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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Henry Fielding"/1) | (@(roleclean,performerclean) "Henry Fielding")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5273 results for: Keyword - Henry? Fielding
We found 3375 matches on Author, 1213 matches on Performance Title, 718 matches on Performance Comments, 456 matches on Event Comments, and 1 matches on Roles/Actors.

5226
23 October 1772 @ Goodman's Fields

Event Comment: On Tuesday last died at Ealing in Middlesex at a very advanced age and much regretted by all who had the Pleasure of his Acquaintance, Henry Giffard, the Celebrated Manager of Goodman's Fields Theatre. This Gentleman was of a Genteel Family in the West of England (Public Advertiser). [Though him Garrick had come to the stage.

Performances

Mainpiece Title: None

5227
01 January 1773 @ Covent Garden

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

5228
27 February 1773 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Paid Mrs Baks for walking 13 nights in King Henry VIII to 15th Inst.: #3 5s. (Account Book). [Mrs Baks as a walking super seems to have done better in salary at 4s. 1d. per night than did the men (Gard &c.) who perform'd as Ostriches, Asses, Hogs &c. in the afterpieces at 2s. 6d. per night. The difference may have depended upon whether one was a mute in a mainpiece or an afterpiece.] Receipts: #159 2s

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Clown's Stratagem; or, A New Way to get a Wife Author(s): Henry Carey

Afterpiece Title: The Golden Pippin

Dance: IV: The Fingalian Dance with Double Hornpipe, as17720921; End: New Dance, as17730206

5229
21 May 1773 @ Covent Garden

Event Comment: Benefit for Fox and Owenson. Tickets deliver'd by Holloway and Miss Bassan will be taken. Charges #64 10s. Deficit to beneficiaries #9 11s. 3d. apiece, covered by income from tickets: Fox #90 11s. (Box 123; Pit 328; Gallery 106); Owenson #69 7s. (Box 118; Pit 133; Gallery 199). Paid Mrs Singleton for walking 13 nights in Henry VIII, the 8th to 15th February #3 5s. and for walking 28 nights in the Sorcerer to the 13th inst. #3 10s. Paid Mrs Baks for the same #3 10s. (Account Book). Receipts: #45 7s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Padlock

Dance: IV: A Hornpipe (first time)-Miss Bassan; End: A Louvre and Minuet-Mr and Mrs Holloway

5230
14 December 1773 @ Covent Garden

Event Comment: The New Tragedy of King Henry II, is still oblig'd to be deferr'd on account of Indisposition of Mrs Hartley. Receipts: #133 19s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Dr Faustus

5231
31 December 1773 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. The tragedy of King Henry II cannot be performed, on account of the indisposition of Miss Miller. Paid Mr Nix the balance for London Lying In Hospital #23 6s.; Paid Garton balance for Theatrical Fund, #89 4s. 6d.; Paid Mr Helme the balance for the Discharge of persons imprison'd for small debts #4 5s. Receipts: #129 12s. (Account Book)

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Henry Fielding
Related Work: The Miser Author(s): Henry Fielding

Afterpiece Title: The Golden Pippin

5232
19 January 1774 @ Drury Lane Theatre

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

5233
26 April 1774 @ Covent Garden

Event Comment: Benefit for DuBellamy. Charges: #64 5s.; Profit to DuBellamy; #19 17s., plus #187 15s. - from tickets (Box 486; Pit 401; Gallery 61); Paid Singleton for performing 3 nights in the Sorcerer to 11 Oct. last #7 6s., for 5 nights in Henry VIII to 14 Feb. last #1 5s., for 4 nights in Macbeth to 13 Nov. last 10s., and for 40 nights in the Fair and the Sylphs to 4 April #2; Receipts: #84 2s. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Frolick, as17740416

Song: End I the Farce: (By Desire) The Storm-DuBellamy

5234
06 May 1774 @ Covent Garden

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Dragon of Wantly

Dance: End: The Frolick, as17740416

5235
03 November 1775 @ Covent Garden

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Man's The Master

Afterpiece Title: The Two Misers

Dance: End: The Pilgrim, as17750927

5236
04 September 1777 @ Haymarket Theatre

Event Comment: [Mainpiece in place of King Henry VIII, announced on playbill of 3 Sept.

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Midas

5237
18 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. 2nd piece: By the late Henry Purcell

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: As17800211

5238
27 March 1780 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Mattocks, Russel-street, Covent-garden. 2nd piece: Founded on Nancy; or, The Parting Lovers [by Henry Carey]. Books of the Interlude to be had at the Theatre. Receipts: #203 1s. (179.11; tickets: 23.10) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Spaniards Dismayed; or, True Blue for Ever

Afterpiece Title: The Touchstone

Dance: End 2nd piece: Dance of Sailors-see17800401

5239
25 September 1780 @ Covent Garden

Event Comment: [Mainpiece in place of The First Part of King Henry the Fourth, announced on playbill of 22 Sept.] Afterpiece: The Overture and the rest of the music composed by Dr Fisher. Paid Music 22nd Inst. #7 15s. 4d.; Properties 22nd Inst. 9s. 8d.; Wardrobe #6 11s. 6d.; Supernumeraries #1 19s.; Chorus Singers #1 5s.; Guard [master carpenter] for Scene Men #10 19s. 5d. Receipts: #194 13s. 6d. (193.18.0; 0.15.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Norwood Gypsies

Dance: As17800921; Afterpiece: Dancing-Harris, Langrish, Miss Besford, Miss Matthews

5240
14 March 1781 @ Drury Lane Theatre

Event Comment: 2nd piece: By the late Henry Purcel

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music from Bonduca; Dryden's Ode for St

Music: As17810307

5241
05 June 1781 @ King's Theatre

Performances

Mainpiece Title: L'omaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Performance Comment: =-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong.

5242
13 November 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Divorce

Dance: In Act I of mainpiece a Dance of Spirits by Miss Armstrong, &c.; In Act III a Dance of Fantastic Spirits [performers not listed. These were danced, as here assigned, in both subsequent performances]. In Act IV a Dance by Henry, Miss Armstrong, &c

Performance Comment: ; In Act III a Dance of Fantastic Spirits [performers not listed. These were danced, as here assigned, in both subsequent performances]. In Act IV a Dance by Henry, Miss Armstrong, &c .

5243
15 March 1782 @ Drury Lane Theatre

Event Comment: Oratorio: Set to Music by Handel. 2nd piece: By the late Henry Purcel

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Bonduca

Music: As17820215

5244
23 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for Younger [who is named in the Account-Book, but not on the playbill]. The Interlude of Henry and Emma [announced in Public Advertiser, 22 Mar.] cannot be performed on account of the Indisposition of Packer. Receipts: #255 6s. (182/5/0; 20/4/6; 0/2/6; tickets: 52/14/0) (charge: #108 16s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Maid of the Oaks

Dance: As17820307athi

5245
13 May 1782 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and house-keeper. [The playbill announces as mainpiece King Henry the Eighth, and as afterpiece Barnaby Brittle, but the Account-Book has, "Alter'd to the Count of Narbonne" and "Alter'd to Comus."] Receipts: #300 8s. (66/2; tickets: 234/6) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Comus

5246
06 December 1783 @ King's Theatre

Performances

Mainpiece Title: Silla

Dance: End of Act II an entirely new Dance (composed by D'Auberval; the music by Barthelemon) The Pastimes of Terpsycore, an Allegorical Ballet, by Vestris Jun. (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore

Performance Comment: (1st appearance at this theatre these 3 years), Blake (1st appearance), Henry, Zuchelli, Monetti, Lepicq, Mme Theodore D'Auberval (1st appearance this season), Mme Simonet, Mme Rossi; End of Opera a new Anacreontic Ballet (composed by D'Auberval) Friendship leads to Love by Lepicq, Mme Rossi, Slingsby, Mme Simonet, Vestris Jun., Mme Theodore .

5247
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

Performance Comment: ], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon .

5248
24 March 1784 @ Drury Lane Theatre

Event Comment: 1st piece: Set to Music by Handel. [For singers of individual airs therein see 5 Mar.] 2nd piece: Composed by the late Henry Purcell

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Music in Bonduca

Music: As17840310athi

5249
17 May 1784 @ Covent Garden

Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

Related Works
Related Work: The Election Author(s): David Henry Irquhart

5250
27 January 1785 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock