SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jew"/1) | (@(roleclean,performerclean) "Jew")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 440 matches on Roles/Actors, 180 matches on Performance Title, 55 matches on Performance Comments, 31 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Performance Comment: Characters-Ryder, Bernard, Fearon, Macready, Rock, Booth, Mrs Webb, Miss Wewitzer, Miss Fontenelle. [Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Performances

Mainpiece Title: Medley

Performance Comment: Tony Aston; Shylock, Antonio in The Jew of Venice, Ben, Miss Prue in Love for Love, The Humours of Hob in The Country Wake, Barnaby Brittle, Wife in The Wanton Wife, Scrub in The Stratagem, Valentine, Jeremy, Frail in Love for Love-Tony Aston.

Entertainment: Songs-; Drunken Man-

Event Comment: Receipts: #31 9s. 6d. In Daily Courant and Daily Journal The Jew of Venice had been advertised for this day

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: Flora

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Tom-Cushing; Phyllis-Mrs Cushing; Witha Prologue on Modern Tragedy-Mr Cushing in the character of a Jew; an Epilogue-No/body.

Afterpiece Title: The Mock Doctor

Dance: Two Masters Granier, Miss Granier; Hornpipe-Williams

Event Comment: Benefit Jones. Wrote by Lord Landsdown and set to Music by Boyce [actually a part of The Jew of Venice]. (General Advertiser, Daily Advertiser.

Performances

Mainpiece Title: Peleus And Thetis

Song: RReturn O God of Hosts-; Honour and Arms from Samson-

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Parts were: Alexander Balus (King of Syria)-; Ptolomee (King of Egypt)-; Jonathan (Chief of the Jews)-; Cleopatra (Daughter of Ptolomee)-; Aspasia (her friend and companion)-; Chorus of Israelites-; +Chorus of Asiatics-. Alexander Balus-Signora Galli (mezzo-soprano); Ptolomee-Reinhold (bass); Jonathan-Lowe (tenor); Cleopatra-Signora Cassarini (soprano); Aspasia-Signora Sibilla (soprano) (+Deutsch, Handel, p. 648, from word book).

Performances

Mainpiece Title: Belshazzar

Performance Comment: Parts were Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (Babylonian Lord), Chorus of Babylonians, Jews, Medes, Persians (Larpent MS).

Afterpiece Title: Concerto on Organ

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17521207, but Oration on the Salt@Box-_; Jews @Harp-_; Hornpipe-Timbertoe.

Afterpiece Title: Animal Pantomime

Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Alexander Balus-(King of Syria); Ptolomee-(King of Egypt); Jonathan-(Chief of the Jews); Cleopatra-(Daughter to Ptolomee); Aspasia-(Her Friend and Companion); Chorus of Israelites-; Chorus of Asiatics-.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock (the Jew)-Arthur; Antonio-Sparks; Bassanio-Ryan; Duke-Anderson; Gratiano-Dyer; Lorenzo (with songs in Character)-Lowe; Solarino-Ridout; Solanio-Gibson; Gobbo-Collins; Tubal-Stoppelaer; Launcelot-Shuter; Jessica (with a song adapted to the Character)-Mrs Chambers; Nerissa-Mrs Vincent; Portia-Mrs Bland.

Afterpiece Title: The Lying Valet

Entertainment: DDialogue@Epilogue between Tom Jarvis (an itinerant Turner) and his Horse-

Dance: LLes Taileurs, as17531210; Italian Peasants, as17531120

Performances

Mainpiece Title: Belshazzar

Performance Comment: Larpent MS lists parts: Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (a Babylonian Lord), Chorus of Babylonians , Jews , Medes , and Persians . [Deutsch, Handel, p. 794, lists: Belshazzar-Beard; Nitocris-Signora Frasi; Cyrus-Miss Young [Mrs Scott]; Daniel-Miss Frederick; Gobrias-Champness.
Event Comment: MMaster Leoni's first appearance. Music by Smith. On account of Machinery and music no persons can be admitted behind Scenes or into the Orchestra. Nothing under full prices will be taken. Books of the Entertainment will be sold at the Theatre at 6d. each. The Enchanter, a new Musical Entertainment wrote by Mr Garrick, and set by Mr Smith, very well received.Master Leoni, a Jew, made his first appearance in this piece, and was received with great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Event Comment: Boxes #15 12s. 6d. Macklin's fifth came to #16 9s. Paid Woodfall's Printing Bill, commencing 22 Sept. last and ending 10 Jan. #128 11s. Paid Ledlay for 7 1!2 doz. wax candles #11 12s. 6d. Paid Pattinson, tallow chandler #14 17s. 6d. Paid Besworth for making ghost's dress for Hamlet #6 18s. Paid for a wig for Cable in Thomas and Sally 3s. 6d. (Account Book). On Saturday Evening during the play of the Married Libertine...several riots ensued, occasioned by a number of Jews assembled for that purpose in the two shilling gallery; but they were soon quelled (Public Ledger, 10 Feb.). Receipts: #143 4s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: As17610202

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Alexander Balus-(King of Syria); Ptolomee-(King of Egypt); Jonathan-(Chief of the Jews); Cleopatra-(Ptolomee's Daughter); Aspasia-(her friend and Companion); Chorus of Israelites-; Chorus of Asiatics-.

Music: As17680219

Performances

Mainpiece Title: Alexander Balus; Judas Maccabeus

Performance Comment: As17730226 Parts were: Alexander Balus (King of Syria); Ptolomee (King of Egypt); Jonathan (Chief of the Jews); Cleopatra (Ptolomee's daughter); Aspasia (her Friend and Companion); Chorus of Israelites; Chorus of Asiatics.

Music: I: Concerto on Organ-Stanley

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Event Comment: Rec'd 1 years rent from Mrs Groath #3. Paid Mr Wallis on note #2 2s.; Frederick (Jew) bill for silks #17 8s. 6d.; 3 extra trumpets #6 15s. Receipts: #181 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Jubilee

Event Comment: Paid salary list #624 6s. 6d.; Abrahams (Jew) #30. Receipts: #163 7s. (Treasurer's Book)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: Bon Ton

Dance: II: The Savage Hunters, as17751118, but _Blurton

Event Comment: House Pacini's Night Bought by the Managers (Hopkins Diary). The last time of performing till Easter. Paid salary #416 4s. 4d.; Mr Smith for Abrams [sic] the Jew #21; Miss Abrahams [sic] #10 10s. Receipts: #262 8s. 6d

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee