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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Dryden Esq"/1) | (@(roleclean,performerclean) "John Dryden Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1782 matches on Performance Comments, 1657 matches on Event Comments, 371 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Circe

Performance Comment: Edition of 1677: The Prologue by Mr Dryden-; The Epilogue by the Earl of Rochester-; Downes (Roscius Anglicanus, pp. 36-37): Orestes-Betterton; Pylades-Williams; Ithacus-Smith; Thoas-Harris; Circe-Lady Slingsby; Iphigenia-Mrs Betterton; Osmida-Mrs Twiford.
Cast
Role: The Prologue by Mr Dryden Actor:

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Cast
Role: Mr Dryden Actor: .

Performances

Mainpiece Title: A True Widow

Performance Comment: Edition of 1679: Prologue by Mr Dryden-; Epilogue by the Author-.
Cast
Role: Mr Dryden Actor:

Performances

Mainpiece Title: Caesar Borgia, Son Of Pope Alexander The Sixth

Performance Comment: Edition of 1680: Prologue by Mr Dryden-; Caesar Borgia-Betterton; Palante-Williams; Machiavel-Smith; Paul Orsino-Gillow; Ascanio Sforza-Lee; Vitellozzo-Peircifull; Bellamira-Mrs Lee; Adorna-Mrs Price; Epilogue-.
Cast
Role: Prologue by Mr Dryden Actor:

Performances

Mainpiece Title: Tamerlane The Great

Performance Comment: Edition of 1681: Prologue-; Epilogue by Mr Dryden-.
Cast
Role: Mr Dryden Actor: .

Performances

Mainpiece Title: Venice Preserved

Performance Comment: See16820209, but Prologue to The Dutchess On Her Return from Scotland, by Mr Dryden-; Epilogue to Her Royal Highness On Her Return from Scotland, by $Mr Otway-.
Cast
Role: Mr Dryden Actor:
Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Cast
Role: Mr Dryden Actor: Mr Batterton

Performances

Mainpiece Title: The Widow Ranter; Or, The History Of Bacon In Virginia

Performance Comment: Edition of 1690: Prologue [By Mr Dryden-a Woman; Cavarnio-Bowman; Bacon-Williams; Col. Wellman-Freeman; Col. Downright-Harris; Hazard-Alexander [Verbruggen (?)]; Friendly-Powell; Dareing-Sandford; Fearless-Cudworth; Dullman-Bright; Timerous Cornet-Underhill; Whimsey-Trefuse; Whiff-Bowen; Boozer-Barns; Semernia-Mrs Bracegirdle; Madame Surelove-Mrs Knight; Mrs Crisante-Mrs Jordon; Widow Ranter-Mrs Currer; Mrs Flirt-Mrs Cory; Petitioner-Blunt; Parson Dunce-Baker; The Epilogue-a Woman.
Cast
Role: Mr Dryden Actor: a Woman

Performances

Mainpiece Title: The Mistakes

Performance Comment: Edition of 1691: Don Juan de Mendoza-Hodgson; Alberto-Powell; Antonio-Alexander [Verbruggen]; Ricardo-Montford; Lopez-Bowen; Bernardo-Trefusis; Miranda-Mrs Bracegirdle; Astella-Mrs Butler; Maria-Mrs Richardson; Prologue [by Mr Dryden-Bright, Bowen, Williams; Epilogue [by Mr Tate-Mrs Butler [in Mans Cloaths; Another Epilogue-Mr Montfort.
Cast
Role: Mr Dryden Actor: Bright, Bowen, Williams
Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: The Wrangling Lovers Author(s): John Vanbrugh
Related Work: Lovers' Quarrels Author(s): John Vanbrugh
Event Comment: Luttrell, A Brief Relation, II, 413: By order of the queen, the lord chamberlain has sent an order to the playhouse prohibiting the acting Mr Dryden s play called the tragedy of Cleomenes, reflecting much on the government. Gentleman's Journal, April 1692 (licensed 13 April): I was in hopes to have given you in this Letter an account of the Acting of Mr Dryden's Cleomenes; it was to have appear'd upon the Stage on Saturday last, and you need not doubt but that the Town was big with Expectation of the performance; but Orders came from Her Majesty to hinder its being Acted; so that none can tell when it shall be play'd

Performances

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Cast
Role: Mr Dryden Actor: Mrs Bracegirdle
Related Works
Related Work: Neptune's Address to His Most Sacred Majesty Charles the Seond: King of England, Scotland, rance and Ireland &c. Congratulating His Happy Coronation Celebrated the 22th Day of Aprill, 1661 Author(s): John Tatham
Event Comment: The Gentleman's Journal, November 1693: Mr Durfey's Richmond Heiress has been Revis'd, and Acted several times, with Alterations and Amendments. We are to have this Winter a Play by him, call'd Don Quixote....We are impatiently expecting a Play by Mr Dryden; 'tis of the Nature of his Spanish Fryar. We are also to have a Tragedy by Mr Southern; a Comedy by Mr Crown; and the Tragedy of Pyrrhus, by Mr H. I need not say any thing of Mr Congreve's Double-Dealer (the only new Play since my last) after the Character which Mr Dryden has given of it

Performances

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Performances

Mainpiece Title: An Attic Evening's Entertainment

Performance Comment: Readings from Milton-; Caractacus-; Gray's Elegy-Sheridan; Two Pieces of prose composition of interest to both sexes. Dryden's Ode on the Power of Music-; pieces of vocal and instrumental music-; the vocal parts-Guistinelli, Mrs Jewel [formerly Miss Edwards].formerly Miss Edwards].

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Meredith (from Liverpool; 1st appearance in London), Master Welsh, Dignum, Miller, Kelly//Sga Storace, Miss Leak, Mrs Crouch. Leader of the Band-Shaw. PART I. Zadock the Priest (CORONATION ANTHEMS). He layeth the beams. Fall'n is the Foe (JUDAS MACCABAEUS). Let the bright Seraphim (SAMSON). For unto us (THE MESSIAH). O magnify the Lord. Deeper and deeper; Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) . Waft her Angels (JEPHTHA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT). PART II. Introduction and Chorus. Ye sons of Irrael (JOSHUA). What tho' I trace (SOLOMON). Gird on thy sword (SAUL). O come let us worship (CHANDOS ANTHEMS). Concerto on the violin by Giornovichi. Let me wander (L'ALLEGRO). Tears such as (DEBORAH). He gave them hailstones (ISRAEL IN EGYPT). PART III. Second Hautboy Concerto. Lord remember David. Welcome! Welcome! (SAUL). The Trumpet's loud clangor (DRYDEN'S ODE). Sweet Bird, accompanied on the Flute by Ashe (L'ALLEGRO). See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Hallelujah for the Lord (THE MESSIAH) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble
Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Event Comment: Written by the most Ingenious William Wycherly Esq. And for the Reputation of the most Judicious Author, care is taken to have each part performed to the best advantage

Performances

Mainpiece Title: The Country Wife

Related Works
Related Work: The Country Wife Author(s): John Lee
Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Event Comment: Written by Mr Rowe, Esq. Receipts: #50 15s. 6d

Performances

Mainpiece Title: Tamerlane

Song: As17150513

Dance: Spanish Entry, Scaramouch-Thurmond, lately arriv'd from Ireland

Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.

Performances

Event Comment: Written by the late $N. Rowe, Esq.

Performances

Mainpiece Title: The Ambitious Stepmother

Event Comment: Benefit a Gentleman in Misfortunes. Written by Aaron Hill, Esq. All the Characters being entirely new Dress'd. N.B. The putting off the Play so long was occasion'd by the Indisposition of one of the principal Performers, and the Tickets deliver'd out for 4th, the 11th, and the 17th Instant will be taken this Day

Performances

Mainpiece Title: Elfrid; Or, The Fair Inconstant

Event Comment: Second Piece: Written by $Aaron Hill, Esq.

Performances

Mainpiece Title: It Should Have Come Sooner

Afterpiece Title: The Walking Statue

Afterpiece Title: The Tricks of Harlequin

Dance: Two Farmers and Their Wives-Boval, Miss Tenoe, others

Song: Smug Upon Tuesday-Mrs Willis; A Dialogue between a Rake and a Country Maid-Miss Tenoe, Miss Lindar