SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Smith"/1) | (@(roleclean,performerclean) "J Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2710 matches on Performance Comments, 783 matches on Event Comments, 325 matches on Performance Title, 69 matches on Roles/Actors, and 25 matches on Author.
Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Performances

Mainpiece Title: The Duellist

Performance Comment: Parts by: Woodward, Smith, Shuter, Lewis, Wroughton, Kniverton, Quick, Cushing, Miss Miller, Miss Barsanti, Miss Wilde, Miss Pearce, Mrs Kniveton, Miss Valosi, and Mrs Green. With a Prologue and an Epilogue. General Gantlet-Woodward; Capt. Boothby-Smith; Sir Soloman Bauble-Shuter; Counsellor Witmore-Lewis; Lord Lovemore-Wroughton; Governor Mammon-Kniveton; Serjant Nonplus-Quick; Lady Lovemore-Miss Barsanti; Mrs Boothby-Miss Miller; Lady Bauble-Mrs Green; Emelia-Miss Wilde; Mrs Goodwill-Mrs Kniveton; Echo-Miss Valois; Combrush-Miss Pearce; Mactotum-Cushing; With Prologue-Smith; Epilogue-Miss Barsanti (Edition of 1773).
Cast
Role: Boothby Actor: Smith
Role: With Prologue Actor: Smith

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: King Henry Ii; Or, The Fall Of Rosamond

Performance Comment: . Principal characters-Smith, Clark, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, Mrs Hartley; With Prologue-; Epilogue-.

Afterpiece Title: The Commissary

Performances

Mainpiece Title: A Christmas Tale

Performance Comment: Parts by: Vernon, Bannister, Parsons, Hurst, W. Palmer, Wright, Griffith, Mas. Blanchard, Kear, Mrs Wrighten, Mrs Hunt, Miss Platt, Weston, Champness, Dimond, Ackman, Burton, Wrighten, Fawcett, Blanchard, Scott, Mrs Johnston, and Mrs Smith. Dances-Como, Grimaldi, Atkins, Giorgi, Sga Crespi, Mrs Sutton, Sga Giorgi; With a Prologue, after which a New Overture=-; Tycho-Weston; Floridor-Vernon; Bonoro-Bannister; Faladel-Parsons; Nigromant-Champness; Radel-Dimond; Camilla-Mrs Smith; Robinette-Mrs Wrighten; Messengers-Griffith, Mas. Blanchard; Good and Evil spirits in various characters-Hurst, Ackman, W. Palmer, Wright, Wrighten, Courtney, Miss Platt, Mrs Johnston, Mrs Bradshaw, Mrs Millidge, Mrs Scott, Fawcett, Mrs Hunt, Mrs Smith, Kear, Burton; Prologue-Palmer in character of Christmas; unassigned-Blanchard, Scott (Edition of 1774).

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Renegado

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The World In The Moon

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performances

Mainpiece Title: Love For Love

Dance: As17150113

Performances

Mainpiece Title: The Squire Of Alsatia

Song: As17150324

Dance: delaGarde, Sandham, Newhouse, Mrs Russell, Miss Schoolding

Performances

Mainpiece Title: Amadis

Dance:

Performances

Mainpiece Title: The Boating Lovers; Or, The Libertine Tam'd

Dance: delaGarde, Mrs Bullock

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Dance: Thurmond Jr, Shaw

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Song: As17151001

Dance: As17151005; Harlequin-Aubert, who never appear'd upon a Stage before

Performances

Mainpiece Title: The Provok'd Wife

Dance: The What D'Ye Call It-delaGarde, Mrs Bullock

Performances

Mainpiece Title: The Woman Captain

Dance: As17160629

Performances

Mainpiece Title: The Unhappy Favourite

Dance: Serious and Comic Dancing-two Children Scholars of M Ballon, lately arriv'd from the Opera at Paris [M and Mlle Salle]; [particularly Two Punchanellos, Two Harlequins and a Dame Ragonde-; The Harlequins-the two Children

Performances

Mainpiece Title: King Henry The Fourth, Part I

Song: As17161019

Dance: As17161019

Performances

Mainpiece Title: Oedipus, King Of Thebes

Dance: A New Dance-Moreau, Mrs Schoolding; A Serious Dance-Salle, Mlle Salle, Salle's Sister, the Two Children from the Opera at Paris

Performances

Mainpiece Title: The Twin Rivals

Dance: Shaw, Miss Schoolding; Dutch Skipper, as17161101; Night Scene-Salle, Mlle Salle

Performances

Mainpiece Title: The Spanish Fryar

Song: As17161030

Dance: As17161027

Performances

Mainpiece Title: Aurengzebe

Dance: A new Dance of a Scaramouch and Dame Ragonde by Moreau-Salle, Mlle Salle

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Song: As17161030

Dance: Grand Comic Wedding Dance-; La Folie, as17170304

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Dance: As17161027