SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal Highness Edward Augustus Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness Edward Augustus Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2432 matches on Event Comments, 1993 matches on Performance Comments, 1350 matches on Author, 1112 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

Event Comment: Benefit for Mrs Pope. Mainpiece: In Act I Banquetv. [In Act IV] the Procession from the Abbeyv, at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christeningv. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house in Half-moon-street, Piccadilly. Receipts: #289 8s. (202.6; 2.1; tickets: 85.1)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Rosina

Song: III: song-Mrs Kennedy

Event Comment: The Last Time of the Company's performing this Season. Account-Book, 21 July: Received of Their Majesties and the Princess Royal #66. Receipts: #206 6s. 6d. (195.1.0; 10.8.0; 0.17.6)

Performances

Mainpiece Title: Venice Preserv'd

Cast
Role: Duke Actor: Chaplin

Afterpiece Title: The First Floor

Event Comment: [Lamash had originally acted at this theatre from 1774 to 1782]. Receipts: #190 9s. 6d. (143.18.0; 46.5.6; 0.6.0)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Wroughton; Sir Brilliant Fashion-Lamash (from the Theatre Royal, Edinburgh); William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Mrs Lovemore-Mrs Ward; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Tidswell; Furnish-Mrs Heard; Widow Belmour (with a song in character)-Miss Farren.

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Johnstone; Hawthorn-Darley; Hodge-Blanchard (from the Theatre Royal, Bath; 1st appearance on this stage); Sir William Meadows-Fearon; Eustace-Davies; Carter-Wewitzer; Footman-Bonville; Cook-Rock; Justice Woodcock-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Morton; House Maid-Miss Stuart; Rosetta-Mrs Billington.

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Bernard (from the Theatre Royal, Bath; 1st appearance on this stage); Aimwell-Farren; Father Foigard-Johnstone; Boniface-Booth; Sullen-Fearon; Gibbet-Cubitt; Sir Charles Freeman-Davies; Scrub-Quick; Cherry-Mrs Martyr; Dorinda-Mrs Mountain; Lady Bountiful-Mrs Platt; Gipsey-Miss Brangin; Mrs Sullen-Mrs Bernard (1st appearance on this stage).

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: Mirth by Moonshine-[see17870928]

Event Comment: Mainpiece: In Act I The Banquetv. [In Act IV] the Procession from the Abbeyv at the Coronation of Anne Bullenv. To conclude with the Ceremonial of a Royal Christeningv. Receipts: #145 13s. 6d. (143.15.0; 1.18.6)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Enchanted Castle

Song: III: song-Mrs Kennedy

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Performance Comment: Sir Hector Strangeways (for that night only)-Powell (from the Theatre Royal, Bath); Orson Strangeways-Quick; Brownlow-Davies; Colonel Ormsby-Macready; Pillage-Fearon; Bassore-Bernard; Lady Die Strangeways-Mrs Webb; Zelida-Mrs Bernard.

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Midnight Hour

Afterpiece Title: Animal Magnetism

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Maid of the Oaks

Performance Comment: Dupely-R. Palmer; Old Groveby-Baddeley; Sir Harry Groveby-Davies; Oldworth-Aickin; Hurry-Edwin; Maria-Mrs Kemble; Lady Bab Lardoon-Miss Prideaux (from the Theatre Royal, Bath; 1st appearabce on this stage). 1st appearabce on this stage).

Afterpiece Title: Peeping Tom

Dance: End 2nd piece: New Dance-Byrn, Miss DeCamp, Mrs Goodwin

Event Comment: "This degradation of a theatre royal was properly reprobated by the audience in general" (Town and Country Magazine, Jan. 1789, p. 15). Receipts: #264 (252.3; 11.17)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Aladin

Event Comment: Mainpiece: In I a Masquerade Scene incident to the Play. [This was included in all subsequent performances.] No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #255 6s. (253.11.6; 1.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holman (1st appearance at this theatre these 2 years); Capulet-Powel; Benvolio-Davies; Friar Lawrence-Hull; Paris-Macready; Tibalt-Cubitt; Prince-Gardner; Peter-C. Powell; Mercutio-Lewis; Lady Capulet-Mrs Platt; Nurse-Mrs Pitt; Juliet-Mrs Achmet (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage).; 1st appearance on this stage).

Afterpiece Title: The Farmer

Song: End IV: Juliet's Funeral Procession-; With Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Blanchard (1st appearance in that character); Pedrillo-Edwin; Philippo-Davies; Don Scipio-Powel; Don Caesar-Bannister; Don Juan-Cubitt; Rapino-Rock; Sanguino-Thompson; Lopez-Evatt; Alphonso-Duffey (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage); Victoria-Mrs Mountain; Catalina-Miss Stuart; Isabell-Mrs Platt; Lorenza-Mrs Martyr.

Afterpiece Title: The Death of Captain Cook

Cast
Role: His Lieutenant Actor: Evatt
Event Comment: Ballet: 1st Time [at this theatre. The two Miss Simonets were from the king's.]. With new Scenes and Dresses. Receipts: #119 9s. 6d. (113.6.6; 6.3.0)

Performances

Mainpiece Title: Marcella

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Bernard; Sir Jasper Wilding-Thompson; Young Wilding-Davies; Beaufort-Macready; Quildrive-C. Powell; Dapper-Rock; Old Philpot-Quick; Corinna-Miss Brangin; Maria-Miss Richards (from the Theatre Royal, Margate; 1st appearance on this stage). 1st appearance on this stage).
Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Dance: End afterpiece: A Grand Ballet of Action, as performed at the King's Opera House in the Hay-market [most recently in season of 1787-88] The Deserter[. Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre])

Performance Comment: Principal Characters-Cranfield, Delpini, Boyce, Byrne, Mrs Davenett, the two Miss Simonets (1st appearance [at this theatre]).at this theatre]).

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17891002, but Rosa-Mrs Warrell (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Harlequin's Chaplet

Dance: As17900129

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick-Johnstone; Fitzroy-Bannister; Dermot-Incledon (from the Theatre Royal, Bath; 1st appearance on this stage); Father Luke-Rock; Bagatelle (with a song in character)-Marshall (from the Theatre, Birmingham; 1st appearance at this theatre); Darby-Ryder; Kathlane-Mrs Martyr; Norah-Mrs Mountain.
Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

Event Comment: Account-Book: Tickets delivered by Follett, Warrell, A Gentleman, Miss Leserve will be admitted. Received of Their Majesties for the Box #80; for the Princess Royal's Box #40; for Her Majesty's Servants #6 6s. Receipts: #226 10s. 6d. (104.5.0; 4.3.6; tickets: 118.2.0)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Tippoo Saib

Cast
Role: His Lieutenant Actor: Evatt

Afterpiece Title: Two Strings to Your Bow

Song: In 2nd Piece:as in 3rd piece, 10 June Poor Orra tink on Yanco dear-Mrs Mountain; The Gallant Soldier born to Arms-Incledon

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Bloomfield (from the Theatre Royal, Bath; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.

Afterpiece Title: A Divertisement

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Cast
Role: Ghita Actor: Mrs Edwards.

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Romp

Performance Comment: Watty Cockney-Blanchard; Capt. Sightly-Marshall; Old Cockney-Thompson; Barnacle-Cubitt; Penelope-Miss Stuart; Miss La Blonde-Miss Leserve; Priscilla Tomboy-Mrs Davis (from the Theatre Royal, Manchester; 1st appearance in London). 1st appearance in London).
Event Comment: Account-Book: Present Their Majesties. [Their attendance this night is not indicated on the playbill, but "Though the Royal Command was not communicated to this Theatre till late yesterday morning, and consequently but a small part of the public could have notice of the public could have notice of the intention of Their Majesties to honour the house with their presence, yet it was crouded in all parts" (Morning Herald, 16 Mar.).] Receipts: #347 12s. (344.3.6; 3.8.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Rosina

Event Comment: By Command of Their Majesties. "God save the King was sung by the audience, standing up, twice before the piece commenced, and twice after it was finished. At the end of the Divertisement, Rule Britannia was sung, the whole Royal Family joining" (London Chronicle, 17 Jan.). Receipts: #477 10s

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Hartford Bridge

Dance: End: A New Divertisement, as17921124, but _Byrn; In afterpiece: The Lucky Escape, as17921116