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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Day"/1) | (@(roleclean,performerclean) "John Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14003 results for: Keyword - John Day
We found 9825 matches on Author, 3059 matches on Event Comments, 1992 matches on Performance Comments, 823 matches on Performance Title, and 0 matches on Roles/Actors.

201
07 December 1666 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maid's Tragedy

Related Works
Related Work: The Maid's Tragedy Author(s): John Fletcher

202
10 December 1666 @ Whitehall or St. James's

Event Comment: The King's Company. In L. C. 5@139, p. 129, the play is given on one list as The Silent Woman on another list for the same day, The Scornful Lady. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: The Scornful Lady

Related Works
Related Work: The Scornful Lady Author(s): John Fletcher
Related Work: The Capricious Lady Author(s): John Fletcher

203
23 January 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's house, and there saw The Humerous Lieutenant: a silly play, I think; only the Spirit in it that grows very tall, and then sinks again to nothing, having two heads breeding upon one, and tihen Knipp's singing, did please us. Here, in a box above, we spied Mrs Pierce; and, going out, they called us, and so we staid for them; and Knipp took us all in, and brought to us Nelly, a most pretty woman, who acted the great part of Coelia to-day very fine, and did it pretty well: I kissed her, and so did my wife; and a mighty pretty soul she is. We also saw Mrs Hall, which is my little Roman-nose black girl, that is mighty Pretty: she is usually called Betty

Performances

Mainpiece Title: The Humorous Lieutenant

Related Works
Related Work: The Humorous Lieutenant Author(s): John Fletcher

204
24 January 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary, 23 Jan.: Knipp made us stay in a box and see the dancing preparatory to to-morrow for The Goblins, a play of Suckling's, not acted these twenty-five years; which was pretty. Pepys, Diary, 24 Jan.: And, anon, at about seven or eight o'clock, comes Mr Harris, of the Duke's playhouse, and brings Mrs Pierce with him, and also one dressed like a country-mayde with a straw hat on; which, at first, I could not tell who it was, though I expected Knipp: but it was she coming off the stage just as she acted this day in "The Goblins"; a merry jade

Performances

Mainpiece Title: The Goblins

Related Works
Related Work: The Goblins Author(s): John Suckling

205
04 March 1667 @ The (first) Drury Lane Theatre

Event Comment: Certain performances on 2 and 5 March make it likely that the play was also given on this day

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden

206
19 August 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, all alone, and there saw Sir Martin Marr-all again, though I saw him but two days since, and do find it the most comical play that ever I saw in my life

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

207
16 September 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: My wife and Mercer and I away to the King's play-house, to see the Scornfull Lady; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in....[After attending lif] to the King's house, upon a wager of mine with my wife, that there would be no acting there to-day, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of the play

Performances

Mainpiece Title: The Scornful Lady

Related Works
Related Work: The Scornful Lady Author(s): John Fletcher
Related Work: The Capricious Lady Author(s): John Fletcher

208
27 September 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. second list 5@12, p. 17, with the date of 25 Sept., when the King was present; the first list, 5@139, p. 129, gives this play for 27 Sept. There may be an error in the listing, yet it is likely that the play continued its run through this day

Performances

Mainpiece Title: The Sea Voyage

Related Works
Related Work: The Sea Voyage Author(s): John Fletcher
Related Work: The Storm Author(s): John Fletcher
Related Work: A Commonwealth of Women Author(s): John Fletcher

209
19 June 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: By and by comes my wife and Deb. home, have been at the King's playhouse to-day, thinking to spy me there; and saw the new play, Evening Love, of Dryden's, which, though the world commends, she likes not. Evelyn, Diary: To a new play, with severeall of my Relations, the Evening Lover, a foolish plot, & very Prophane, so as it afflicted me to see how the stage was. degenerated & poluted by the licentious times

Performances

Mainpiece Title: An Evening's Love

Related Works
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden

210
22 June 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: [Creed] and I to the King's playhouse, and saw an act or two of the new play again, but like it not. Calling this day at Herringman's, he tells me Dryden do himself call it but a fifth-rate play

Performances

Mainpiece Title: An Evening's Love

Related Works
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden

211
31 July 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This play was apparently acted by 1665--see Dec. 1664--and was now revived, although it was not published until 1672. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list adds: king here. Pepys, Diary: To the King's house, to see the first day of Lacy's Monsieur Ragou, now new acted. The King and Court all there, and mighty merry--a farce

Performances

Mainpiece Title: The Old Troop; Or, Monsieur Raggou

Related Works
Related Work: The Old Troop; or, Monsieur Raggou Author(s): John Lacy

212
17 August 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, and there saw Cupid's Revenge, under the new name of Love Despised, that hath something very good in it, though I like not the whole body of it. This day the first time acted here

Performances

Mainpiece Title: Love Despised

Related Works
Related Work: Love Despised Author(s): John Fletcher

213
10 October 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. The entry in Pepys, Diary for this day is missing, but on 12 Oct. 1668 he implies that he saw this play on 10 Oct. 1668

Performances

Mainpiece Title: The Faithful Shepherdess

Related Works
Related Work: The Faithful Shepherdess Author(s): John Fletcher

214
26 February 1669 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse...and there saw The Faithfull Shepherdesse. But, Lord! what an empty house, there not being, as I could tell the people, so many as to make up above #10 in the whole house! The being of a new play at the other house, I suppose, being the cause, though it be so silly a play that I wonder how there should be enough people to go thither two days together, and not leave more to fill this house. The emptiness of the house took away our pleasure a great deal, though I liked it the better; for that I plainly discern the musick is the better, by how much the house the emptier

Performances

Mainpiece Title: The Faithful Shepherdess

Related Works
Related Work: The Faithful Shepherdess Author(s): John Fletcher

215
26 February 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. If Downes is correct that this play was given six days successively, it was probably acted through Thursday 4 March 1668@9

Performances

Mainpiece Title: The Royal Shepherdess

Related Works
Related Work: The Royal Shepherdess Author(s): John Fountain

216
13 May 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. If Downes' statement--that the play was acted eight days successivelly-is correct, this tragedy was acted from 12 May through 20 May

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster

217
01 November 1669 @ Inner Temple

Event Comment: This entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, follows one for a play on 2 Feb. 1668@9, suggesting that this play fell on All Hallows Day. The customary fee of #20 was paid the actors

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Related Works
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden

218
April 1670 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The date of the premiere is not known. Although the play was not in print until 1671, it was acted on 9 May 1670 and again at Dover on 19 or 20 May 1670. Downes (p. 29) placed the comedy among the plays of 1669, but the presence of Mrs Johnson (who, according to Downes, p. 31, did not join the company until 1670) and the performances in May 1670 suggest that the comedy was first given in the spring of 1670. Downes (pp. 29-30): The Play being Singularly well Acted, it took 12 Days together

Performances

Mainpiece Title: Sir Salomon; Or, The Cautious Coxcomb

Performance Comment: Edition of 1671: Prologue. No actors' names. Epilogue. Downes (Roscius Anglicanus, pp. 29-30): Sir Solomon-Betterton; Peregrine Woodland-Harris; Single-Smith; Wary-Sandford; Timothy-Underhill; Betty-Mrs Johnson; Julia-Mrs Betterton.
Cast
Role: Betty Actor: Mrs Johnson
Related Works
Related Work: Sir Salomon; or, The Cautious Coxcomb Author(s): John Caryll

219
14 November 1671 @ Whitehall or St. James's

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. It is uncertain, however, just when this performance occurred. The L. C. lists at Harvard (see VanLennep, Plays on the English Stage, p. 19) suggest that the three performances at the head of this list belong to the spring of 1672 rather than the spring of 1671. If this is correct, this performance of Sir Solomon is out of place in the list, for it can hardly be placed at 14 Nov. 1672, yet it is surprising that, so soon after the opening of dg, the Duke's Company should act at court, especially when the King and Queen attended dg on the following day, 15 Nov. 1671. This performance of Sir Solomon should be judged as an uncertain one

Performances

Mainpiece Title: Sir Solomon; Or, The Cautious Coxcomb

Related Works
Related Work: Sir Salomon; or, The Cautious Coxcomb Author(s): John Caryll

220
May 1673 @ Lincoln's Inn Fields

Event Comment: The King's Company. The date of the premiere is not known, but as the play was entered in the Stationers' Register, 26 June 1673, it was probably acted in May 1673 or earlier. For a discussion of its possible dates, see Nicoll, Restoration Drama, p. 403. A song, The day is come, I see it rise, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Dedication to the edition of 1673:...though it succeeded on the Stage

Performances

Mainpiece Title: Amboyna

Related Works
Related Work: Amboyna Author(s): John Dryden

221
11 March 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C., 5@145, p. 120: Mr Lymberham. See also Nicoll, Restoration Drama, P. 349. There is no indication as to whether this performance was the premiere, but it probably was part of its initial run, which was limited to three days. Langbaine (English Dramatick Poets): In this Play (which I take to be the best Comedy of his) he so much expos'd the keeping part of the Town, that the Play was stopt, when it had but thrice appear'd on the Stage (p. 164). [In the Dedication to the play, Dryden also refers to its being stopped.

Performances

Mainpiece Title: The Kind Keeper; Or, Mr Limberham

Related Works
Related Work: The Kind Keeper; or, Mr Limberham Author(s): John Dryden

222
September 1678 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Related Works
Related Work: Oedipus Author(s): John Dryden
Related Work: Oedipus, King of Thebes Author(s): John Dryden

223
March 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betray'd; Or, Anna Bullen

Related Works
Related Work: Vertue Betray'd; or, Anna Bullen Author(s): John Banks

224
04 August 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Newdigate newsletters, 5 Aug. 1682: [Yesterday the] Dutchess goes to ye Dukes Theatre--that and ye Kings house haveing Joyned interests the latter being Discontinued where will be purposely Acted for her Anna Bullen being a deepe Tragedy of the beheading of the said Lady by Henry the 8th (Wilson, Theatres Notes from the Newdigate Newsletters, p. 81). See also London Mercury, 8 Aug. 1682. Juliana Brabazon to the Countess of Rutland, Aug. 1682: The Dutches of Yorke kept her bed the day after seeing Anna Bulloigne acted (HMC, 12th Report, Rutland MSS., Part V, 1889, p. 77)

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Related Works
Related Work: Vertue Betray'd; or, Anna Bullen Author(s): John Banks

225
28 November 1682 @ Drury Lane Theatre

Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise Author(s): John Dryden