SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Haymarket"/1) | (@(roleclean,performerclean) "Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 211 matches on Event Comments, 11 matches on Performance Comments, 4 matches on Roles/Actors, 2 matches on Performance Title, and 0 matches on Author.
Event Comment: Benefit for Morelli. Tickets to be had of Morelli, No. 18, Oxenton Street, Haymarket. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870605

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: Benefit for Morelli. Tickets to be had of Morelli, No. 77, in the Haymarket, and at the Office in Union-court, where orders for the Boxes will be punctually attended to. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17880129

Event Comment: A new Comic Opera; the music by Cimarosa [with additions by Giardini]. Under the direction of Giardini. Pit 10s. 6d. Gallery 5s. The Doors to be opened at 6:30. To begin at 7:30 [see 18 May]. Subscriptions will be received at Mons Ransom, Mons Moreland and Mons Hammersley's, Pall-Mall; and of Jewell, Treasurer, No. 26, Suffolk-street, Haymarket

Performances

Mainpiece Title: Ninetta; O, Chi Dell' Altrui Si Veste, Presto Si Spoglia

Dance: End I: Divertisement-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro; End Opera: La Bergere des Alpes (composed by Blake)-Labourie, Duquesney, Mlle Hilligsberg, Mlle de'Caro, Mlle Dorival

Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

Event Comment: Benefit for Blake. Tickets to be had of Blake, No. 60, Haymarket. 2nd ballet: With entire new scenery painted by Gaetano Marinari

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: Divertisement-Labourie, Mlle Hilligsberg; in which Pas Russe, as17900422; End Opera: [an entire new Pantomimical Dance, The Generous Slave[ Slave (for that night only)-Blake [and see17900527]

Event Comment: The Nobility, Gentry and Public at large are respectfully informed that, in compliance with the wishes of many of the principal Subscribers an supporters of this undertaking, and it being found that, without offence to law, the entertainments advertised for the Hanover-square Rooms may be given at this Place. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. As the Proprietors would not presume, even to save themselves from utter ruin, to offend either the Authority of the King, or of the Laws, they forbear all idea of performing Operas until the hardship and justice of their case shall produce the proper influence upon his Majesty's benevolent mind; and, under the circumstances in which thy stand, with a Company of the most celebrated singers and dances in the world, in their respective departments, engaged at an expense of #18,000, they confide in the liberality to the Public that they will countenance and support such an Entertainment as they are legally warranted to give, until they shall recover their just right of performing Operas under his Majesty's license. "From dinner we all went to the Opera House in the Haymarket, where for the first time they performed for money [see 23 Feb., 10 and 22 Mar.]; the singers, to avoid the [licensing] Act, coming in their own dresses and confining themselves to the airs. It will be seen whether this restriction will be considered sufficient" (Windham Diary, 219). "The action of Orpheus and Eurydice has been seen before at both the rehearsals [see 10 and 22 Mar.], but the scenery could not be then sufficiently displayed. It was very correctly managed on Saturday night...The scene of the Elysian fields deserved the most admiration, where, by means of lights placed behind gauze, a filmy hue is thrown over the stage, and the figures assume the appearance of aerial beings" (Gazetteer, 28 Mar.)

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival; End II: Orpheus and Eurydice-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival

Event Comment: "There is no peace between the opera theatres; the Haymarket rather triumphs. They have opened twice, taking money in an evasive manner, pretending themselves concerts; the singers are in their own clothes, the dancers dressed, and no recitative--a sort of opera in deshabille (Walpole [31 Mar. 1791], XIV, 399-400)

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: As17910326

Event Comment: Benefit for Mlle Hilligsberg. Tickets to be had of Mlle Hilligsberg, No. 11, Haymarket

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: a new Dance, La Fete des Matelots et des Provencaux-Vestris? Jun., Mlle Hilligsberg, all the principal dancers; in which a Provencale-; End II: Orpheus and Eurydice, as17910331

Event Comment: Benefit for Vestris Jun. Tickets to be had of Vestris, No. 2, Haymarket

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: La Mort d' Hercule, as17910411, Hercule -Vestris Sen

Ballet: End II: a new Historical Dance L'Amadriade; ou, La Nimphe des Bois. Pheruse Amadriade-Mlle Hilligsberg; Hilas Berger Thesalien, Amant d' Amadriade-Vestris [Jun.]; Bergere Thesalienne-Mlle Mozon; Berger Thesalien-Victor; Faulne-Vermilly; Nimphe de Bois-Mlle St.Amand; Minuet de la Cour-Vestris Sen

Event Comment: Benefit for Mme Theodore D'Auberval. Tickets to be had of Mme Theodore D'Auberval, No. 52, Poland-street, Oxford-road. 2nd ballet: With new Decorations painted by Munich [recte Moench], late painter to the Theatre in the Haymarket, and new Machinery by Bernard. The Dresses entirely new, invented and executed by Lupino

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: La Fille Mal Gardee, as17910430; End Opera: a new Pantomime Ballet in 3 acts (composed by D'Auberval) Le Siege de Cythere-Didelot, D'Egville, Vigano, Fialon, Mlle Leonore Simonet, Mlle Troche, Mlle Deligny, Mme Vigano, Mme D'Auberval. [For assignment of parts see17910517.

Event Comment: Benefit for Bannister. [Address by George Colman, ynger (European Magazine, Sept. 1791, p. 227).] Oracle, 19 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #236 (Gazetteer, 5 Sept.)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mayor of Garratt

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: Paid Rent of king's? Haymarket Theatre #2,890. Receipts: #257 12s. 6d. (199.8.6; 53.13.0; 4.8.0; ticket not come in: 0.3.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Sultan

Dance: As17911210

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Event Comment: Benefit for Mrs Kemble. Afterpiece: The [first] and only time of performing it [this season] at this theatre. Morning Herald, 31 July: Tickets to be had of Mrs Kemble, No. 24, corner of Panton-street, Haymarket

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Afterpiece Title: No Song No Supper

Event Comment: 1st piece [1st time; INT 1 by Francis Godolphin Waldron): Altered from THE FATAL EXTRAVAGANCE of [Joseph] Mitchell and Aaron Hill. "I went on Monday evening with Mrs Darner to the Little Haymarket, to see The Children in the Wood, having heard so much of my favourite, young Bannister, in that new piece; which, by the way, is well arranged, and near being fine. He more than answered my expectation, and all I had heard of him. It was one of the most admirable performances I ever saw: his transports of despair and joy are incomparable, and his various countenances would be adequate to the pencil of Salvator Rosa. He made me shed as many tears as I suppose the original old ballad did when I was six years old. Bannister's merit was the more striking, as, before The Children in the Wood, he had been playing the sailor in No Song No Supper, with equal nature" (Walpole [4 Dec. 1793], XV, 266-67)

Performances

Mainpiece Title: The Prodigal

Afterpiece Title: NO SONG NO SUPPER

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Afterpiece: By Permssion of the Manager of the Theatre Royal, Haymarket. The Overture and Music by Dr Arnold. Powell: Children in the Wood rehearsed at 10 (Bannister, Dignum, Mrs Powell, Mrs Bland absent); No Song No Supper at 11 (for Starace, Kelly, Leak, Dignum, Sedgwick); Distressed Mother at 12. Receipts: #385 7s. (310/1/6; 64/10/6; 10/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: In Act V of mainpiece a song by Mrs Bland

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Gentleman who performs the Part of Zanga [in THE REVENGE], and Mr and Mrs Simpson. Mainpiece: Written by the celebrated Dr Young, Author of the Night Thoughts, &c. Afterpiece: As an After-piece [i.e. reduced from 5 to 3 (?) acts]. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Longman and Broderip, Cheapside and Haymarket; Pass, No. 53, High Holborn; Bland's Music Warehouse, No. 45, High Holborn; Strutt, Bookseller, No. 20, Little Queen-street, Lincoln's Inn Fields; Ellwick, Musical Instrument Maker, No. 55, Long Acre, comer of Phoenix O>urt; Padbury, Coal Merchant, No. 24, Henrietta-street, Covent Garden; Evan, Bookseller, No. 351, near the Pantheon, Oxford Road; and of Simpson, at No. 33, St. Martin's-street, Leicester-square

Performances

Mainpiece Title: The Revenge

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson

Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Event Comment: Benefit for Mrs Kemble. 3rd piece [1st time; MF 1, by Robert Benson; music by Dr Arnold]: The Piece to conclude with a representation of the late Grand Naval Review [held at Portsmouth, in honor of George III's visit to that place, 28 June]. The Machinery, &c., entirely new for the occasion. Books of the Entertainment to be had at the Theatre. Morning Herald, 21 Aug. 1794: This Day is published BRITAIN's GLORY (price not listed). Morning Chronicle, 18 Aug.: Tickets to be had of Mrs Kemble, No. 24, Haymarket

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE GAMESTER

Afterpiece Title: BRITAIN'S GLORY; or, A Trip to Portsmouth

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Event Comment: Benefit for Mrs Kemble. 1st piece: Not acted these 7 years. 2nd piece [1st time; MF 1, by Robert Benson]: The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. Morning Chronicle, 25 Aug.: Tickets to be had of Mrs Kemble, No. 9, Haymarket,

Performances

Mainpiece Title: Douglas

Afterpiece Title: Love and Money; or, The Fair Caledonian

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue End 2nd piece: Monsieur Tonson-Fawcett

Event Comment: Afterpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. Receipts: #179 13s. 6d. (169.5.0; 10.8.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: The Agreeable Surprise

Dance: As17951125

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. [As afterpiece the playbill announces Oscar and Malvina, but "The Poor Sailor played" (MS annotation on BM playbill, cg, Vol. ix). "The audience were in a violent uproar, at the change from Oscar and Malvina to The Poor Sailor" (Monthly Mirror, Dec. 1795, pp. 122-23).] Receipts: #190 7s. (182.17; 7.10)

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: The Poor Sailor