SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation"/1) | (@(roleclean,performerclean) "Greek Roman and modern French Italian Societiesofliberalinvestigation")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Performance Title, 749 matches on Event Comments, 572 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: To celebrate his Majesty's Birthday. N.B. As a great number of performers, both vocal and instrumental, will be placed in the servant's gallery, Sga Mattei humbly hopes that the Nobility, Gentry, &c. will dispense with their servants being admitted this night

Performances

Mainpiece Title: A Serenata

Performance Comment: Besides the Italian Opera singers, and the usual orchestra, there will be a second band (disposed after a new manner) with a very great number of additional voices; together with a new dance, and a piece of scenery suitable to the solernity.

Afterpiece Title: Arianne E Teseo (First and Last Acts)

Event Comment: By Authority. [The Stratagem] An English Tragi-Comical Burletta, translated from the Italian. Music by Hasse. All Scenes, Cloaths, and Decorations entirely new. Prices: Box 5s.; Pit 3s.; Gallery 2s. To begin exactly at Seven. Places to be taken at the Theatre. Vivat Rex. 'Tis hoped no Gentlemen will take it amiss that they cannot be admitted behind the scenes, or into the orchestra. Those who have already taken places, will be so good to send in time (Public Advertiser). [This full notice repeated in subsequent bills, will not be recorded further.

Performances

Mainpiece Title: The Stratagem

Dance: Several new Dances composed by Gherardi, to be executed by his scholars who are all English.End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others

Performance Comment: End I: Les Chasseurs and les Bergeres-Master Rogers (a scholar of Leviez's), Miss Twist, Master Tetley, Miss Tetley, Miss Buchinger; II: The German Coopers-Master Rogers, Miss Twist, Miss Tetley; III: Grand Dance, The Gardeners-Master Rogers, Miss Twist, Miss Street, others.
Event Comment: By Authority [repeated in each bill]. Music by Pergolesi. An English comicBurletta [translated] from the Italian (Public Advertiser)

Performances

Mainpiece Title: La Serva Padrona

Dance: As17610627

Event Comment: A new English Comic Burletta from the Italian. Music by John Adolf? Hasse. To begin at half after seven

Performances

Mainpiece Title: The Ridiculous Guardian

Dance: As17610716

Event Comment: A new English Comic Burletta from the Italian. Music by Galuppi

Performances

Mainpiece Title: The Coquette

Dance: As17610803

Event Comment: Benefit for Mrs Clive. Farce written by Mrs Clive not acted in 9 years. [See 19 April 1755.] Now with Alterations and Additional Scenes in which will be introduc'd Part of an Italian Burletta. Part of Pit laid into Boxes. Send servants by 3 o'clock

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: %New Dutch Comic Dance, as17610925

Performances

Mainpiece Title: Barbarossa

Cast
Role: Achmet Actor: Holland

Afterpiece Title: The Magician of the Mountain

Performance Comment: A New Pantomimic Entertainment of Italian Grotesque Characters. Magician-Settree; Pantaloon-Grimaldi; Pierrot-Guerini, his first appearance on the English Stage; Harlequin-Lochery; Colombine-Miss Baker; Mathews, Mortimer, West, Walker, Watkins, Leppie; The Dances-Del'Agata, Aldrige, Vincent, Sga Fiorentini, Sga Giorgi. With New Music, Scenes, Decorations, and Dresses.

Performances

Mainpiece Title: Tunbridge Walks

Afterpiece Title: High Life below Stairs

Performance Comment: As17631029, but with a Comic Mimic Italian Song-Mrs Clive in character.

Song: II: Vernon; accompanied by the Guitar-

Dance: TThe Provancalle, as17631014

Event Comment: The following Italian Singers have arrived in Dublin: Giuseppi Giordani, Francisco Giordani, Sga Marina Giordani, Sga Nicolina Giordani, Spiletta (Daily Advertiser). [Engaged for the Dublin season.

Performances

Mainpiece Title: Ezio

Entertainment: Till the arrival of the Principal Dancers which are engaged, will be performed between the Acts: Solos, Concertos-

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Mrs Clive, Miss Young, Miss Wright, a Young Gentlewoman in her first appearance on any stage. Colin-Vernon; Hobbinol-Yates; Damon-Baddeley; Astolpho-Packer; Fabian-Didier; Phoebe-Miss Slack , 1st appearance on any stage; Lisetta (with a mock Italian song)-Mrs Clive; Emily-Miss Young; Clara-Miss Wright (Genest, V, 63) Emily-$Miss Scott (Winston MS 9).

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit

Event Comment: From the Italian of Metastasio, set to Music by Nicollo Piccini. To begin at 6 p.m

Performances

Mainpiece Title: The Death Of Abel

Music: First Violin Solo-Barthelemon; Concerto on Hautboy-Simpson

Event Comment: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: End: The Irish Lilt, as17680930

Event Comment: Oratorio from the Italian of Metastasio. Never Performed. The Music by Sg Jomelli With additional Chorusses by Leo, Graun, and others. Servants permitted to keep places in the Front as well as Side Boxes. Books of the Performance to be sold there. Charges: #35

Performances

Mainpiece Title: The Passion

Music: As17700302

Event Comment: Last Oratorio, but one this season. From the Italian of Metastasio. The Music by Sg Nicolo Piccini, the composer of La Buona Figluola with additional Chorusses. Charges: #35

Performances

Mainpiece Title: The Death Of Abel

Performance Comment: Parts were for four characters and a chorus: Adam-; Eve-; Abel-; Cain-; Chorus of Angels- (BM 1342 k. 19).

Music: As17700307

Event Comment: Oratorio-taken from the Italian of Metastasio. Music by Piccini

Performances

Mainpiece Title: The Death Of Abel

Music: As17710220

Event Comment: Benefit for Mrs Thompson. Prices 3s. The Musical Piece from the Italian of Goldoni, and adapted to the original Music of Galuppi by Storace, compiler of La Serva Padrona

Performances

Mainpiece Title: The Coquet

Entertainment: Singing-Miss Catley; Musical Imitations-Bannister; With Horns and with Hounds-Mrs Thompson

Event Comment: Afterpiece: By the Author of the Register Office [Reed]. By Permission and Particular Desire. The tragedy was originally written in Italian by Sg Fonidoso Dellarundo, of Civita Vecchia, and bequeathed by him, at his Decease, to an English Gentleman, with whom he had contracted an intimate Acquaintance. It was translated into English by the celebrated Mr Rone, and (considering the difference of the idiom between the two languages) it is thought equal at last, if not superior to the original (Public Advertiser)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Madrigal and Trulletta

Entertainment: IV: Imitations Rhetorical and Vocal-Bannister; Scrub's Trip to the Jubilee-Weston

Event Comment: By Handel. By Command of their Majesties

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: with Coronation Anthems, two Italian Songs-; a Duetto-Mrs Weichsel, Sga Corri.
Cast
Role: two Italian Songs Actor:

Music: I: Bach Concerto-Tacet, Cramer, Cervetto, Fisher; II: Concerto for Two Violins and a Violin@cello by Bach-

Performances

Mainpiece Title: A Miscellaneous Act

Performance Comment: Overture-, composed by Barthelemon; new cantata, A Sea Storm, composed by Barthelemon,-Mrs Barthelemon; Under sweet Friendship's Name-Vernon; Canon-Barthelemon; Concerto on the hautboy-Sharp; Song, composed by Dr Arne,-Mrs Wrighten; Concerto on the flute-DeCamp; Italian Rondeau-Mrs Barthelemon; Variation of Lovely Nancy, as done in Italy,-Barthelemon; Concerto on the violin-Barthelemon.

Afterpiece Title: Victory, an Ode Inscribed to Admiral Keppel; Messiah

Performance Comment: Vocal Parts As17790303but Grand Chorusses-.
Event Comment: Benefit for Miss Wheeler. Morning Herald, 8 Apr.: Tickets to be had of Miss Wheeler, No. 11, Tavistock-street, Covent-garden. 2nd piece: Altered from Prior's Nut-brown Maid. With Airs and Chorusses composed by Shield. Afterpiece: Not acted these 15 years. Receipts: #213 3s. 6d. (95/7/0; 32/2/6; 0/14/0; tickets: 85/0/0) (charge: #108 10s. 3d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Henry and Emma

Afterpiece Title: The Capricious Lovers

Performance Comment: Hobbinol-Suett; Astolpho-Phillimore; Damon-Waldron; Fabian-Norris; Colin-Williames; Phoebe-Miss Wheeler; Emily-Miss Wright; Clara-Miss Simson; Lisetta (with a mock Italian Song)-Mrs Wrighten. Epilogue in the character of Phoebe spoken by Miss Wheeler .

Dance: End of Act I of afterpiece The Irish Fair, as17820406

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Capricious Lovers

Performance Comment: Hobbinol-Suett; Astolpho-Phillimore; Damon-Waldron; Fabian-Norris; Colin-Williames; Phoebe-Miss Wheeler; Emily-Miss Wright; Clara-Miss Simson; Lisetta (with the mock Italian song)-Mrs Wrighten .

Dance: End of Act I of afterpiece The Irish Fair by Blurton, Miss M. Stageldoir

Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

Event Comment: "The after-piece-that old obsolete Trash, the Country Madcap, by the aid of Quick and Mrs Mattocks' good Acting, was endured. Reinhold's imitation of Italian Singing . . . got three Peals of Applause" (Public Advertiser, 13 Oct.). Receipts: #150 4s. 6d. (147/1/6; 3/3/0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: The Country Mad-Cap