Event Comment: Benefit for Fox and Owenson. Tickets deliver'd by Holloway and Miss Bassan will be taken. Charges #64 10s. Deficit to beneficiaries #9 11s. 3d. apiece, covered by income from tickets: Fox #90 11s. (Box 123; Pit 328; Gallery 106); Owenson #69 7s. (Box 118; Pit 133; Gallery 199). Paid Mrs Singleton for walking 13 nights in Henry VIII, the 8th to 15th February #3 5s. and for walking 28 nights in the Sorcerer to the 13th inst. #3 10s. Paid Mrs Baks for the same #3 10s. (Account Book). Receipts: #45 7s. 6d

Event Comment: The New Tragedy of King Henry II, is still oblig'd to be deferr'd on account of Indisposition of Mrs Hartley. Receipts: #133 19s. (Account Book)

Event Comment: Mainpiece: By Particular Desire. The tragedy of King Henry II cannot be performed, on account of the indisposition of Miss Miller. Paid Mr Nix the balance for London Lying In Hospital #23 6s.; Paid Garton balance for Theatrical Fund, #89 4s. 6d.; Paid Mr Helme the balance for the Discharge of persons imprison'd for small debts #4 5s. Receipts: #129 12s. (Account Book)

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Event Comment: Benefit for DuBellamy. Charges: #64 5s.; Profit to DuBellamy; #19 17s., plus #187 15s. - from tickets (Box 486; Pit 401; Gallery 61); Paid Singleton for performing 3 nights in the Sorcerer to 11 Oct. last #7 6s., for 5 nights in Henry VIII to 14 Feb. last #1 5s., for 4 nights in Macbeth to 13 Nov. last 10s., and for 40 nights in the Fair and the Sylphs to 4 April #2; Receipts: #84 2s. (Account Book)

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Event Comment: Benefit for Master Russell. Tickets to be had of Master Russell at the Swan, Elephant stairs. Afterpiece: Written by Henry Fielding, Esq. In Act I the Triumphal Entry of Tom Thumbv, attended with Giants, Giantess's, Dwarfs, Pigmies, Drums, Trumpets, &c

Event Comment: [Mainpiece in place of King Henry VIII, announced on playbill of 3 Sept.

Event Comment: By Command of Their Majesties. 2nd piece: By the late Henry Purcell

Event Comment: Benefit for Mrs Mattocks. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Mattocks, Russel-street, Covent-garden. 2nd piece: Founded on Nancy; or, The Parting Lovers [by Henry Carey]. Books of the Interlude to be had at the Theatre. Receipts: #203 1s. (179.11; tickets: 23.10) (charge: #105)

Event Comment: [Mainpiece in place of The First Part of King Henry the Fourth, announced on playbill of 22 Sept.] Afterpiece: The Overture and the rest of the music composed by Dr Fisher. Paid Music 22nd Inst. #7 15s. 4d.; Properties 22nd Inst. 9s. 8d.; Wardrobe #6 11s. 6d.; Supernumeraries #1 19s.; Chorus Singers #1 5s.; Guard [master carpenter] for Scene Men #10 19s. 5d. Receipts: #194 13s. 6d. (193.18.0; 0.15.6)

Event Comment: 2nd piece: By the late Henry Purcel

Event Comment: Oratorio: Set to Music by Handel. 2nd piece: By the late Henry Purcel

Event Comment: Benefit for Younger [who is named in the Account-Book, but not on the playbill]. The Interlude of Henry and Emma [announced in Public Advertiser, 22 Mar.] cannot be performed on account of the Indisposition of Packer. Receipts: #255 6s. (182/5/0; 20/4/6; 0/2/6; tickets: 52/14/0) (charge: #108 16s. 10d.)

Event Comment: Benefit for Brandon, box-book and house-keeper. [The playbill announces as mainpiece King Henry the Eighth, and as afterpiece Barnaby Brittle, but the Account-Book has, "Alter'd to the Count of Narbonne" and "Alter'd to Comus."] Receipts: #300 8s. (66/2; tickets: 234/6) (charge: #105)

Event Comment: By Permission [of the Lord Chamberlain]. 1st piece [1st time; c 5, author unknown. Authors and speakers of Prologue and Epilogue unknown]. 2nd piece [1st time; m.int i, author unknown]. 3rd piece [1st time; f 2, by Walley Chamberlain Oulton, altered from The Letter Writers, by Henry Fielding. MSS of none of these pieces in Larpent; none of them published]. The Doors to be opened at 5:30. To begin at 6:30

Event Comment: 1st piece: Set to Music by Handel. [For singers of individual airs therein see 5 Mar.] 2nd piece: Composed by the late Henry Purcell

Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Event Comment: Mainpiece: Not acted these 3 years [acted 19 Feb. 1784]. Afterpiece: Written by the late Henry Fielding, Esq. [The playbill lists Edwin as Coupee, but "Brown, in consequence of the sudden illness of Edwin . . . [undertook] the part of Coupee" (Morning Chronicle, 1 Feb.). He was from the Norwich theatre.] Receipts: #291 10s. (286/14/6; 4/15/6)

Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)