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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hogarth"/1) | (@(roleclean,performerclean) "Hogarth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5 results for: Keyword - Hogarth
We found 3 matches on Event Comments, 1 matches on Performance Title, 1 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1
18 April 1786 @ Covent Garden

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Duke and No Duke

Song: End of Act II of mainpiece Hogarth's March to Finchley; In Act I of afterpiece Four-and-Twenty Fidlers all on a Row, both by Edwin

Monologue: 1786 04 18 End of mainpiece Peeping Tom of Coventry's Peep into London by Edwin

2
18 May 1789 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; M. INT I, by George Colman elder. Prologue by the author (see text, T. Cadell, 1789)]: Founded on Hogarth. With new Scenes, Dresses and Decorations. The Music by Dr Arnold. The Scenes painted by Rooker. Books of the Entertainment to be had at the Theatre. "A burlesque, taken from Hogarth's celebrated print of 'The Enraged Musician,' in which the poet has given a very entertaining personification of the ideas of the painter" (Universal Magazine, May 1789, p. 268). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be had of Rice, at the Theatre. The Doors to be opened at 6:00, and begin at 7:00 [same throughout season]

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Ut Pictura Poesis

3
14 January 1742 @ Goodman's Fields

Event Comment: RRev. T. Newton to David Garrick, 18 Jan.: I was almost angry with you, to see your name last week in the bills for Costar Pearmain. I am not fond of your acting such parts as Fondlewife, or even Clodio, nor should be of the Lying Valet, if it was not of your own writing. You who are equal to the greatest parts, strangely demean yourself in acting any thing that is low and little; and not only I, but really all who admire you and Wish you well, that is all who know you, are grieved and wonder at it. If I was an actor surely I would rather wish to be a Raphael than a Hogarth; or if I was a poet, I would choose infinitely rather to be a Milton than Hudibras.--Boaden, Private Correspondence of Garrick, I, 5-6. [Morning Herald 28 June 1787 suggests that Yates was Winifred apShenkin.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Dance: new comic Dance call'd The Welchman's Triumph or the Death of the Wild Goat-David and Winifred apShenkin, M Granier, Osbeldiston, Mrs Bullock, Mrs Vallois The Character new dressed

4
22 March 1742 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: A Modern Midnight Conversation

Performance Comment: Taken from Hogarth's Celebrated Print, in which will be introduced Drunken Man-Hippisley; with a comic tale- of what really Passed between himself and his old Aunt at her house in Mendip Hills in Somesetshire.

Dance: TTambourine-Picq, Mlle Auguste; Les Maquignons, as17420309 The Peasants-Picq, Mlle Auguste

5
26 April 1783 @ Covent Garden

Event Comment: Benefit for Aickin. Mainpiece: Not acted these 5 years. Afterpiece [1st time; c 2]: By the Author of Retaliation [Leonard Macnally, with incidental music by Michael Arne. Prologue by Chalmers (see text, S. Bladon, 1783)]. The Persons represented to be dressed from the Caricatures of Hogarth. Receipts: #191 15s. 6d. (140/1/6; tickets: 51/14/0) (charge: #64 5s.)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Tristram Shandy

Dance: As17820927