SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "HHis Majesty"/1) | (@(roleclean,performerclean) "HHis Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1049 matches on Event Comments, 31 matches on Performance Comments, 30 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stratagem

Entertainment: The same Entertainments- that were perform'd yesterday before His Majesty, at Hampton-Court

Performances

Mainpiece Title: Sir Courtly Nice

Dance: The Entertainments of Dancing that were perform'd Yesterday before His Majesty at Hampton-Court-Shaw, Wade, Topham, Mrs Santlow, Mrs Bicknell

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: With the same Entertainments of Dancing that were perform'd Yesterday before His Majesty at Hampton-Court-Shaw, Thurmond Jr, Topham, Mrs Santlow, Mrs Tenoe, Miss Lindar

Performances

Mainpiece Title: Concert

Music: Music by Handel for Their Majesties' Coronation-; Other pieces-performers from the Opera

Performances

Mainpiece Title: The Mistake

Dance: s performed last night before Their Majesties, but order of dances is: %II: New Comic Dance-; IV: Tambourine-; V: Scottish Dance-

Performances

Mainpiece Title: Patie And Roger

Dance: Joly, Miss Dulisse

Music: A grand concerto of violins, hautboys, clarinets, bassoons, French horns; the clarinets-Mr Habgood, Pearson; and cornu de caccio ottava, an instrument never before perform'd on in a concert in England; and a Grand March composed by his Majesty the King of Prussia

Performances

Mainpiece Title: The Coquette; Or The Mistakes Of The Heart

Afterpiece Title: The True-Born Irishman; or, The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: The Band, both Focal and instrumental, are considerably augmented, with the addition of the Boys from his Majesty's@Chapels@Royal, The Choirs of St. Paul's and Westminster Abbey. Tickets to be had, and places for the Boxes to be taken, of Fosbrook, at the stage-door of the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: A Prelude, On The Happy Recovery Of His Majesty

Afterpiece Title: The Triumph of Truth 0

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Pannel

Dance: As17900308

Entertainment: MonologuePrevious: his being the Anniversary of His Majesty's Happy Recovery, British Loyalty; or, a Squeeze for St. Paul's-Bannister Jun

Song: After which: the Stage being decorated and illuminated in the same Superb Stile which it was for the Reception of his Majesty on Dec. the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Rape of Proserpine

Dance: As17610907

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Performance Comment: The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate.
Event Comment: By His Majesty's Command. Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 22 Jan.: Last Saturday Night his Majesty, his Royal Highness the Duke, the Princesses, with several Foreign Ministers and their Ladies, were at [cg]: So great a Concourse of People came in order to see his Majesty there, as has scarcely been seen; many Persons who came to the Play-House at Four o'Clock, offering any Price, if they could possibly be admitted. In the Fury Dance of Macbeth, Mr Haughton had the misfortune to dislocate his Ankle-Bone, and fell down upon the Stage, and was obliged to be carried off; upon which his Majesty was graciously Pleased to send him Ten Guineas instantly, and to order him to be taken Care of

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Music: Vocal Parts [for Macbeth]-Leveridge, Salway, Roberts, Thompson, Stoppelaer, Mrs James, Mrs Wright, Mrs Vincent, Mrs Kilby

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Performances

Mainpiece Title: The Rover

Event Comment: Gentleman's Journal, November 1693: An Ode upon His Majesty's Birth-day, Set to Musick by Dr Staggins; and Perform'd before Their Majesties, Nov. 4. 1693. The Words by N. Tate, Servant to Their Majesties. [The Ode was published separately as a broadside in 1693. A song, Gallic force, in vain, set by Staggins and sung to the King on his birthday, is in Comes Amoris, The Fifth Book, 1694.

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Macbeth

Music: As17040101

Dance: duRuel, Cherrier, Mrs duRuel; [including] the same Entertainments of Dancing [performed last night at St. James's before Her Majesty-

Performance Comment: James's before Her Majesty-.
Cast
Role: Her Majesty Actor: .

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

Performance Comment: Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes.
Event Comment: Evening Post, 30 Aug.: Yesterday Mr Bullock, Master of the Play-House in Lincoln's-Inn-Fields, was commanded to attend his Majesty at Hampton-Court, where he receiv'd Orders for his Company to perform several Plays for the Entertainment of His Majesty during his Stay there, in the Winter Season, and there is a magnificent Theatre erecting for that Purpose

Performances

Event Comment: Benefit the French Comedians. [#40 paid to Bullock presumably the house charges]. By His Majesty's Command. Tickets given out for Pasquin and Marforio taken at this play. [His Majesty Present.] Original Weekly Journal, 29 Nov.: And we hear, his Majesty gave a 100 Guineas

Performances

Mainpiece Title: Le Maitre Etourdi

Afterpiece Title: Le Tombeau de Maitre Andre

Entertainment: Several new Entertainments which were never perform'd in England before-

Event Comment: By Command. As 12 March. Receipts: #164 17s. Daily Post, 18 March: His Majesty went...to see...The Country Wife and the Entertainment of Apollo and Daphne, in which was perform'd a particular Flying on that Occasion, of a Cupid descending, and presenting his Majesty with a Book of the Entertainment, and then ascended: At which new Piece of Machinery the Audience seem'd much pleas'd

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Apollo and Daphne; or, The Burgomaster Trick'd

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Birth and Adventures of Harlequin (Comic Part of The Rape of Proserpine)

Dance: Salle, Poitier, Mlle Salle; particularly a New Ballad, with New Habits-; In afterpiece (by Command): the Grand Dance of Momus-

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Music: Between the Acts: Select Pieces-

Dance: