SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "His Royal Highness the Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness the Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2263 matches on Event Comments, 1567 matches on Performance Comments, 1035 matches on Performance Title, 403 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of their Royal Hignesses the Prince and Princess of Wales. Receipts: #110 15s. (Account Book); #110 (Rylands MS.)

Performances

Mainpiece Title: Greenwich Park

Afterpiece Title: The Royal Chace

Dance: FFawns and Nymphs-Haughton, Desnoyer, Signora Barberini; Harlequin-Mechel, Mlle Mechel

Event Comment: We hear that the Tragedy of Coriolanus, wrote by the late Mr Thompson, has been rehearsed at the Theatre Royal Covent Garden, and will be perform'd there on Friday next

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Royal Chace

Event Comment: GGeneral Advertiser, 13 March: Don Jumpedo, who lately was to have performed at the Little Theatre in the Haymarket, appeared on Saturday last, at the Theatre in Covent-Garden, in the Character of Harlequin in the Royal Chace; in which he made his first Essay of Jumping down his own Throat, and was universally applauded

Performances

Mainpiece Title: King Henry Iv Part Ii

Cast
Role: York Actor: Bridgwater

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Anatomist

Event Comment: Benefit for Foly (Box lobby doorkeekper) and Veal (First Gallery doorkeeper). British Chronicle, 16 May: Yesterday Foulkes, a Beadle of Vere St Clare Market fell from the upper gallery of Drury Lane play house into the pit & expired immediately. The seat on which he fell was broke in half. British Chronicle, 16 May: It is said Mrs Pritchard is appointed Dresser to her intended Majesty for the Royal Wedding

Performances

Mainpiece Title: The Fair Quaker Of Deal Or The Humours Of The Navy

Afterpiece Title: The Miller of Mansfield

Dance: HHornpipe-a sailor on board the Royal Sovereign

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.
Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: Parts by: Mattocks, Shuter, Bensley' Mahoon, Yates, Dunstall, Gardner, Davis, Cushing, Mrs Mattocks, and Mrs Pinto, Merchants, Boors, Beggars by the rest of the company. Harrol-Mattocks; Clause-Bensley; Wolfort-Gardner; Hubert-Mahoon; Hempskirke-Davis; Vandunk-Shuter; Prig, Frighted Boor-Yates; Higgen-Dunstall; Ferret-Quick; Gertrude-Mrs Mattocks; Jaquelin-Mrs Pinto (Genest, V, 188).

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Event Comment: Paid Hull the balance of his night of The Royal Merchant the 16th Inst....#38 14s. Paid also the Extra Charge and allowed again for the same night...#3 10s. (Account Book). [Hull seems to have protested the charge of candles, drum & chorus in addition to the high house charge of #84, and seems to have succeeded.] Receipts: #141 13s. 6d. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Apprentice

Dance: II: The Dutch Milkmaid, as17671114; End of Opera: A New Comic Dance, as17671024

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Performance Comment: Principal Characters by Smith, Bannister Jun., Aickin, Farren, Packer, Williams, R. Palmer, Griffiths, Bensley, Miss Farren, Mrs Crawford. [Cast from text (J. Bowen, 1781): Acamas-Smith; Hyllus-Bannister Jun.; Iolaus-Aickin; Alcander-Farren; Thestor-Packer; Haemon-Williams; Officers-R. Palmer, Griffiths; Demophon-Bensley; Macaria-Miss Farren; Deianira-Mrs Crawford; Attendant-Mrs Johnson; Prologue-Bensley; Epilogue-Mrs Crawford. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Thestor Actor: Packer

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder
Event Comment: Benefit for Mrs Bland. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. Times, 18 Aug.: Tickets to be had of Mrs Bland, No. 25, King-street, Covent-garden

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Shipwreck

Performance Comment: Selwyn-D'Arcy; Harry Hawser-Wathen; Michael Goto-R. Palmer; Stave-Suett; Dick-Mrs Edward; Angelica Goto-Miss Griffiths; Fanny-Miss DeCamp; Sally Shamrock-Mrs Bland; There stood Jonas- [from The Isle of St. Marguerite sic]-Mrs Bland.
Cast
Role: Harry Hawser Actor: Wathen
Role: There stood Jonas Actor:
Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Fatal Curiosity Author(s): George Colman, the elder

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

Performance Comment: B. Sheridan, Esq.=, the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland.
Event Comment: Benefit for Mr and Mrs H. Johnston. 1st piece: Not acted these 2 years. 3rd piece: Not acted here these 10 years [never previously acted at this theatre]. Morning Chronicle, 16 Apr.: Tickets to be had of Mr and Mrs Johnston, No. 24, Bedford-street, Covent Garden. The Doors to be opened at 5:30, and to begin at 6:30, and so continue for the remainder of the Season. Receipts: #380 11s. 6d. (168.5.6; 17.1.0; tickets: 195.5.0)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-H. Johnston; Lord Randolph-Betterton; Glenalvon-Raymond (By Permission of the Proprietors of the Theatre Royal, Drury-Lane); Officer-Thompson; Old Norval-Murray; Anna-Miss Mills; Lady Randolph-Mrs St.Ledger (Their 1st appearance in those characters).

Afterpiece Title: Lovers Quarrels

Performance Comment: As17991108, but Jacintha-Mrs H. Johnston (1st appearance in that character); Isabella-Miss Leserve; Leonora-the Late Miss Betterton [i.e. now Mrs Glover]; Don Alvarez-_; Don Felix-_.

Afterpiece Title: The Deserter of Naples

Performance Comment: Henry (the Deserter)-H. Johnston; [Simpkin-$Bologna Jun. (see18000527)] Louisa's Father-Lewiss; Jailer-Hawtin; Country Lads-Platt, Blurton, Wilde, L. Bologna, Curties, Lee; Skirmish-Delpini; Jenny-Mrs Mills (1st appearance in that character); Louisa's Mother-Mrs Whitmore; Lasses-Ms Watts, Ms Follett, Ms Bologna, Ms Cox, Ms L. Bologna, Ms Norton, Ms Carne; Louisa-Mrs H. Johnston (1st appearance in that character).
Cast
Role: Louisa's Father Actor: Lewiss
Role: Louisa's Mother Actor: Mrs Whitmore

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performance Comment: S. Carey=, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance). 1st appearance).
Event Comment: The Duke's Company. Pepys, Diary: Then with Mr Shepley to the Theatre and saw Rollo ill acted

Performances

Mainpiece Title: Rollo Duke Of Normandy

Performance Comment: [The Bloody Brother] .
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, 1s., and to the play of the Duke of Lerma, 2s. 6d., and oranges, 1s

Performances

Mainpiece Title: The Great Favourite Or The Duke Of Lerma

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and saw Rollo, Duke of Normandy, which, for old acquaintance, pleased me pretty well

Performances

Mainpiece Title: Rollo Duke Of Normandy

Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Event Comment: Benefit Dukes and Mrs Freeman. Tickets for Mrs Freeman at the Rainbow Coffee House in Fuller's Rents. Tickets and places for the Boxes to be taken at the Stage Door of the Theater. Tickets that are bought out Side of the Door will not be admitted

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Cast
Role: Lettice Actor: Miss Royal
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: II: The Welch Buffoons-two Masters Granier; IV: A Grand Ballet-Carney, Mrs Roland; V: A Minuet, a Louvre-Mr Dukes, Mrs Freeman

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lee Lewes; Sir Francis Gripe-Wewitzer; Sir Jealous Traffic-Frost; Whisper-Gull; Charles-Everard; Sir George Airy-Fennell; Patch-Mrs Lee Lewes; Isabinda-Mrs Day; Miranda-Miss Atherton (1st appearance on any stage).
Cast
Role: Whisper Actor: Gull
Role: Miranda Actor: Miss Atherton

Afterpiece Title: The Advertisement or A New Way to Get a Husband

Performance Comment: Principal Characters-Lee Lewes, Wewitzer, Fennell, Mrs Lee Lewes, Mrs Day, Mrs Everard, Miss Brown; Larpent MS lists the parts: Alderman Goslin, Young Goslin, Harry, Thomas, Peruque, Mrs O'Trigger-Mrs Lee Lewes (Oracle, 8 Mar.) Mrs Courtney, Kitty, Mrs Snip, Betty.

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Harricks (from the Theatre Royal, York); Henry-Hunter; Buckingham-Thompson; Tressel-Cross; Lord Stanley-Stannard; Catesby-Powell; Lieutenant-Kenrick; Norfolk-Farrell; Prince Edward-Miss Beaufield; Duke of York-Miss Barnard; Richmond-Brown (from the Theatre Royal, Edinburgh); Lady Anne-A Young Lady [unidentified]; Duchess of York-Mrs Barnard; Queen-Mrs Lefevre. Preceding the Play an Occasional Address .

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for West. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of West, No. 4, Stanhope-street, Clare-market. [Authors of Prologue and Address unknown.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper (with the original Prologue)-West; Major Belford-Newton; Prattle-Smith; Emily-Mrs Lefevre; Bell-Mrs Robinson; Mademoiselle Florival-Mrs West.
Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Performances

Mainpiece Title: King Richard The Third

Performance Comment: The Parts of King Richard, D. of Buckingham, Earl of Richmond, Tressel, Prince Edward, Duke of York, Lieutenant of the Tower, Lord Mayor, Duke of Norfolk, Queen-Performers from the Theatres Royal London; Lord Stanley-Rivers; Catesby-Jones; Ratcliffe-Farrel; Oxford-Thompson; Sir William Brandon-Clifford; King Henry-Burnet; Dutchess of York-Mrs Fowler; Lady Ann-Mrs Palmer.

Afterpiece Title: The Quaker

Performance Comment: The Parts of Lubin, Steady, Solomon, Gillian-The Performers from the Theatres who exhibit in the Play.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Lamash, Wood
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Performance Comment: Dick (with the original Prologue)-A Gentleman (1st appearance on any stage [unidentified]); Wingate-Barrett; Simon-Kippling; Charlotte-Mrs Swords .

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I Overture-; The Anthem perform'd at the Chapel Royal for the Victory obtained at Dettingen-; Solo on Violin-Agus Jr; Part II Miserere Me Deus (the 51st Psalm) compos'd for the Duke of Chandos-; Concerto on Clarinet-Mahoon; Part III Anthem perform'd at the Chapel Royal for the nuptials of their late Royal Highnesses the Prince and Princess of Wales-.
Event Comment: By Command of his Royal Highness the Prince of Wales, the Duke, their Royal Highnesses the Princesses Amelia, Carolina, Maria and Louisa

Performances

Mainpiece Title: Harlequin Astrologer Infant Ch1mney sweeper Statue Parrot Skeleton

Performance Comment: Cast not listed, but with the Scene of the Elbow-Chair .

Afterpiece Title: Harlequin Hulla

Music: Select Pieces. Solo on the German Flute by Burk Thumoth

Performance Comment: Solo on the German Flute by Burk Thumoth .

Dance: