

Performance Comment: Principal Characters-King, Quick, Edwin, Farren, Davies, Macready, Egan, C. Powell, Miss Brunton, Mrs Pope. Cast from edition of 1792 (John Bell): Wilding-King; Barnacle-Quick; Nephew-Edwin; Hazard-Farren; Sellaway-Davies; Littlestock-Macready; Acreless-Egan; Dwindle-C. Powell; Page-Simmons; Box@keeper-Rock; Servant-Farley; Drawer-Ledger; Penelope-Miss Brunton; Mrs Wilding-Mrs Pope.
Related Works
Related Work: The Pharo Table Author(s): John O'Keeffe

Afterpiece Title: Harlequin's Chaplet

Dance: As17891231

2086
11 April 1793 @ Covent Garden

Event Comment: Benefit for Holman. 2nd piece: Not acted these 6 years [not acted since 10 May 1786]. Morning Herald, 27 Mar.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #273 1s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Performance Comment: Lieutenant (with Blow high, Blow low; The Mid Watch, written by R. Sheridan, Esq.; Rule Britannia)-Incledon; True Blue-Davies; Careful-Darley; Nancy-Miss Broadhurst.

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): John DaltonJohn Milton

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

2087
31 August 1792 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; C 3, author unknown. Not in Larpent MS; not published]: Taken from Amphitryon, as altered by Garrick from Plautus and Moliere [recte from John Hawkesworth's alteration of Amphitryon, by John Dryden]

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Two Socias

Performance Comment: Jupiter-Davies; Amphitryon-Williamson; Mercury-R. Palmer; Gripus-Wewitzer; Socia-King; Polidas-Johnson; Tranio-Lyons; Phaedra-Miss Palmer; Alcmena-Mrs Goodall.
Cast
Role: Polidas Actor: Johnson

2088
30 September 1788 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

Performance Comment: End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett.

2089
April 1667 @ The (first) Drury Lane Theatre

Event Comment: In April or May 1667, probably, John Dryden's The Wild Gallant may have been revived, perhaps because of the success of Secret Love. The 1667 edition of The Wild Gallant, which was entered in the Stationers' Register, 7 Aug. 1667, contains: A Prologue to The Wild Gallant revived. An Epilogue to The Wild Gallant revived

Performances

2090
06 January 1668 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Tempest

Performance Comment: [Altered by Sir William Davenant and John Dryden.] See16671107.
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

2091
22 February 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The Prologue, by John Dryden, is in Covent Garden Drollery (1672). Pepys, Diary: To the Duke's playhouse, and there saw Albumazar, an old play, this the second time of acting. It is said to have been the ground of B. Jonson's Alchymist: but, saving the ridiculousnesse of Angell's part, which is called Trinkilo, I do not see any thing extraordinary in it, but was indeed weary of it before it was done. The King here, and, indeed, all of us, pretty merry at the mimique tricks of Trinkilo

Performances

Mainpiece Title: Albumazar

2092
July 1673 @ no theater listed

Event Comment: The King's Company acted at Oxford. John Dryden wrote a Prologue, To the University of Oxon, Spoken by Mr Hart, at the Acting of The Silent Woman, 1673, and an Epilogue, Spoken by the Same. There were first printed in the 1684 Miscellany Poems

Performances

2093
January 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known. The play was entered in the Term Catalogues, May 1680, and advertised in the True News, 12-15 May 1680, suggesting a production not later than April 1680. Nevertheless, the fact that the Prologue refers to the attack on John Dryden in Rose Street (18 Dec. 1679) and to the petitions to Parliament--Luttrell, A Brief Relation, I, 31, on 13 Jan. 1679@80, refers to petitions subscribed by several thousands--suggests that the play appeared during January 1679@80

Performances

Mainpiece Title: The Loving Enemies

2094
13 May 1700 @ Drury Lane Theatre and Lincoln's Inn Fields

Event Comment: Both playhouses were closed for the burial services of John Dryden. See The Patentee; or some Reflections in Verse (1700), titlepage

Performances

2095
27 October 1781 @ Covent Garden

Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies

2096
24 April 1795 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Related Works
Related Work: Bonduca; or, The British Worthy Author(s): John Fletcher
Related Work: Bonduca Author(s): John Fletcher

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

2097
27 March 1767 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode

Music: As17670306

2098
18 April 1776 @ Haymarket Theatre

Event Comment: [A humorous parody on Alexander's Feast. Music composed by Dr Arne.] Complete Books with the parody on one side and Dryden's Ode on the other, that the allusions may be traced throughout, and the words of the Catches and Glees are to be had at the Theatre. 1s. Dr Arne's last night this season

Performances

Mainpiece Title: Whittington's Feast

Performance Comment: The Ode of Odes new written by a College Wag. The Music interpersed with Grand Chorusses new composed by the Doctor...who humbly hopes the Literati will not be offended by this harmless banter, as nothing can lessen the supreme merit of Dryden's Great Original.

Song: Catches and Glees-; after Part I: New Italian Song-Mrs Barthelemon

Music: After the Parody: Concerto on Violin-Barthelemon

2099
28 February 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Judas Maccabaeus

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode; Judas Maccabaeus

Music: As17770214

2100
06 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun