SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Henry Purcell"/1) | (@(roleclean,performerclean) "Henry Purcell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3573 matches on Author, 1281 matches on Performance Title, 713 matches on Performance Comments, 435 matches on Event Comments, and 5 matches on Roles/Actors.

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Picture of Paris

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The First Part of King Henry the Fourth

Afterpiece Title: Oscar and Malvina

Music: As17911122

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: King Henry the Fifth

Afterpiece Title: Comus

Performances

Mainpiece Title: King Henry The Fourth part I

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: King Henry The Fourth part I

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: King Henry The Fourth part I

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Jew and the Doctor

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 28-30 April 1698, suggests a first performance in late March. The Songs, published separately, include: Come all ye shepherds, set by Daniel Purcell and sung by Freeman. Let every shepherd bring his lass, set by Daniel Purcell and sung by Magnus. Life is but a little span, set by Daniel Purcell and sung by Young Bowin and Mrs Campion. Fond shepherd, set by Daniel Purcell and sung by Pate. To pensive years resign your pining, set by Daniel Purcell and sung by Young Bowen. Look down, set by Daniel Purcell and sung by Pate. Dedication, edition of 1698: I have no Reason to complain of the Success it had on the Stage. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Phaeton Or The Fatal Divorce

Related Works
Related Work: Tumble Down Dick; on Phaeton in the Suds: With Harlequin a Pick Pocket Author(s): Henry Fielding

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Cast
Role: A Song set by Daniel Purcell Actor:
Role: Purcell Actor: Bowen, Freeman, Pate
Event Comment: The United Company. This play was apparently revived late in 1693, for a song, There's not a swain on the plain, not printed in the play, the words by N. Henley, sung by Mrs Hudson, is printed in the Gentleman's Journal, January-February 1694 (announced in the London Gazette, 8 March 1693@4). It is also in Joyful Cuckoldom, ca. 1695. See also Purcell's Works, Purcell Society, XXI (1917), xii

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performances

Mainpiece Title: The World In The Moon

Performance Comment: Edition of 1697: Prologue-Girl; Frank Wildblood-Powel; Ned Stanmore-Mills; Palmerin Worthy-Williams; Sir Dottrel Fondlove-Johnson; Old Stanmore-Disney; Tom Dawkins-Pinkethman; Jacintha-Mrs Verbruggen; Widow Dawkins-Mrs Powel; Mrs Susan-Mrs Andrews; Prologue- Set to Musick by Mr Jeremy Clark. I:; Within this happy World above- set by Mr Jeremy Clark. II:; Joe Haynes meets 'em-; II: The Entertainment Composed by Mr Daniel Purcel Come all you Nymphs of Cynthia's Train-; II: A Dialogue In all our Cynthia's shining sphere-Mr Leveridge, Mrs Cross; III: The Musick set by Mr Daniel Purcel Look round and here behold-; A Dialogue Oh dear sweet sir you look so gay-Mrs Cross, Mrs Lucas; IV: A Song set by Mr Purcel Young Strephon met me t'other Day-Miss Anon; IV: The Ceremony of a Nuptial Entertainment perform'd. Bride-Mrs Cross; Bridegroom-Mr Leveridge; The Musick set by Mr D. Purcel, The Nymphs of the Plain-; V: Set by Mr D. Purcel, Come Strephon Phyllis come let's troth-; Epilogue-Miss Denny Chalk; Dress'd with a great Wig like a Beau. In The Single Songs in the New Opera call'd The World in the Moon (1697), in addition to some of the pieces listed above, are the following ones: A Song Sett by Mr Daniel Purcell: Then come kind Damon-Mrs Lindsey; A Song Sett by Mr J. Clark: Smile then with a beam divine-Mrs Cross; A Song Sett by Mr J. Clark: Divine Astrea hither flew to Cynthia's brighter Throne-; A Song Sett by Mr Daniel Purcell: Young Strephon hee has woo'd me long-; A New Song: Let those Youths who freedom prize-.
Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performances

Mainpiece Title: King Arthur Or Merlin The British Enchanter

Performance Comment: King Arthur-Johnson; Merlin-Rosco; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Philadel-Mrs Hamilton; Matilda-Miss Tollett; Emmeline-Mrs Giffard. In it music by Purcell, sung by Kelly, Touchbury, Nichols, Kellner, Mrs Chambers, Miss Jones, Miss Gerrard; Venus sung by Miss Wilson, her first on any stage; Cupid-Miss Thornowets, her first on any stage. Dances by Haughton, Mrs Bullock, Le Sac, Vallois, Delagarde, Topham, Mrs Woodward, Mrs Vallois, Miss Gerrard, Mrs Dove. With a New Prologue and Epilogue, spoken by Giffard and Mrs Giffard .
Related Works
Related Work: King Arthur; or, The British Worthy Author(s): Henry Purcell

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Milward; Alphonso-Johnson; Roderigo-Quin; Curio-Cross; Seberto-Ridout; Pilgrim-Woodburn; Jacques-Turbutt; Lopez-Shepard; Mad Englishman-Winstone; Mad Scholar-Havard; Mad Priest-Raftor; Mad Taylor-Woodward; Mad Welchman-Macklin; Master of sadhouse-Furnival; Keeper-Marshall; Alinda-Mrs Mills; Juletta-Mrs Pritchard; In which will be introduced the Original Mad Dialogue set to Musick by Mr H. Purcell-Beard, Mrs Clive.
Cast
Role: Purcell Actor: Beard, Mrs Clive.

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Sparks; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be Introduc'd A Solemn Hymn, set by Purcell,-Beard, Tenducci, Peretti, Mattocks, Baker, Miss Brent, Miss Poitier, Miss Polly Young, Miss Miller, Miss Catley, Legg, Ryley, Dibdin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Citizen

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Performance Comment: As17810403, but To conclude with Tony Lumpkin's Adventures in a Trip to London-Quick; Mad Tom-_; Music by Purcell-_.
Cast
Role: Purcell Actor:

Afterpiece Title: Barnaby Brittle or A Wife at her Wits End

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto on the Piano Forte-Dussek; Primroses deck the bank's green side-Dignum (Linley); Come unto these yellow sands-Miss Leak; Hark! the watch dogs bark-Chorus; Full fathom five-Miss Leak; Sea Nymphs hourly ring his knell-Chorus (The Tempest, by Purcell); Fair Rosale-Master Welsh (Linley); Vo sol cando-Miss Poole [Artaserse, by Vinci]; O come let us worship-Harrison [Coronation Anthems]; Thou didst blow-Mrs Harrison (Israel in Egypt); To arms your ensigns-Dignum, Sedgwick; Britons Strike Home-Chorus (Bonduca, by Purcell).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Captivity (supposed to be sung by the unfortunate Maria Antoinette, Queen of France, during her confinement in the Tower of the Temple) [composed by Storace]-Mrs Crouch; Jehovah crowned-Incledon; He comes-Chorus (Esther); Mad Bess (composed by Purcell)-Mme Mara; Disdainful of danger-Incledon, Kelly, Reynolds (Judas Maccabaeus); He layeth the beams-Bartleman (Ezio); But bright Cecilia, As from the power-Mme Mara; The dead shall live-Chorus (Dryden's Ode); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End II oratorio: concerto on the violin-Mme Gautherot

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Part I Only Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

Performances

Mainpiece Title: A Grand Selection 0 Of Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Captive King-Incledon, Chorus (The Words by Dr Wolcot); Honor and arms-Reynolds (Samson); See the conquering hero comes-Chorus (Judas Maccabaeus); Together let us range-Mrs Crouch, Kelly (Solomon, by Boyce); Then round about-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Grand Chorus (Saul); God save Great our King, To Arms, Britons strike home-Chorus (Purcell).

Song: In Part III: Captivity-Mrs Crouch [, as17930220

Music: End Part I: concerto on the violoncello-C. Ashley

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture from Berenice-; The Captive King-Incledon, Chorus; Dead is the dream, Adieu thou partner-Incledon; Go injur'd King-Chorus; Captivity-Mrs Crouch; Jehovah crown'd-Incledon; He comes-Chorus [Esther]; Have mercy upon me-Mrs Crouch, Kelly, Bartleman (Pergolesi); Together let us range-Kelly, Mrs Crouch (Boyce); Mad Bess-Mrs Crouch (Purcell); Gloria Patri-; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 3

Performance Comment: Part III A Grand Miscellaneous Act-; Overture and Dead March- (Saul); My faith and truth-Miss Tennant, Master Elliot (Samson); Behold the Nations-Sale; O Baal-Chorus (Deborah); What tho' I trace-Mrs Dussek (Solomon); Come if you dare-Incledon, Chorus (Purcell); The Soldier tir'd-Mrs Second (Dr Arne); Rule Britannia (Purcell) and God save Great George our King-Chorus.

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: King Henry Actor: Bensley
Role: King Henry Actor: Usher.

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: King Henry Actor: R. Palmer
Role: King Henry Actor: Aickin

Afterpiece Title: The Hodge Podge or A Receipt to make a Benefit

Afterpiece Title: The Son in Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369. See also Nicoll, Restoration Drama, p. 352. The MS music composed for a revival of this play, apparently at this time, by G. Finger and Daniel Purcell, is in the Fitzwilliam Museum, Cambridge

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Related Works
Related Work: Alexander the Great Author(s): Daniel Purcell