SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J and C M Rich"/1) | (@(roleclean,performerclean) "J and C M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2081 matches on Event Comments, 1680 matches on Performance Comments, 682 matches on Author, 233 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Cast
Role: Tom Thumb Actor: Miss Standen

Afterpiece Title: LOVE AND HONOR or Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Event Comment: Account-Book: Tickets delivered by Brandon, Hill, Ratchford, Abbot, Simmons, Barnes, Coates, Standen, Bent will be admitted. Receipts: #404 12s. 6d. (64/1/0; 2/18/0; tickets: 337/13/6)

Performances

Mainpiece Title: The Siege Of Meaux

Cast
Role: Serjeant Actor: Richardson
Role: Landlord Actor: Linton

Afterpiece Title: NETLEY ABBEY

Afterpiece Title: THE SICILIAN ROMANCE

Cast
Role: Serjeant Jack Actor: Richardson
Role: Sandy Actor: Incledon
Role: Alexander Actor: Middleton
Role: Cassander Actor: The Gentleman who was so very favourably received in Douglas
Role: . The Mid Actor: Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour
Role: Tom Thumb Actor: Miss Standen
Role: Zephyrus Actor: Holland
Role: Pillardoc Actor: Richardson
Role: Zany Actor: West. III. A Landscape and Water Mill
Role: Philidel Actor: Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog
Role: Landlady Actor: Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed
Role: ByrnFlora Actor: Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs
Role: Aerial Spirits Actor: Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton
Role: Mustapha Actor: Richardson
Role: Julia Actor: Miss Standen

Dance: End of 1st piece The Wapping Landlady by Blurton, Mrs Ratchford, &c

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Performance Comment: As17950311but Principal Vocal Performers added:-Wonder (1st appearance in +England).

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: The flocks shall leave the mountains-Miss Parke, Nield, Bartleman; Wretched Lovers-Chorus (Acis and Galatea); O Liberty-Kelly accompanied on the violoncello-C. Ashley (Judas Maccabaeus); May no rash Intruder-Chorus (Solomon); Wave from wave-Wonder (Israel in Egypt); Ye sacred Priests, Farewell ye limpid springs-Miss Parke (Jephtha); O God who in thy heavenly hand-Chorus (Joseph).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); Pleasure my former ways-Nield (Time and Truth); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Where is this stupendous stranger?-Mrs Hindmarsh (Redemption); Deeper and deeper, Waft her angels-Kelly (Jephtha); Ths Soldier tir'd-Miss Parke (Dr Arne); Gird on thy sword-Chorus (Saul).

Music: 6th concerto of Giordani on the violin-C. Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Grand Dettingen te Deum-, in which; Holy holy Lord-Mme Mara; He was Eyes unto the Blind-Miss Parke [Redemption].Redemption].

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; How willing my paternal love-; Then round about-; My faith and truth (Samson)-; What tho' I trace (Solomon)-; Fallen is the foe (Judas Maccabaeus)-; Total eclipse-; O first created beam-; Let the bright Seraphim-Mme Mara; Fix'd in his everlasting seat (Samson)-.
Cast
Role: Overture and Dead March Actor:
Role: My faith and truth Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Tyrants would (Athalia)-; Lord to thee (Theodora)-; The smiling dawn (Samson [recte Jephtha])-; When his loud voice (Athalia [recte Jephtha])-; Pleasure my former ways (Time and Truth)-; No more to Ammon's God-; Ye sacred Priests-Mme Mara; Farewell ye limpid springs (Jephtha)-; He gave them hailstones (Israel in Egypt)-.

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Thou shalt bring them in-Miss Celson (1st appearance); He smote all the first@born of Egypt-Chorus (Israel in Egypt); Here amid these shady woods-Master Elliot (Alexander Balus); The trumpet's loud clangour-Incledon; The double double beat-Chorus (Dryden's Ode); He was eyes unto the blind-Miss Poole (Siroe); He layeth the beams-Reinhold (Ezio); He rebuked the Red Sea-Chorus (Israel in Egypt); Lord remember David-Mme Mara; From the censer-Chorus (Solomon).

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Part II 5th Grand Concerto-; Return O God-Miss Crosby (Samson); The smiling dawn-Miss Capper (Jephtha); Softly rise-Incledon; with fagotto obligato-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Pious orgies-Mrs Dussek (Judas Maccabaeus); God preserve the Emperor-Chorus (Haydn); I feel the deity within, Arm arm ye brave-Denman; +We come we come-Chorus; From mighty Kings-Mrs Second (Judas Maccabaeus); Gird on thy sword-Chorus (Saul).
Cast
Role: Part II 5th Grand Concerto Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Overture and March- (Scipio); Tune your harps-Miss Tennant (Esther); Sin not O King-Dignum (Saul); Flush'd with conquest-Chorus (Alexander Balus); What passion cannot music-Mrs Second; accompanied on the violoncello-C. Ashley (Dryden's Ode); See the conquering hero-Chorus; March (Judas Maccabaeus)-; Vo sol cando-Mrs Dussek (Vinci); Together let us range-Incledon, Mrs Second (Solomon, by Boyce); Gloria Patri-Chorus (Jubilate).

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Event Comment: Mr Salomon having insinuated that he alone is in possession of a correct Score of this celebrated Oratorio, I feel compelled, in justice to myself, to state that the Oratorio was published by subscription at Vienna, and that the printed Copy, from which I had the Parts transcribed, was delivered by Dr Haydn to a subscriber in Vienna, and brought from thence expressly for me, and on which is the Doctor's initials. The accuracy with which it was performed, and the enthusiasm with which it was received, are, I hope, convincing proofs that no other directions are necessary to "produce the effect required by the Author." I should not thus have obtruded myself, but I conceived it requisite to justify myself from the imputation of having attempted to impose a spurious production upon that public to whom I am under so many obligations. I am, with the greatest respect and gratitude, their most obedient servant, John Ashley. March 29. [On 29 Mar. the following card had appeared in most of the daily newspapers: Mr Salomon having received from Dr Haydn an early Copy of his New Oratorio called The Creation of the World, and having been favoured by him exclusively with particular directions on the style and manner in which it must be executed, in order to produce the effects required by the Author, begs to acquaint the Nobility and Gentry, that he means to perform it on Monday, the 21st of April next, at the King's Theatre. The performance took place on that date in the Ancient Music Room, i.e. the large concert-room situated inside the King's, on the east side, level with the first tier of the boxes. The reason for this change was, states the playbill, "the present Performances in the Opera House not allowing sufficient time to erect an Orchestra on the Stage." The principal singers were Mme Mara, Mme Dussek, Small, Page, Denman, Bartleman. Samuel Wesley presided at the organ and at the piano forte.

Performances

Mainpiece Title: The Creation Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17610907, but Player-Anderson.
Cast
Role: Player Actor: Anderson.

Afterpiece Title: The Rape of Proserpine

Dance: As17610907

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Player Actor: Anderson

Afterpiece Title: Harlequin Sorcerer

Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Player Actor: Anderson
Role: Fairbank Actor: Anderson
Role: Richmore Actor: Ridout

Afterpiece Title: The Lying Valet

Cast
Role: Gayless Actor: Anderson

Dance: As17591017

Event Comment: Receipts: #118 16s. Paid Gum carpenter's bill #12. Paid Hull 16 nights from 24 Sept. at 6s. 8d. per night: #5 6s. 8d. Paid Mr Sanders 6 nights from the 13th inst. at 13s. 4d. per night: #4. [By this date Rich shows an income of #1,809 and an expenditure of #1, 541, holding a profitable balance of #268.

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Player Actor: Anderson
Role: Fairbank Actor: Anderson
Role: Richmore Actor: Ridout

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591017

Event Comment: Receipts: #151 15s. 6d. Sent Mrs Ward by order of Rich #10. Paid Messrs Powell & Co for Miss White #3 12s

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Player Actor: Anderson
Role: Fairbank Actor: Anderson
Role: Richmore Actor: Ridout

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble (with song in character)-Shuter; Loveit-Anderson; Flash-Costollo; Puff-Dunstall; Tagg-Mrs Vincent; Biddy-Mrs Green.
Cast
Role: Loveit Actor: Anderson

Dance: As17591023

Event Comment: Receipts: #115 9s. Paid Blackmore for the following Cloaths: A Blue velvet Coat & Breeches, with white sattin waistcoat emb. with gold, #18; a Light cloath coat & waistcoat (yellow) emb. with silver #12; A Blue & Silver stuff suit, #8; a crimson velt suit #6; a black velvet suit #4 10s.; a scarlet cloath suit trimm'd with black, #1 10s.; Paid into the hands of Mr Forrest [attorney] by John Rich #200. Mr Austin advanc'd 6d. each acting night form 29 Oct. for snuffing the candles

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Player Actor: Anderson
Role: Fairbank Actor: Anderson
Role: Richmore Actor: Ridout

Afterpiece Title: Miss in Her Teens

Cast
Role: Loveit Actor: Anderson

Dance: As17591012 End II: a New Comic Dance-Granier, Miss Hillard; Hornpipe-Miss Dawson

Event Comment: Receipts. #132 18s. 6d. British Chronicle: Rich has cleared #5000 besides his Expenses by the run of The Beggar's Opera (Winston MS 8)

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Player Actor: Anderson
Role: Fairbank Actor: Anderson
Role: Richmore Actor: Ridout

Afterpiece Title: The School Boy

Cast
Role: Young Rakish Actor: Anderson

Dance: As17591113

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; with songs-Bannister; Gonzalez-Aickin; Alonzo-Bransby; Sebastian-Farren; Francisco-Norris; Boatswain-Carpenter; Antonio-Hurst; Master of the Ship-Wrighten; Ferdinand-Vernon; Ariel-A Young Lady (A Scholar of Linley; 1st appearance upon any stage [Miss Field]); Miranda-A Young Lady (1st appearance upon any stage [Mrs Cuyler]); Chorus of Spirits-Gaudry, Legg, Fawcett, Kear, Carpenter, Chaplin, Holcroft, Follett, Mrs Scott, Miss Abrams, Miss Collett, Miss Jarratt, Miss Boyd, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith.
Cast
Role: Ferdinand Actor: Vernon
Role: Miranda Actor: A Young Lady

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Performance Comment: and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton.
Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Trip to Scotland

Cast
Role: Landlady Actor: Mrs Love

Dance: II: A Dance, as17730506

Event Comment: Receipts: #163 18s. 6d. Probable attendance: boxes, 230 paid and 3 orders; stage, 28 paid; balcony, 4 paid; pit, 273 paid and 3 orders; slips, 57 paid; first gallery, 420 paid and 4 orders; second gallery, 195 paid. Daily Journal, 28 Feb.: Whereas Mrs Barbier has advertized that the Beggar's Opera is to be performed, for her Benefit, on the 16th of March next; This is to inform the Publick, That such Advertisement was published without Consent of Mr Rich, and that the same will not be allow'd of

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Benefit Mrs Younger. [There is some confusion concerning this performance. Daily Journal advertises The Fortune Hunters for its second performance, but Rich's Register gives The Beggar's Opera, 33d time; this numbering is recongnized in the bills by 16 March.] Receipts: money #35 2s.; tickets #115 17s. Probable attendance: boxes, 41 by money and 247 by tickets; stage, 12 by money; pit, 59 by money and 203 by tickets; slips, 6 by money; first gallery, 66 by money and 203 by tickets; second gallery, 74 by money. Tickets for Volpone will be taken

Performances

Mainpiece Title: The Beggars Opera

Event Comment: [The Bill calls this the 33d performance; Rich's Register labels it the 34th. See 11 March.] Receipts: #183 3s. Probable attendance: boxes, 246 paid and 5 orders; stage, 73 paid; pit, 292 paid and 4 orders; slips, 65 paid; first gallery, 435 paid and 2 orders; second gallery, 192 paid. Daily Journal, 12 March: N.B. During the Course of the Benefits, this Opera will be performed every Tuesday and Saturday

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Receipts: #176 14s. Probable attendance:'boxes, 224 paid and 3 orders; stage, 75 paid; pit, 279 paid and 5 orders; slips, 60 paid and 1 orders; pidgeon holes, 3 paid; first gallery, 444 paid and 4 orders; second gallery, 193 paid. [Both Daily Journal and Rich's Register call this the 35th performance; see 11 March.

Performances

Mainpiece Title: The Beggars Opera

Event Comment: The Fifty-Sixth Night. Tickets for A Bold Stroke for a Wife taken. Receipts: #87 8s. Probable attendance: boxes, 120 Paid and 11 orders; stage, 7 paid; pit, 211 paid and 15 orders; slips, 17 paid and 1 order; first gallery, 163 paid and 25 orders; second gallery, 9 paid and 2 orders. [Rich's Register also lists #10 18s. in tickets for Mrs Chianova.

Performances

Mainpiece Title: The Beggars Opera

Event Comment: At the particular Desire of several Ladies of Quality. Receipts: #106 7s. 6d. Rich's Register: Bespoke by the Dutchess of Richmond

Performances

Mainpiece Title: The Beggars Opera

Dance: FFrench Sailor-Salle, Mrs Laguerre; French Peasant-Poitier; Grand Dance in Momus Turned Fabulist-

Event Comment: Benefit Miss Norsa. At the Desire of several Persons of Quality. Written by the late Mr Gay. Receipts: money #55 4s.; tickets #86 19s. [For a discussion of Rich's treatment of The Mock Lawyer, see Grub St. Journal, 26 April.

Performances

Mainpiece Title: The Beggars Opera

Dance:

Event Comment: Paid Mr Rich the Balance due New Lying In Hospital, 22d Dec. last #21 7s. (Account Book). Receipts: #176 1s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Richard Jones
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich

Dance: II: A Comic Dance, as17681007

Performances

Mainpiece Title: The Tempest

Performance Comment: Alonso-Atkins; Prospero-Beard; Antonio-G. Burton; Ferdinand-Curioni; Gonzalo-; Caliban-Champnes; Stephano-Rooker; Ventoso-Abington; Trincalo-Beard; Mustacho-Champness; Ariel-Miss Young; Miranda-Mrs Vernon; With an Introductory Dialogue by way of Prologue-.
Cast
Role: Ferdinand Actor: Curioni
Role: Miranda Actor: Mrs Vernon