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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J "/1) | (@(roleclean,performerclean) "J ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2740 results for: Keyword - J
We found 2783 matches on Roles/Actors, 876 matches on Performance Comments, 447 matches on Event Comments, 94 matches on Performance Title, and 12 matches on Author.

2626
25 May 1789 @ Haymarket Theatre

Event Comment: 1st piece: In 3 acts; never performed here. 3rd piece [1st time; INT I, by "A Lady"]. Diary, 27 June 1789: This Day is published Half an Hour after Supper (1s.)

Performances

Mainpiece Title: The Miser

Performance Comment: The Miser-Moss; Ramilie-Powell; Lawyer-Mathews; Mercer-Abbott; Jeweller-Chapman; Furnish-Johnson; List-Barrett; Frederick-Williamson; Mariana-Mrs Brooks; Mrs Wisely-Mrs Poussin; Lappet-Mrs Barresford.

Afterpiece Title: Ut Pictura Poesis

Performance Comment: As17890518.

Afterpiece Title: Half an Hour after Supper

Performance Comment: [Principal Characters by Kemble, Iliff, Johnson, Williamson, Mrs Barresford, Mrs Edwin, Miss Heard, Miss Prideaux, A Young Lady (1st appearance Mrs Taylor]). [Cast from text (J. Debrett, 1789): Mr Sturdy-Kemble; Captain Berry-Iliff; Frank-Johnson; Mr Bentley-Williamson; Miss Tabitha-Mrs Barresford; Mrs Sturdy-Mrs Edwin; Miss Elizabeth-Miss Heard; Nanny-Miss Prideaux; Miss Sukey-Mrs Taylor.

Dance: End 2nd piece: The Graces-the Miss Simonets

2627
12 June 1789 @ Drury Lane Theatre

Event Comment: Benefit for Carleton, Wilson, J. Shade, Gibson. The last Time of the Company's performing this Season. Receipts: #256 13s. (22.8; 9.8; 0.5; tickets: 224.12) (charge: #106 0s. 8d.)

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17890123, but Corinna [without a song]-Miss Barnes; Araminta-Miss Collins; Mrs Amlet-Mrs Booth; Clarissa-Mrs Goodall.

Afterpiece Title: The Lyar

Performance Comment: As17880916, but Miss Grantham-Miss Collins.

Dance: End: The Irish Bird@Catchers, as17890519

Song: In the course of the evening: O What a Charming Thing's a Battle-Sedgwick

2628
30 June 1789 @ Haymarket Theatre

Event Comment: Mainpiece: 7th Time [i.e. in continuation of the reckoning for the previous season. Mrs Rivers was from cg]

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Performance Comment: Principal Characters by Bannister Jun., Williamson, R. Palmer, Kemble, Iliff, Johnson, Abbott, Chapman, Burton, Baddeley, Mrs Kemble, Mrs Whitfield, Mrs Poussin, Miss Branghn, Mrs Rivers (1st appearance on this stage). Cast adjusted from text (J. Debrett, 1789): Jeffreys-Bannister Jun.; Mr Edwards-Williamson; Supple-R. Palmer; Mr David Northcote-Kemble; Lieutenant Dormer-Iliff; Gentlemen-Johnson, Abbott; Mazinghi Dowza-Chapman; Caesar-Burton; Resident-Baddeley; Miss Louisa Moreton-Mrs Kemble; Mrs Tartar-Mrs Whitfield; Mrs Garnish-Mrs Poussin; Miss Bronze-Miss Brangin; Miss Eliza Moreton-Mrs Rivers.

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17890623.

2629
11 July 1789 @ Haymarket Theatre

Event Comment: [1st piece in place of Summer Amusement, advertised on playbill of 10 July.] 3rd piece [1st time; F 2, ascribed by Town and Country Magazine, July 1789, p. 327, to George Colman ynger. Prologue by the author (see text)]. Public Advertiser, 19 Aug. 1789: This Day is published The Family Party (1s.)

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: As17890622.

Afterpiece Title: The Flitch of Bacon

Performance Comment: As17890703.

Afterpiece Title: The Family Party

Performance Comment: Principal Characters by Bannister Jun., R. Palmer, Davies, Iliff, Abbott, Baddeley, Miss Heard, Mrs Webb. [Cast from text (J. Debrett, 1789): Sir Toby Twaddle-Bannister Jun.; Pinch-R. Palmer; Captain Rampart-Davies; Jack Spriggins-Iliff; Servant-Abbott; Old Spriggins-Baddeley; Laura-Miss Heard; Mrs Malmsey-Mrs Webb; Prologue-Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Dance: As17890708

2630
05 August 1789 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. 1st piece [1st time; M. PREL 1; at its 2nd performance, 10 Aug., acted under its 2nd title, and published as such]: Written by Thomas? Bellamy. [The Address by--Codrington, of Exeter (European Magazine, Sept. 1789, p. 218).] World, 1 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-Buildings. Diary, 1 Sept. 1789: This Day is published The Benevolent Planters (1s.)

Performances

Mainpiece Title: The Friends; Or, The Benevolent Planters

Performance Comment: Principal Characters by Kemble, Usher, Gardner, Chapman, Mrs Kemble. Cast from text (J. Debrett, 1789): Oran-Kemble; Steady-Usher; Heartfree-Gardner; Goodwin-Chapman; Selima-Mrs Kemble.

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Edwin; Lord Edmund-Williamson; Dowdle-Moss; Count Fripon-Powell; Father Frank-Mathews; Phelim-Ledger; Tough-Burton; Frill-Johnson; Trap-Gardner; Landlord-Painter; Jack Connor-R. Palmer; Rachel-Mrs Brooks; Mary-Mrs Edwards; Adelaide-Mrs Whitfield.

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson-Edwin; Sir John Loverule-Davies; Nell-Mrs Kemble (1st appearance in that character).

Dance: In: a new dance, Liberty or We Slaves Rejoice-

Entertainment: Monologues End 2nd piece: As17890617 Preceding: An Address to the Humane Society on the Abolition of the Slave Trade in the character of a Negro , by-Kemble; End 3rd piece: Belles have at Ye All-Mrs Kemble

2631
28 September 1789 @ Covent Garden

Event Comment: [In afterpiece the playbill assigns Shelty to Edwin, but "Ryder in the stead of Edwin, who was said to be indisposed, played the part of Shelty" (World, 29 Sept.).] Afterpiece: The Music by Handel, Rizzio, ?J. C.? Bach, Gretry, Corri, Shield. A new Scotch Overture by Shield. Paid Music 25th Inst. #11 7s. 6d.; Properties 2s. 4d.; Kettle Drum 5s.; Wardrobe #5 10s. 6d.; Supernumeraries #8 12s. 6d.; Chorus Singers #2; Cox for Scenemen #28 1s.; Hodgins #4 4s. Receipts: #254 4s. 6d. (250.15.0; 3.9.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17890925.

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Quick; Shelty-Ryder; Serjeant Jack-Bannister; Sandy (or Young Donald)-Johnstone; Charley-Blanchard; Captain Dash-Davies; Donald Laird of Col-Gardner; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Mrs Mountain; Moggy-Mrs Martyr (Their 1st appearance in those characters).

2632
02 October 1789 @ Covent Garden

Event Comment: Receipts: #182 8s. 6d. (178.6.0; 4.2.6)

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Lackland-Lewis; Lepoche-Quick; Squire Tally@ho-Edwin; Sir John Bull-Powel; Lord Winlove-Davies; Col. Epaulette-Cubitt; Henry-Johnstone; Rosa-Mrs Mountain; Celia-Mrs Martyr; Mrs Casey-Mrs Bernard; Lady Bull-Mrs Webb; Nannette-Miss Stuart; Miss Dolly Bull-Mrs Mattocks.

Afterpiece Title: The Little Hunchback

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor-Reeve; French Doctor-Cubitt; Barber-Macready; Englishman-Bernard; Doctor's Man-Rock; Jew's Man-Milburne; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Miss Rowson; Taylor's Wife-Mrs Webb. [Parts adjusted from text (J. Debrett, 1789): Crumpy-Quick; Cross@Leg-Blanchard; Zebede-Reeve; Doctor Quinquina-Cubitt; Absalom-Macready; Crank-Bernard; Dominique-Rock; Habby-Milburne; Cadi-Evatt; Bassa-Davies; Dora-Miss Rowson; Juggy-Mrs Webb.]

Dance: End: Divertissement-Byrne, Mrs Goodwin

2633
13 November 1789 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; BO 2, by the Hon. John St.John. Prologue by the author (see text)]: With new Scenes, Dresses and Decorations. The Overture, new Songs and Accompaniments by Shaw. The Scenes by Greenwood. Receipts: #172 16s. (117.11.0; 53.9.6; 1.15.6)

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17891105.

Afterpiece Title: The Island of St

Performance Comment: Marguerite. Principal Characters-Kelly, Barrymore, Suett, Waldron, Sedgwick, Hollingsworth, Jones, Phillimore, Banks, Fawcett, Maddocks, Lyons, Wilson, Alfred, Fairbrother, Danby, Shaw, Vincent, Boyer, Stageldoir, Horsfall, Dorion, Capon, Bannister Jun., Miss Romanzini, Mrs Edwards, Miss Hagley, Mrs Fox, Miss Stageldoir, Miss Barnes, Mrs Edwin, Miss Palmer, Mrs Shaw, Mrs Davies, Mrs Butler, Mrs Gawdry, Mrs Crouch. [Cast from text (J. Debrett, 1789), and European Magazine, Nov. 1789, p. 378: Mask-Kelly; Commandant-Barrymore; Turnkey-Suett; Lawyer-Waldron; Officer-Sedgwick; Mob-Hollingsworth, Jones, Phillimore, Maddocks, Lyons, Fairbrother, Webb [not listed in playbill]; Thomas-Banks; Jonas-Bannister Jun.; Nannette-Miss Romanzini; Abbess-Mrs Edwards; Nuns-Miss Hagley, Miss Stageldoir, Miss Barnes; Teresa-Mrs Fox; Carline-Mrs Crouch; unassigned-Fawcett, Wilson, Alfred, Danby, Shaw, Vincent, Boyer, Stageldoir, Horsfall, Dorion, Capon, Mrs Edwin, Miss Palmer, Mrs Shaw, Mrs Davies, Mrs Butler, Mrs Gawdry; Prologue-Bannister Jun. [This was spoken, as here assigned, at the 1st 8 performances only (see17891207).]This was spoken, as here assigned, at the 1st 8 performances only (see17891207).]

2634
19 November 1789 @ Covent Garden

Event Comment: Afterpiece: Taken from Soliman the Magnificent of Marmontel. Receipts: #218 18s. 6d. (202.16.6; 16.2.0)

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir J. Restless-Ryder; Sir W. Belmont-Thompson; Young Belmont-Davies; Blandford-Hull; Robert-Cubitt; Brush-Farley; Beverley-Lewis; Lady Restless-Mrs Mattocks; Clarissa-Mrs Mountain; Marmalet-Miss Stuart; Tattle-Mrs Davenett; Tipper-Mrs Platt; Belinda-Mrs Abington.

Afterpiece Title: The Sultan

Performance Comment: Solyman-Davies; Osman-Cubitt; Ismene-Mrs Martyr; Elmira-Miss Chapman; Roxalana-Mrs Abington.

Dance: End: As17891113; Afterpiece to conclude: Grand Dance. Chief of the Bostanges-Byrne, Principal Female Dancers-Mrs Ratchford, Mrs Goodwin

Performance Comment: Chief of the Bostanges-Byrne, Principal Female Dancers-Mrs Ratchford, Mrs Goodwin.

2635
24 November 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: [Characters-Kelly, Baddeley, Moody, Suett, Dignum, Sedgwick, Whitfield, Williames, Bannister Jun.; Sga Storace (1st appearance on the English stage i.e. in a speaking part]), Miss Romanzini, Mrs Booth, Mrs Crouch. [Cast from Songs (J. Jarvis, 1789): Lord William-Kelly; Baron of Oakland-Baddeley; Hugo-Moody; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; De Courcy-Whitfield; Martin-Williames; Edward-Bannister Jun.; Hubert-Webb; Servant-Lyons; Adela-Sga Storace; Cicely-Miss Romanzini; Maud-Mrs Booth; Lady Elinor-Mrs Crouch.

Afterpiece Title: The Miller of Mansfield

Performance Comment: The King-Whitfield; Richard-R. Palmer; Joe (with a song)-Williames; Lord Lurewell-Benson; The Miller-Moody; Kate-Mrs Wilson; Peggy-Miss Collins; Margery-Mrs Hopkins [Public Advertiser: Mrs Booth].Public Advertiser: Mrs Booth].

2636
19 February 1790 @ Covent Garden

Event Comment: Among the Instrumental Performers are G. Ashley (leader of the Band), Sperati, Sarjant, Patria, Reinagle, C. Ashley, Boyce, Mahon, Mountain, Holmes, Lyon, Schram, Kaye, the Leanders, &c. Double Drums by J. Ashley. The Organ on Fridays by Knyvett, and on Wednesdays by Greatorex. The whole conducted by Harrison and Ashley. The Band will consist of 150 Performers. Places for the Boxes to be taken of Brandon, at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. No Money to be returned. Places may be taken in the Theatrical Orchestra at 5s. each [i.e. at the oratorios the instrumentalists sat on the stage]. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the names of the performers to their respective songs, to be had at the Theatre. And to prevent imposition in the Streets, the Managers have directed that they should be sold in the Theatre, at 6d. each

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

2637
08 March 1790 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John Philip Kemble]: Taken from [The Rover, by] Mrs Behn, with considerable Alterations. With new Dresses and Decorations. Receipts: #165 14s. 6d. (133.8.0; 31.14.0; 0.12.6)

Performances

Mainpiece Title: Love In Many Masks

Performance Comment: [Characters-Barrymore, R. Palmer, Wroughton, Kemble, Whitfield, Bannister Jun., Suett, Phillimore, Benson, Lyons, Webb, Maddocks, Alfred, Master Gregson, Master Grimaldi, Miss Gawdry, Fairbrother, Mrs Powell, Mrs Jordan, Mrs Kemble, Mrs Ward, Mrs Hedges, Mrs Heard, Miss Tidswell, Miss Barnes. Cast from text (T. and J. Egerton [1790]): Don Antonio-Barrymore; Don Pedro-R. Palmer; Belville-Wroughton; Willmore-Kemble; Frederick-Whitfield; Blunt-Bannister Jun.; Stephano-Suett; Sancho-Phillimore; Philippo-Benson; Sebastian-Lyons; Biskey-Webb; Officer-Maddocks; Soldier-Alfred; Antonio's Page-Master Gregson; Helena's Page-Master Grimaldi; Blunt's Boy-Miss Gawdry; Taylor-Fairbrother; Florinda-Mrs Powell; Helena-Mrs Jordan; Valeria-Mrs Kemble; Angelica-Mrs Ward; Moretta-Mrs Hedges; Callis-Mrs Heard [in text: Mrs Booth]; Lucetta-Miss Tidswell; Flower Girl-Miss Barnes.

Afterpiece Title: The Deaf Lover

Performance Comment: As17900220.

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

2638
05 June 1790 @ Drury Lane Theatre

Event Comment: Benefit for Carleton, Wilson, J. Shade & Gibson. Tickets delivered for Tit for Tat will be admitted. Account-Book, July [et seq.]: Paid 209 Renters #20 6s. apiece. The Last Time of the Company's Performing this Season. Receipts: #253 2s. (20.1.0; 6.10.6; 0.14.6; tickets: 225.16.0) (charge: #106 0s. 4d.)

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: As17900527, but Villers-Benson; Silvertongue-Webb.

Afterpiece Title: The Irish Widow

Performance Comment: As17900213, but Widow Brady (with the Epilogue Song)-Mrs Williames (late Mrs Wilson).

Dance: End I afterpiece: The Irish Bird Catchers, as17900123

2639
11 August 1790 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. 1st piece: Never [previously] acted here. 2nd piece [1st time; INT i, by Henry Siddons. Prologue by John Taylor (see text)]. Gazetteer, 28 Aug. 1790: This Day is published Modern Breakfast (1s.)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Marquis D'Almanza-Williamson; Duke Murcia-Ryder; Count Valentia-R. Palmer; Seville-Chapman; Granada-Evatt; Peasant-Bensley; Marchioness-Mrs Brooks; Amanthis-Mrs Kemble.

Afterpiece Title: Modern Breakfast; or, All Asleep at Noon

Performance Comment: Principal Characters by Bannister Jun., Moss, Iliff, Evatt, Kemble, Mrs Whitfield, Miss Heard, Mrs Kemble. Cast from text (J. Debrett, 1790): Delmar-Bannister Jun.; Morecraft-Moss; Mr Hammond-Iliff; Risk-Evatt; Sir Ambrose Crab-Kemble; Miss Oglewell-Mrs Whitfield; Lucy-Miss Heard; Mrs Hammond-Mrs Kemble; Prologue-Mrs Kemble.

Afterpiece Title: The Follies of a Day

Performance Comment: As17900617.

Dance: End 2nd piece: A Double Hornpipe-Platt, Mrs Goodwin

2640
03 November 1790 @ Drury Lane Theatre

Event Comment: A new and correct Edition of the Farce [J. Debrett, 1790] to be had at the Theatre. Paid Perrott, Coal Merchant, #139 13s. Receipts: #166 7s. (126.1; 39.7; 0.19)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Barrymore; Sebastian-Bland; Antonio-Phillimore; Curio-Lyons; Sir Toby Belch-Palmer; Sir Andrew Ague@cheek-Dodd; Sea Captain-Benson; Fabian-R. Palmer; Malvolio-Bensley; Clown (with the Epilogue Song)-Suett; Olivia-Mrs Powell; Viola-Mrs Jordan; Maria-Miss Collins.

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Goodall-Packer; Valentine-Whitfield; Lord Puff-Haymes; Colonel Bluff-Palmer; Oldcastle-Suett; Rakeit-R. Palmer; Slap-Phillimore; Security-Fawcett; John-Banks; Constable-Alfred; Mrs Highman-Mrs Hopkins; Charlotte-Miss Collins; Lettice (with songs)-Mrs Jordan (1st appearance in that character).

2641
17 November 1790 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Performances

Mainpiece Title: Better Late Than Never

Performance Comment: Characters by Kemble, Dodd, Palmer, Baddeley, Bannister Jun., R. Palmer, Maddocks, Lyons, Webb, Mrs Jordan, Mrs Goodall, Miss Pope. [Cast from text (J. Ridgway, 1790): Saville-Kemble; Flurry-Dodd; Sir Charles Chouse-Palmer; Grump-Baddeley; Litigamus-Bannister Jun.; Pallet-R. Palmer; Lawyer's Clerk-Maddocks; Servant to Saville-Lyons; Servant to Flurry-Webb; Augusta-Mrs Jordan; Mrs Flurry-Mrs Goodall; Diary-Miss Pope; Prologue-Bannister Jun; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Don Juan

Performance Comment: As17901026.

Dance: As17901026

2642
01 January 1791 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin, 1792]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Musick composed principally by Storace, with a few Pieces selected from [Una Cosa Rara, by] Martini [i.e. Martin y Soler], Salieri, and Paisiello. "The Siege of Belgrade is a very pleasing vehicle for the music, which in a modern opera is all that is expected from the poet" (Universal Magazine, Jan. 1791, p. 66). "The battle between Palmer and Kelly ought to be shortened. It is almost as ludicrous as that between Don Whiskerandos and Beefeater, in Mr Puff's Tragedy [in The Critic]" (Gazetteer, 4 Jan. 1791). Account-Book, 24 May 1791: Paid Cobb for Copyright of Siege of Belgrade of #210. Receipts: #267 9s. 6d. (242.0.0; 23.9.6; 2.0.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Performance Comment: Characters by Kelly, Palmer, R. Palmer, Fox, Suett, Bannister Jun., Dignum, Cooke (1st appearance on any stage), Hollingsworth, Dubois, Mrs Crouch, Miss Hagley, Sga Storace, Mrs Bland. Cast from Songs (J. Jarvis, 1791): The Seraskier-Kelly; Colonel Cohenberg-Palmer; Krohnfeldt-R. Palmer; Ismael-Fox; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Cooke; Michael-Hollingsworth; Soldier-Dubois; Catherine-Mrs Crouch; Fatima-Miss Hagley; Lilla-Sga Storace; Ghita-Mrs Bland.

Afterpiece Title: The Deuce is in Him

Performance Comment: As17900911.

2643
14 January 1791 @ Covent Garden

Event Comment: Receipts: #183 9s. 6d. (181.0.6; 2.9.0)

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: As17910112.

Afterpiece Title: The Little Hunchback

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor (1st time)-Wilson; French Doctor-Marshall; Barber-Macready; Englishman-Bernard; Doctor's Man-Rock; Jew's Man-Milburne; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Mrs Rock; Taylor's Wife-Mrs Webb. [Parts adjusted from text (J. Debrett, 1789); Crumpy-Quick; +Cross-Leg-Blanchard; +Zebede-Wilson; +Doctor Quinquina-Marshall; +Absalom-Macready; +Crank-Bernard; +Dominique-Rock; +Habby-Milburne; +Cadi-Evatt; +Bassa-Davies; +Dora-Mrs Rock; +Juggy-Mrs Webb.]

Afterpiece Title: A Divertisement

Performance Comment: As17901201.

Dance: End 3rd piece: As17910112

2644
21 March 1791 @ Drury Lane Theatre

Event Comment: "Mrs Siddons's timid approach [in Act V] to the home of a friend whom she had robbed of a lover: 'She staggers up to the door, timidly lifts the knocker, releases it as if she had committed a mortal sin, seizes it a second time and--knocks. It is impossible to describe how she knocked, but I shall never forget her in this situation, never forget the tone of her voice in answer to the servant, never the timidity, the anguish of her expression and movements.'" (F. W. von Hassell quoted in J. A. Kelly, 144-45). Receipts: #337 7s. 6d. (321.16.0; 14.6.6; 1.5.0, being the largest amount taken at this theatre, on a night not devoted to a benefit, between 1776 and 4 June of this season, q. v.)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Duke of Gloster-Aickin; Lord Hastings-Kemble; Catesby-Phillimore; Sir Richard Ratcliffe-Benson; Bellmour-Packer; Dumont-Bensley; Derby-Maddocks; Alicia-Mrs Ward; Jane Shore-Mrs Siddons.

Afterpiece Title: The Fairy Favour

Performance Comment: As17910207, but Surgeon Caustic-_; Bandage-_; Waiter-_; 2nd Statuary-_; Gardener-_.

2645
11 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2] Translated from the French [La Nuit aux Aventures; on, Les Deux Morts Vivants, by Antoine Jean Bourlin, dit Dumaniant] by Mrs Inchbald, the Author of I'll Tell You What, Such Things Are, A Simple Story, &c. [Larpent MS 900; not published. In 1797 altered by J. C. Cross as An Escape into Prison. "In January 1788 Mrs Inchbald was translating an unnamed French play, acted three years later as The Hue and Cry" (James Boaden, Memoirs of Mrs Inchbald, 1833, I, 255-56). "Mrs Inchbald is now adapting La Nuit aux Aventures, by Dumaniant" (World, 26 Jan. 1788). In the text of Dumaniant's play the dramatis personae is the same as that in the Larpent MS. Author of Prologue unknown.] Morning Chronicle, 30 Apr.: Tickets to be had of Whitfield, No. 19, Great Piazza, Covent-Garden. Receipts: #263 13s. (68.19.0; 31.7.6; 3.13.6; tickets: 159.13.0) (charge: #116 4s. 4d.)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17901012, but Ben's song-_.

Afterpiece Title: The Hue and Cry

Performance Comment: Characters-Whitfield Hollingsworth, Bland, Bannister Jun., Burton, Suett, Phillimore, Williames, Maddocks, Lyons, Alfred, Webb, Miss Collins, Mrs Williames; Larpent MS lists the parts: Count Abeville, Don Lewis, Don Juan, Perroquet, Fabio, Sanchez, Corregidore, Jailor, Grim, Donna Leonora, Inis. Prologue-Bannister Jun.

2646
01 June 1791 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Shade, Hicks, J. Shade, Gibson. Kemble Mem.: Benefit for the Boxkeepers. Receipts: #389 4s. 6d. (22.13.0; 10.15.6; 1.8.0; tickets: 354.8.0) (charge: #116 8s. 4d.)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17910511, but Valentine-Whitfield.

Afterpiece Title: The Devil to Pay

Performance Comment: As17901020.

2647
25 June 1791 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Performance Comment: As17910618.

Afterpiece Title: The Kentish Barons

Performance Comment: Characters by Johnstone (1st appearance on this stage), Aickin, Bannister Jun., Mrs Goodall, Chapman, Evatt, Bensley, Mrs Kemble, Mrs Webb, Mrs Taylor. Cast from text (J. Ridgway, 1791): Clifford-Johnstone; Bertram-Aickin; Gam-Bannister Jun.; Osbert-Mrs Goodall; William-Chapman; Walter-Evatt; Mortimer-Bensley; Elina-Mrs Kemble; Susan-Mrs Webb; Beatrice-Mrs Taylor.

2648
13 August 1791 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; F 2, by Charles Stuart, "from the Spanish"; on 2 Sept. reduced to 1 act. Prologue by the author (see text)]. "The Piece, we understand, was originally founded on some topics that have of late engrossed the conversation of much of the fashionable world...The Lord Chamberlain thought [it] too delicate a nature to appear with the allusions and title it then bore, She would be a Duchess. The consequence was that the offensive bits were expunged and the piece re-christened...It would be unfair to make any observations...in the mutilated stage it was presented" (Public Advertiser, 15 Aug.). "Some part of the plot was supposed to allude to the late occurrences in the family of General John? Gunning, who was indulged with the privilege of erasing [from the MS] that which he disliked, and who reduced it to its present feeble and unconnected form" (Gazetteer, 15 Aug.). [The reference in the original title is to the simultaneous flirtation of Miss Elizabeth Gunning, the General's daughter, with the eldest sons of the Dukes of Marlborough and Argyll (see dnb, under Susannah Gunning). She would be a Duchess: in Larpent MS 915.

Performances

Mainpiece Title: Next Door Neighbours

Performance Comment: As17910718 but Prologue-_; Epilogue-_[and thereafter].and thereafter].

Afterpiece Title: The Padlock

Performance Comment: Don Diego-Bannister; Leander-Davies; Mungo-Cornellys; Scholars-Evatt, Farley; Leonora-A Young Lady (1st appearance on any stage [unidentified]); Ursula-Mrs Webb.

Afterpiece Title: The Irishman in Spain

Performance Comment: Characters by R. Palmer, Evatt, Wewitzer, Farley, Rock, Mrs Goodall, Miss Fontenelle. [Cast from text (J. Ridgway, 1791), and European Magazine, Aug. 1791, p. 142: Don Carlos-R. Palmer [in text: Farley (see17910903)]; Don Fabio-Evatt; Don Guzman-Wewitzer; Servant-Farley; Kilmainham-Rock; Olivia-Mrs Goodall [in text: Miss Heard (see17910902)]; Viletta-Miss Fontenelle; Prologue-R. Palmer.

2649
02 September 1791 @ Haymarket Theatre

Event Comment: Afterpiece: Reduced to One Act [see 13 Aug.]

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: As17910730 but John de Vienne-Kemble in place of Aickin; John d'Aire-Cubitt of Evatt; Serjeant-Davies of Wilson.

Afterpiece Title: The Irishman in Spain

Performance Comment: Characters by Bland, Wewitzer, Abbott, Lyons, Rock, Miss Heard, Miss Fontenelle. Cast adjusted from text (J. Ridgway. 1791), and European Magazine, Aug. 1791, p. 142: Don Carlos-Bland; Don Guzman-Wewitzer; Don Fabio-Abbott; Servant-Lyons; Kilmainham-Rock; Olivia-Miss Heard; Viletta-Miss Fontenelle.

2650
09 January 1792 @ Drury Lane at King's Theatre

Event Comment: The Doors to be opened at 5:00. To begin at 6:15 [see 25 Apr.]. Receipts: #317 7s. (273.14; 41.7; 2.6)

Performances

Mainpiece Title: Cymon

Performance Comment: As17920104.

Afterpiece Title: Cross Purposes

Performance Comment: Mr Grub-Hollingsworth; Consol-Suett; J. Bevil-Benson; H. Bevil-Bland; G. Bevil-Whitfield; Chapeau-R. Palmer; Robin-Burton; Mrs Grub-Mrs Hopkins; Emily-Miss Collins; Housemaid-Mrs Edwards.