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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "John Day"/1) | (@(roleclean,performerclean) "John Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14974 results for: Keyword - John Day
We found 11035 matches on Author, 3059 matches on Event Comments, 1992 matches on Performance Comments, 823 matches on Performance Title, and 0 matches on Roles/Actors.

13501
03 May 1776 @ Drury Lane Theatre

Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Cast
Role: Eliza Actor: Mrs Johnston.
Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

13502
24 May 1776 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Love, Mrs Cross, and Mrs Millidge. Last time of performing both pieces this season. Afterpiece: By Desire. Tickets delivered for Macbeth, on Monday the 13th, and by Garland, Walker, L'Englois, and Mas. Pulley will be taken. This Benefit was fix'd and advertised for Macbeth on Tuesday the 21st but as Mr G., wanted that day to play himself he gave them the above Play and Farce as a Recompense for their coming later they had a very great House (Hopkins Diary). Rec'd stopages #9 9s. Receipts: #105 6d. Charges: #84. Profits to Mrs Love, Mrs Cross, and Mrs Millidge: #21 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): John A. Fisher

Dance: A Hornpipe-Walker

13503
28 August 1776 @ Haymarket Theatre

Event Comment: The Prologue to the Capuchin, written by George Colman, Esq printed this day in the Public Advertiser: @"Critics, whatsoe'er I write, in every scene,@Discover meanings that I never mean, etc."

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Dance: The Venetian Regatta-

13504
21 September 1776 @ Drury Lane Theatre

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

13505
05 December 1776 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

13506
14 December 1776 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

13507
21 December 1776 @ King's Theatre

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 20 Dec.] The last Opera till the 31st of December [but on that day no opera is announced]

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amans Heureux, as17761217; End I: La Force de l'Amour, as17761214; End Opera: Grand Serious Ballet, as17761217

Music: As17761214

13508
04 January 1777 @ King's Theatre

Event Comment: The new Serious Opera of Germondo [announced in Public Advertiser, 2 Jan.] is obliged to be deferred 'till This Day Se'nnight, on account of the Illness of a principal Performer

Performances

Mainpiece Title: La Fraschetana

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761130; End Opera: Les Amans Heureux, as17761217, but Sga Zuchelli

13509
10 April 1777 @ Covent Garden

Event Comment: Benefit for Woodward. Tickets delivered for Every Man in His Humour, March 18th, and for this Day, will be admitted. Public Advertiser, 7 Apr.: Tickets to be had of Woodward, Chapel Street, Grosvenor Place, Hyde-Park Corner. Receipts: #204 10s. (168.15; tickets 35.15) (charge: free)

Performances

Mainpiece Title: Know Your Own Mind

Cast
Role: Sir John Millamour Actor: Fearon
Role: Lady Jane Actor: Miss Dayes

Afterpiece Title: Midas

Cast
Role: Principal Parts Actor: Mattocks, Reinhold, Baker, Miss Dayes.
Role: Nancy Actor: Miss Dayes.

Dance: As17761120

13510
30 April 1777 @ Covent Garden

Event Comment: By Command of Their Majesties. Such Tickets as have been delivered for this Day cannot possibly be admitted this Evening, but will be received on Thursday, the Eighth of May. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #243 9s. 6d. (242.18.6; 0.11.0)

Performances

Mainpiece Title: Know Your Own Mind

Cast
Role: Lady Jane Actor: Mrs Whitefield in place of Miss Dayes.
Role: Sir John Millamour Actor: Fearon

Afterpiece Title: The Old Maid

Dance: End III: The Serenade, as17770426; End: The Humours of Leixlip, as17770425

13511
18 June 1777 @ China Hall, Lower Road, Rotherhithe

Event Comment: A Concert of Music, Vocal and Instrumental, by the most celebrated performers, with Dancing by Miss Cranfield. Between the several parts of the Concert will be rehearsed (gratis) by Pupils, for their mutual improvement in Oratory The Fair Penitent [etc., as above]. By Subscription. The Doors to be opened at 5:30. To begin precisely at 6:30. Boxes 3s. Pit 2s. Gallery 1s. No money will be taken at the door, nor any person admitted without a ticket, which may be had at the Office near the Concert Room, where attendance will be given from Ten to One every day; and from half past Five till Eleven each evening of performing. Morning Chronicle, 19 June: A correspondent who was present declares the business of the evening was conducted with great regularity and decorum... The dresses were as good as those of the Theatres Royal, the band excellent, and the decorations neat and ornamental

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. An OccasionalPoetical Address-Russell

13512
19 June 1777 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Performances

Mainpiece Title: Polly

Afterpiece Title: Polly Honeycombe

Dance: End I: a Dance of Pirates-(see17770611; III: Dance of Indians- (see17770611. [These were danced in all subsequent performance.

13513
17 July 1777 @ Haymarket Theatre

Event Comment: Public Advertiser: "The Sheep-Shearing and The Fairy Tale not being quite ready for Representation This Day are postponed till To-morrow.

Performances

Mainpiece Title: None

13514
11 October 1777 @ Drury Lane Theatre

Event Comment: Paid Mrs Yates 9 Days Cloaths #10 10s. 10d.; Renters' Interest #8 [this paid daily throughout season]. Receipts: #250 9s. 6d. (221.17.0; 26.5.0; 2.7.6)

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Dutchess of York Actor: Mrs Johnston
Related Works
Related Work: The English Princess; or, The Death of Richard the Third Author(s): John Caryll
Related Work: The English Princess; or, The Death of Richard III Author(s): John Caryll

Afterpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

13515
05 November 1777 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771103.

Dance: As17771104

13516
08 November 1777 @ Covent Garden

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771103, but song-_.

Dance: As17771104

13517
11 November 1777 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771108.

Dance: End: new dance, The Garden of Love-Dagueville, Master Holland, Master Dagueville, Miss Simonet, Sga Tinte

13518
18 November 1777 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

13519
24 January 1778 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Daphne and Amintor

13520
04 February 1778 @ Covent Garden

Event Comment: Afterpiece [1st time; burl 2, by Charles Dibdin, based on The Loves of Mars and Venus, by Peter Anthony Motteux]: With New Scenes and Dresses. The Music chiefly composed by Dibdin. [Dr Arne and Dr Arnold each wrote one air.] Books of the Burletta to be had at the Theatre. Public Advertiser, 5 Feb. 1778: This Day at Noon is published Poor Vulcan! (1s.). [The playbill lists Reinhold in place of Mahon, but on the Kemble playbill his name is deleted and a MS annotation substitutes Mahon's.] Receipts: #232 5s. 6d. (230.2.6; 2.3.0)

Performances

Mainpiece Title: Percy

Afterpiece Title: Poor Vulcan

Performance Comment: . Principal Characters by Quick, Mattocks, Mahon, Robson, Battishill, Leoni, Miss Dayes, Miss Brown. Cast from text (G. Kearsley, 1778): Vulcan, Crump-Quick; Jupiter, Stud-Mattocks; Mars, Pike-Mahon [in text: Reinhold (see17780421)]; Apollo, Wiseman-Robson; Bacchus, Guage-Battishill; Adonis, Joe-Leoni; Grace-Miss Dayes; Venus, Maudlin-Miss Brown [all the characters, except Grace, are alternateley Gods and mortals].all the characters, except Grace, are alternateley Gods and mortals].
Cast
Role: Grace Actor: Miss Dayes

13521
19 February 1778 @ Drury Lane Theatre

Event Comment: Hamlet [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; CO 3, by Abraham Portal. Larpent MS 445; not published]: The Overture and Music [by Thomas Linley Jun.] entirely new. With New Scenes, Dresses and Decorations. Words of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 19 Feb. 1778: This Day at Three will be published the Songs in The Cady of Bagdad (6d.). Receipts: #180 0s. 6d. (130.9.0; 49.7.6; 0.4.0)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

13522
20 February 1778 @ Covent Garden

Event Comment: [Afterpiece in place of St. Patrick's Day, announced on playbill of 19 Feb.] Receipts: #168 5s. 6d. (166.15.6; 1.10.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Three Weeks after Marriage

Cast
Role: Nancy Actor: Miss Dayes

13523
16 March 1778 @ Drury Lane Theatre

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preservd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: Belphegor or The Wishes

Related Works
Related Work: Belphegor; or, The Marriage of the Devil Author(s): John Wilson

13524
06 May 1778 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771103.

Song: Vocal Parts-Mattocks, Mahon, Baker, Fox, Miss Brown, Mrs Morton, Mrs Willems, Miss Valois, Miss Green

13525
25 June 1778 @ Haymarket Theatre

Event Comment: Afterpiece (1st time; BURL I, by Thomas Willet. For music see 31 July]: Books of the Burletta to be had at the Theatre. Public Advertiser, 1 July 1778: This Day is published Buxom Joan (6d.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Buxom Joan