SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "His Royal Highness Edward Augustus Duke of York"/1) | (@(roleclean,performerclean) "His Royal Highness Edward Augustus Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2432 matches on Event Comments, 1993 matches on Performance Comments, 1353 matches on Author, 1112 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Post Man, 25 Sept. 1697: A Trumpet Song on the King, and a Song made for the Birth day of his Highness the Duke of Gloucester: with two Sonatas by Mr John Shore. And variety of other new Musick...being the last time of performance this Season

Performances

Mainpiece Title: Concert

Event Comment: Benefit Pietro Guaccini, Servant to his Highness the Duke of Brunswick and Lunenburg. At 6 p.m. Tickets half a guinea

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Several Solos, Concertos-Castrucci; Trumpet Piece-the famous Signior Mantelli; Solo on the Hautboy-Ketch

Event Comment: By Command of His Highness the Duke, and the Princesses Amelia, Caroline, and Louisa. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Receipts: #81 11s. (Account Book); #100 (Rylands MS.). Rylands MS.: Barbarini Sick

Performances

Mainpiece Title: The Double Gallant

Dance: SScots Dance-Glover, Mlle Roland; Miller and His Wife-Mechell, Mlle Mechell; Comic Ballet-Villeneuve, Miss Oates; Grand Ballet-Glover, Mlle Roland; The Swiss-Mechell, Mlle Mechell

Event Comment: By Command of their Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Dance: As17430120

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Modish Wife Or Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.

Afterpiece Title: The Irish Widow

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for a Gentleman, who, through unavoidable misfortunes, is reduced to take this method of soliciting the patronage of his Friends and a Generous Public. Tickets delivered for the 26th of April will be admitted. The Doors to be opened at 6:30. To begin exactly at 7:00

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Sir John Dormer-Comerford; Sir George Hastings-Brerely; Willoughby-Webb; Villars-Pepys; Captain Dormer-West; Mrs Willoughby-Mrs Nost'e (from the Theatre Royal, York); Miss Willoughby-Mrs West; Miss Dormer-A Lady (1st appearance in London [unidentified]); Miss Montague (with the original Epilogue)-The Lady [who performed Emily in the Deuce is in Him, on 11 Feb.].who performed Emily in the Deuce is in Him, on 11 Feb.].

Afterpiece Title: Catherine and Petruchio

Event Comment: [In mainpiece the playbill assigns Justice Woodcock to Parsons, and as afterpiece announces Tony Lumpkin in Town, but "In consequence of Parsons' illness, Edwin played the part of Justice Woodcock, with which he seems well acquainted; and he plays it with great pleasantry in his own particular style of humour....Parsons' illness also prevented the performance of Tony Lumpkin in Town, and Nature will Prevail was substituted" (Gazetteer, 8 June).

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Du-Bellamy; Sir Harry Sycamore-Waldron; Fairfield-Aickin; Mervin-Fawcett; Ralph-Suett (from the Theatre Royal, York; 1st appearance on this stage); Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Collett; Patty-Mrs Cargill (1st appearance in that character).

Afterpiece Title: Queen Mab

Dance: End I: The Butterfly, as17800921; Afterpiece: Dancing, as17800930

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Williamson; Myrtle-Davies; Sealand-Aickin; Sir John Bevil-Usher; Cimberton-Parsons; Humphrey-Gardner; Daniel-Wewitzer; Tom-Palmer; Phillis-Mrs Smith (from the Theatre Royal, York [on playbill of 12 July: 1st appearance in London]); Lucinda-Miss Brangin; Mrs Sealand-Mrs Love; Isabella-Mrs Poussin; Indiana-Miss Farren .

Afterpiece Title: Peeping Tom

Song: In Act II of mainpiece song by Miss Burnett

Performances

Mainpiece Title: He Woud Be A Soldier

Performance Comment: Sir Oliver Oldstock-Quick; Colonel Talbot-Aickin; Captain Crevelt-Lewis; Caleb (with a song in character)-Fawcett (from the Theatre Royal, York; 1st appearance on this stage); Mandeville-Farren; Count Pierpoint-Marshall; Wilkins-Cubitt; Johnson-Macready; Amber-Thompson; Harriet-Mrs Wells; Mrs Wilkins-Mrs Rock; Lady Oldstock-Mrs Webb; Nancy-Mrs Cross; Betty-Mrs Davenett; Charlotte-Mrs Pope.

Afterpiece Title: Cymon

Performances

Mainpiece Title: King Henry Ii Or The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).
Cast
Role: Dermot O'Whiskey Actor: Hopton

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.
Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Young Rapid-Lewis; Vortex-Waddy; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Emery (from the Theatre Royal York; 1st appearance on this stage); Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Thompson; Landlord-Whitmore; Ellen-Miss Mansel; Jessy Oatland-Mrs Gibbs; Miss Vortex-Mrs Litchfield.

Afterpiece Title: The Miser

Event Comment: Afterpiece: By Permission [of the dl proprietors], and for One Night only [but this season it was acted 13 times]. Receipts: #299 9s. (288.14; 10.15)

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Lewis; Silky-Emery; Harry Dornton-Holman; Dornton-Munden; Milford-Clarke; Sulky-Davenport; Smith-Powel; Hosier-Waddy; Marker-Farley; Jacob-Rees; Sheriff's Officer-Thompson; Tradesmen-Lee, Street, Abbot, Whitmore, Coombs; Sophia-Mrs Mills (from the Theatre Royal York; 1st appearance on this stage); Jenny-Mrs Norton; Mrs Ledger-Mrs Platt; Milliner-Miss Leserve; Mantua@maker-Mrs Blurton; Mrs Warren-Mrs Mattocks.

Afterpiece Title: The Spoild Child

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Fawcett; Silky-Suett; Harry Dornton-Holman (1st appearance on this stage); Milford-Clarke; Sulky-Davenport; Mr Smith-Abbot; Hosier-Waddy; Tradesmen-J. Palmer, Usher; Sheriff's Officer-Ledger; Jacob-Chippendale; Old Dornton-Gardner (from the Theatre Royal, York; 1st appearance in London); Sophia-Mrs Gibbs; Jenny-Mrs Norton; Mrs Ledger-Mrs Hale; Mrs Warren-Mrs Mattocks.

Afterpiece Title: Fortunes Frolick

Cast
Role: Miss Nancy Actor: Mrs Edward
Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia Son Of Pope Alexander The Sixth

Event Comment: Apparently The Man of Mode had an amateur revival in Brussels in the autumn, possibly before the Duke and Duchess of York, when they were away from London. Princess Anne to Frances Apsley, 3 Oct. 1679: The play is practisde to night Miss Watts is to be Lady townly which part I beleeve wont much become her. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), pp. 111-12]

Performances

Event Comment: Receipts: #100 (Cross). The Upholsterer is deferr'd till Wednesday Next. The theatre commonly call'd the Duke of York's Theatre in York Buildings is now taken down, and dwelling houses going to be built. The beautiful ceiling was painted by Verrio, but could not be remov'd

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: Public Advertiser: When the Disturbances of the Theatre at Rome, in the Days of Augustus, caus'd several Tumults, the Emperour interpos'd and pronounc'd the Sentence of Banishment on a very great Actor, for whose Sake these Disturbances were made. He observ'd at the same Time, that the Stage had a strong Tendency to disturb all as well as to amuse the People. The Actor said, with great Spirit, "'Tis for your Interest, Caesar, that they shoul d be amus'd any Way." The Civil War of England, 1641, did not commence 'til the Playhouses were shut. People are never more discontented than when depriv'd of their Favourite Diversions

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth

Event Comment: Music for Masque by Dr Arne and Mr Augustus Smith. Masque publish'd 1s. 6d. Paid Chorus 3 nights (this incl.) #5 16s. 6d. (Treasurer's Book). Receipts: #176 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Alfred

Afterpiece Title: Catharine and Petruchio

Event Comment: Benefit for Lee Lewes. 1st piece [1st time; PREL I, by Frederick Pilon. Author of Epilogue unknown. This Prelude had reference to the illuminations held on 11 Feb. 1779 in honor of the acquittal, on a charge of misconduct in the naval operations off Brest, of Admiral Augustus Keppel. In 1780 it was acted at this theatre, with alterations, as A Gazette Extraordinary]. Tickets delivered for The Distress'd Mother will be received. Public Advertiser, 30 Mar.: Tickets to be had of Lee Lewes at his house in Bow-street, Covent Garden. Ibid, 4 May 1779: This Day is published Illumination (1s.)

Performances

Mainpiece Title: Illumination Or The Glaziers Conspiracy

Performance Comment: Skylight-Lee Lewes; Dip-Wilson; Quillet-Brunsdon; Parchment-Thompson; Dick-Fearon; Mob-Bates, Mahon, Wewitzer; Miss Skylight-Miss Green; Mrs Skylight-Mrs Pitt; Epilogue-Wilson, Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Elfrida

Afterpiece Title: The Touchstone

Event Comment: Afterpiece [1st time; CO 2, by William Augustus Miles]: The music entirely new, composed by Michael Arne. With new Scenes, Dresses, and Decorations. Books of the Opera to be had at the Theatre. Public Advertiser, 15 Apr. 1780: This Day is published The Artifice (1s.). Receipts: #119 8s. 6d. (71.12.0; 47.1.6; 0.15.0)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Artifice

Related Works
Related Work: The Artifice Author(s): William Augustus Miles
Event Comment: Mainpiece [1st time; MD 5, by Richard Cumberland. Author of Prologue unknown]: A Romance of the Fourteenth Century, Formed upon the Plan of an unpublished Drama [Johanna von Montfaucon], written and transmitted by Augustus von Kotzebue, The Overture, Songs, Chorusses, Marches and Finale, with appropriate Symphonies between the Acts, by Busby. The Scenery, Dresses, Machinery & Decorations entirely New. The Scenery by Richards, Phillips, Lupino, Hollogan, &c. The arrangement of the Marches, Chorusses & Military Movements incidental to the Piece, under the direction of Farley. The Dresses by Dick and Mrs Egan. The Words of the Songs to be had in the Theatre. "The appropriate beauty of the scenery, in which the rules of perspective are critically observed, the splendour of the decorations and the richness of the dresses, have been rarely equalled" (Universal Magazine, Jan. 1800, p. 75). Receipts: #318 6d. (316.2; 2.4)

Performances

Mainpiece Title: Joanna

Performance Comment: Principal Characters by Pope, Holman, Waddy, Davenport, Munden, H. Johnston, Claremont, Klanert, Murray, Emery, Thompson, Gardner, King, Abbot, Rees, Curties, Mrs H. Johnston, Mrs Whitmore, Miss Gilbert, Mrs Pope. Vocal Parts-Incledon, Townsend, Linton, Street, Hill, Miss Waters, Miss Wheatley, Miss Sims, Mrs Iliff, Mrs Castelle; [Cast from text (Lackington, Allen & Co., 1800), and Dramatic Censor, I, 102: Albert-Pope; Lazarra-Holman; Wensel-Waddy; Old Peasant-Davenport; Wolf-Munden; Philip-H. Johnston; Mountaineer-Claremont; Soldiers-Klanert, Thompson, Atkins; Hermit-Murray; Guntram-Emery; Shepherd-Gardner; Ulrick-King; Reinhard-Abbot; Romuald-Rees; Lazarra's Servant-Curties; Darbony-Incledon; Page-Miss Waters; Eloisa-Mrs H. Johnston; Old Woman Peasant-Mrs Whitemore; Joanna-Mrs Pope; Girl-Miss Cox; unassigned-Miss Gilbert; Prologue-Murray. [This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]This was spoken, as here assigned, at the 1st 5 performances only (see18000123).]

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox