SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "His Royal HighnesssGardens"/1) | (@(roleclean,performerclean) "His Royal HighnesssGardens")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1193 matches on Event Comments, 687 matches on Performance Title, 320 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry Viii; With The Fall Of Cardinal Wolsey

Performance Comment: King Henry-A Gentleman (from the Theatre Royal, Edinburgh [unidentified]); Duke of Buckingham-Stacy; Duke of Norfolk-Comerford; Duke of Suffolk-Kenny; Earl of Surry-Garland; Cranmer (Archbishop of Canterbury)-Lewis; Gardiner (Bishop of Winchester)-Massey; Lord Sands-Ware of Deptford; Lord Chamberlain-Johnson; Cardinal Campeius (the Pope's Legate)-Sparrow; Cromwell (Gentleman Usher)-W. Smith; Doctor Butts (Physician to the King)-Ward; Cardinal Wolsey-Stokes; Queen Katherine-Miss Reynolds; Anne Bullen-Mrs West; Patience (with a song in character)-Mrs Davies; Dame Prattle-Mrs Ross; Lady of the bed chamber [to Queen Katherine-Miss C. Reynolds.

Afterpiece Title: Miss Hoyden; or, The Man of Quality

Dance: A Hornpipe-Mrs Marklew

Song: Between Acts: Singing-Mrs Davies

Performances

Mainpiece Title: A Bold Stroke For A Wife; Or, The Quaker's Wedding

Performance Comment: Colonel Feignwell-Comerford; Freeman-Smith; Sackbut-Lewis; Tradelove-Johnson; Obadiah Prim-Massey; Periwinkle-Newton; Simon Pure-Kenny; Quaker Boy-Master Russell; Sir Philip Modelove-Lloyd (from the Theatre Royal, Hay-market); Anne Lovely-Mrs Wilks; Betty-Miss Taylor; Masked Lady-Mrs West; Mrs Prim-Mrs Ross.

Afterpiece Title: The Devil to Pay

Song: As17760925

Entertainment: Imitations-Master Russell

Event Comment: By Command of Their Majesties. [For Fanny Burney's pen and ink sketch of the royal box and her written description o it, as it appeared on this evening, see List of illustrations these volumes. Receipts: #261 14s. 6d. (260.14.0; 1.0.6)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Cross Purposes

Dance: As17761015

Event Comment: The Royal Convert [announced on playbill of 7 Nov.] is obliged to be deferred on account of the Indisposition of Wroughton. Receipts: #87 18s. (87.15; 0.3)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Citizen

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Afterpiece Title: Polly Honeycombe

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for a Gentleman, who, through unavoidable misfortunes, is reduced to take this method of soliciting the patronage of his Friends and a Generous Public. Tickets delivered for the 26th of April will be admitted. The Doors to be opened at 6:30. To begin exactly at 7:00

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Sir John Dormer-Comerford; Sir George Hastings-Brerely; Willoughby-Webb; Villars-Pepys; Captain Dormer-West; Mrs Willoughby-Mrs Nost'e (from the Theatre Royal, York); Miss Willoughby-Mrs West; Miss Dormer-A Lady (1st appearance in London [unidentified]); Miss Montague (with the original Epilogue)-The Lady [who performed Emily in the Deuce is in Him, on 11 Feb.].who performed Emily in the Deuce is in Him, on 11 Feb.].

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: As17770513, but Capt. Dormer-Powell (from the Theatre Royal, Edinburgh; 1st appearance in London); Miss Dormer-Mrs Mattocks (1st appearance in that character).

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens