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94 results for: Keyword - BM
We found 81 matches on Event Comments, 11 matches on Performance Comments, 2 matches on Performance Title, 1 matches on Roles/Actors, and 0 matches on Author.

1
09 February 1782 @ Covent Garden

Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Performances

Mainpiece Title: Which Is The Man

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Robson, Jones, W. Bates, Lee Lewes; Mrs Mattocks, Mrs Morton, Mrs Wilson, Miss Satchell, Miss Platt, Mrs Davenett, Miss Younge. [Cast from text (C. Dilly, 1782): Fitzherbert-Henderson; Beauchamp-Lewis; Belville-Wroughton; Pendragon-Quick; Visitors-Robson, Jones, W. Bates; Lord Sparkle-Lee Lewes; Sophy Pendragon-Mrs Mattocks; Clarinda-Mrs Morton; Kitty-Mrs Wilson; Julia-Miss Satchell; Mrs Johnson-Miss Platt; Tiffany-Mrs Davenett; Lady Bell Bloomer-Miss Younge; Ladies-Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill (CG, Vol. III). Prologue, not listed on playbill, spoken by Lee Lewes; it was presumably, spoken at all subsequent performances.] hathi. it was presumably, spoken at all subsequent performances.] hathi.
Cast
Role: : Fitzherbert Actor: Henderson
Role: Beauchamp Actor: Lewis
Role: Belville Actor: Wroughton
Role: Pendragon Actor: Quick
Role: Visitors Actor: Robson, Jones, W. Bates
Role: Lord Sparkle Actor: Lee Lewes
Role: Sophy Pendragon Actor: Mrs Mattocks
Role: Clarinda Actor: Mrs Morton
Role: Kitty Actor: Mrs Wilson
Role: Julia Actor: Miss Satchell
Role: Mrs Johnson Actor: Miss Platt
Role: Tiffany Actor: Mrs Davenett
Role: Lady Bell Bloomer Actor: Miss Younge
Role: Ladies Actor: Miss Stuart, Mrs Poussin, &c. The designation "Visitors" is taken from a MS annotation on the BM playbill
Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): William ShakespeareThomas Shadwell
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Related Work: Love Makes A Man: or, The Fop's Fortune Author(s): Colley Cibber
Related Work: The Man's Bewitch'd; or, The Devil to do about Her Author(s): Susanna Centlivre
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Henry FieldingMichael Arne
Related Work: The Man of Taste Author(s): James Miller
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Man's The Master Author(s): Sir William Davenant
Related Work: Every Man In His Humour Author(s): Ben Jonson
Related Work: The Poor Man's Comfort Author(s): Robert Daborne
Related Work: The Man of Newmarket Author(s): Edward Howard
Related Work: Love in the Dark; or, The Man of Bus'ness Author(s): Sir Francis Fane
Related Work: Like Master Like Man Author(s): John VanbrughThomas Ryder
Related Work: Love Without Interest; or, The Man Too Hard for the Master Author(s): William Penkethman
Related Work: An Old Man Taught Wisdom; or, The Virgin Unmask'd Author(s): Henry Fielding
Related Work: All Alive and Merry; or, Men in Pursuit of Money Author(s): Samuel Johnson
Related Work: The Medley; or, Hippisley's Drunken Man Author(s): John Hippisley
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller
Related Work: The Connoisseur; or, Every Man in his Folly Author(s): Mr. Conolly
Related Work: The Man of the World Author(s): Charles Macklin
Related Work: The Mistaken Beauty; or, The Lyar Author(s): Pierre Corneille
Related Work: Every Body Mistaken Author(s): William Taverner

Afterpiece Title: The Dramatic Puffers

Performance Comment: Characters by Edwin, Robson, Whitfield. [Cast from text (G. Kearsley and E. Macklew, 1782): Zephyr-Edwin; Breeze-Robson; Author-Whitfield (in text: Lee Lewes [see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.see17820211]).] A new Epilogue spoken by Miss Younge. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: : Zephyr Actor: Edwin
Role: Breeze Actor: Robson
Role: Author Actor: Whitfield
Related Works
Related Work: The Dramatic Puffers Author(s): Henry Bate

Afterpiece Title: The Golden Pippin

Performance Comment: As17811123 .
Cast
Role: Momus Actor: Quick
Role: Jupiter Actor: Reinhold
Role: Paris Actor: Mattocks
Role: Mercury Actor: Robson
Role: Venus Actor: Mrs Martyr
Role: Pallas Actor: Mrs Morton
Role: Iris Actor: Miss Morris
Role: Juno Actor: Miss Catley
Related Works
Related Work: The Golden Pippin Author(s): Kane O'Hara

2
06 July 1682 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: BM Egerton 1628, Diary of Edward Southwell: Saw the Morocco Ambassador at the Play

Performances

Mainpiece Title: Omment

3
14 July 1692 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: BM Add. Mss. 34096, folio 63r 64v, Whitehall, 15 July 1692: The Prince and Princesse of Danemarke...yesterday...tooke barge to Goe to ye Play House. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 225, for a letter by Princess Anne ordering boats to take her to the theatre.

Performances

4
April 1695 @ Dorset Garden Theatre

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Performance Comment: BM Add. Mss. 31,449, contains a cast (possibly a proposed cast): The Ynca of Peru-Mills; Montezuma-Powell; Acacis-Harland; Garrucca-Disney; God of Dreams-Bowen; Ismeron-Leveridge; Zempoalla-Mrs Knight?; Orazia-Mrs Rogers; Prologue-Indian Boy and Girl; Epilogue-.
Cast
Role: The Ynca of Peru Actor: Mills
Role: Montezuma Actor: Powell
Role: Acacis Actor: Harland
Role: Garrucca Actor: Disney
Role: God of Dreams Actor: Bowen
Role: Ismeron Actor: Leveridge
Role: Zempoalla Actor: Mrs Knight?
Role: Orazia Actor: Mrs Rogers
Role: Prologue Actor: Indian Boy and Girl
Role: Epilogue Actor: .
Related Works
Related Work: The Indian Queen Author(s): Sir Robert HowardJohn Dryden

5
18 March 1710 @ Queen's Theatre

Event Comment: Written by Beaumont and Fletcher

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: See17100215.
Related Works
Related Work: The Scornful Lady Author(s): John FletcherFrancis Beaumont
Related Work: The Capricious Lady Author(s): John FletcherFrancis BeaumontWilliam CookeMichael Arne

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]

Performance Comment: e., to sing during the winter only in "formal OPERAS."].

6
25 April 1794 @ Covent Garden

Event Comment: Benefit for Miss Poole. 3rd piece: Not acted these 6 years [acted 5 May 1790). Morning Chronicle, 7 Apr.: Tickets to be had of Miss Poole, No. 18, Charles-street, Covent Garden. Receipts: #206 12s. (102/8/0; 4/17/6; tickets: 99/6/6)

Performances

Mainpiece Title: Everyone Has His Fault

Performance Comment: As17931001, but Sir Ralph here, correctly, Sir Robert Ramble; Edward (for this night only)-Miss Poole//Miss Wooburn-Miss Chapman; Miss Spinster-Mrs Henley; omitted: Porter . omitted: Porter .
Cast
Role: ; Edward Actor: Miss PooleMiss Wooburn-Miss Chapman
Role: Miss PooleMiss Wooburn Actor: Miss Chapman
Role: Miss Spinster Actor: Mrs Henley
Role: Ramble Actor: Lewis
Role: Solus Actor: Quick
Role: Irwin Actor: Pope
Role: Lord Norland Actor: Farren
Role: Harmony Actor: Munden
Role: Edward Actor: Miss Grist
Role: Placid Actor: Macready
Role: Hammond Actor: Powel
Role: Porter Actor: Thompson
Role: Miss Wooburn Actor: Mrs Esten
Role: Mrs Placid Actor: Mrs Mattocks
Role: Lady Eleanor Irwin Actor: Mrs Pope.

Afterpiece Title: THE SAILOR'S FESTIVAL

Performance Comment: As17940407, but in SCENE I: Sally in our Alley by Incledon, in place of Blow high, blow low; in SCENE III: Old England will be England still by Incledon, in place of Rule Britannia .
Cast
Role: . The Mid Actor: Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour
Role: Fitzroy Actor: Davies.
Role: Tom Thumb Actor: Miss Standen
Role: Grizzle Actor: Blanchard
Role: Doodle Actor: Davies
Role: Noodle Actor: Cubitt
Role: Ghost Actor: Powel
Role: Arthur Actor: Quick
Role: Huncamunca Actor: Mrs Mountain
Role: Glumdalca Actor: Mrs Webb
Role: Dollalolla Actor: Mrs Martyr.
Role: Lubin Actor: Mrs Martyr
Role: Lord of the Manor Actor: Evatt
Role: Bailiff Actor: Cubitt II Annette-Mrs Mountain
Role: Cubitt II Annette Actor: Mrs Mountain
Role: Count Conolly Villars Actor: Holman
Role: Mr Dermot Actor: Johnstone
Role: Mr Dorimont Actor: Farren
Role: Sir Paul Peckham Actor: Fawcett
Role: Sir Samuel Sheepy Actor: Munden
Role: Picard Actor: Cubitt
Role: Exempt Actor: Thompson
Role: Lucy Actor: Miss Chapman
Role: Lydia Actor: Miss Hopkins
Role: Lady Peckham Actor: Mrs Mattocks.
Role: : Ballad Singer Actor: Fawcett
Role: : Lucifer Actor: Campbell
Role: Zephyrus Actor: Holland
Role: Dancing Actor: Master
Role: Master Actor: Fawcett
Role: : Zany Actor: Simmons
Role: . Lucifer Actor: Cubitt
Role: Pillardoc Actor: Richardson
Role: Asmodius Actor: Townsend
Role: Orchus Actor: Blurton
Role: Bclial Actor: Linton
Role: Ades Actor: Street. II. The Study of Dr Faustus
Role: Dr Faustus Actor: Farley
Role: Zany Actor: West. III. A Landscape and Water Mill
Role: Harlequin Actor: Boyce
Role: Pierrot Actor: Follett
Role: Miller Actor: Hawtin
Role: Taylor Actor: Simmons
Role: Bridemen Actor: Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.Miller's Wife-Miss Leserve
Role: Miller's Wife Actor: Miss Leserve
Role: Bridemaids Actor: Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.
Role: Colombine Actor: Mme Rossi
Role: Philidel Actor: Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog
Role: Landlady Actor: Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed
Role: A Representation of tht Scaffolding prepared for e Actor: Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed
Role: A View of Smithfield on a Market Actor: Day
Role: ByrnFlora Actor: Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs
Role: Aerial Spirits Actor: Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton
Role: Alban Actor: Holman
Role: Captain O'Leary Actor: Johnstone
Role: Patrick Actor: Rock
Role: Catherine Actor: Mrs Webb
Role: Louisa Actor: Miss Brunton
Role: Vocal Characters Actor: Bannister, Incledon, Davies, Blanchard, Cubitt, Johnstone, Mrs Martyr, Mrs Warrell, Miss Huntley, Miss Barnet
Role: Petit Maitre Actor: Farley
Role: Marquis Actor: W. Powel
Role: Pioneer Actor: Cranfield
Role: Dusty Gentleman Actor: Bernard
Role: Poet Actor: Marshall
Role: Shoe@Black Actor: Rees
Role: Jacobine Actor: Cross
Role: Lemonadier Actor: C. Powell
Role: Poissards Actor: Blurton, Rayner
Role: Gardener Actor: Milburne
Role: Grotesque Actor: Follett
Role: Dancing Nymphs Actor: Mrs Goodwin, Mrs Watts, Mrs Ratchford, Mrs Byrne, Mrs Boyce, Mrs Cranfield, Mrs Lloyd
Role: : Recruiting Serjeant Actor: Townsend

Afterpiece Title: THE TWO MISERS

Performance Comment: Gripe-Quick; Lively-Davies; Mustapha-Richardson; Osmond-Townsend; Ali-Cubitt; Hunks (1st time)-Fawcett//Jenny-Mrs Mountain; Harriet (for that night only)-Miss Poole .
Cast
Role: Gripe Actor: Quick
Role: Lively Actor: Davies
Role: Mustapha Actor: Richardson
Role: Osmond Actor: Townsend
Role: Ali Actor: Cubitt
Role: Hunks Actor: FawcettJenny-Mrs Mountain
Role: FawcettJenny Actor: Mrs Mountain
Role: Harriet Actor: Miss Poole
Related Works
Related Work: The Two Misers Author(s): Kane O'HaraCharles Dibdin

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Performance Comment: hathi.

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

Performance Comment: hathi.
Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

7
27 January 1714 @ Queen's Theatre

Event Comment: [Dedication signed by N. Haym.]. A new Opera. Pit and Boxes put together and admission by ticket only at half a guinea. Stage Boxes 15s. Gallery 4s

Performances

Mainpiece Title: Croesus

Performance Comment: Mrs Robinson performs a Part. The edition of 1714 lists: Creso-Signora Galerati; Ciro-Valentino; Climenide-Mrs Robinson; Rosena-Mrs Barbier; Adraspe-Signora Margharita; Oronote-Lawrence [, according to MS note in edition in BM, 11714 aa 23]., according to MS note in edition in BM, 11714 aa 23].
Cast
Role: Creso Actor: Signora Galerati
Role: Ciro Actor: Valentino
Role: Climenide Actor: Mrs Robinson
Role: Rosena Actor: Mrs Barbier
Role: Adraspe Actor: Signora Margharita
Role: Oronote Actor: Lawrence

Music: As17140123

8
13 September 1660 @ no theater listed

Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Performances

9
30 August 1661 @ The Cockpit in Drury Lane

Event Comment: Pepys, Diary: Then my wife and I to Drury Lane to the French comedy, which was so ill done, and the scenes and company and everything else so nasty and out of order and poor, that I was sick all the while in my mind to be there. See also Boswell (Restoration Court Stage, p. 280). W. J. Lawrence (Early French Players in England, The Elizabethan Playhouse and Other Studies (1912), pp. 139-40) argues that the play was Chapoton's Le Mariage d'Orphee et d'Eurydice. See also The Description of the Great Machines of the Descent of Orpheus into Hell. Presented by the French Comedians at the cockpit in Drury Lane. The Argument Taken out of the Tenth and Eleventh Books of Ovid's Metamorphosis (1661). Rugg's Diurnal the French players (BM Add. Mss. 10116, f243v)

Performances

Mainpiece Title: A French Comedy

10
29 November 1661 @ Theatre in Vere Street

Event Comment: The King's Company. This play appears on Herbert's List, following the entry for 26 Oct. 1661. (See William VanLennep, "Thomas Killigrew prepares his Plays for Production," J. Q. Adams Memorial Studies (Washington, D. C., 1948, p. 803.) Pepys, Diary: W. Pen and I to the Theatre, but it was so full that we could hardly get any room, so he went up to one of the boxes, and I into the 18d. places, and there saw Love at first sight, a play of Mr Killigrew's and the first time that it hath been acted since before the troubles, and great expectation there was, but I found the play to be a poor thing, and so I perceive every body else do. BM Add. Mss. 34217, fol. 31b, in Hotson Commonwealth and Restoration Stage, p. 246: @First then to speake of his Majestys Theatre@Where one would imagine Playes should be better@Love att the first sight did lead the dance@But att second sight it had the mischance@To be so dash'd out of Countenance as@It never after durst shew itts face@All though its bashfullnesse as tis thought@Be far from being the Authors ffault.

Performances

Mainpiece Title: The Princess; Or, Love At First Sight

Performance Comment: An edition in 1663 (in Killigrew's Comedies and Tragedies) lists no actors' names, no prologue, no epilogue.
Related Works
Related Work: The Princess; or, Love at First Sight Author(s): Thomas Killigrew
Related Work: Love at First Sight Author(s): David Crauford
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Related Work: The Injured Princess; or, The Fatal Wager Author(s): William ShakespeareThomas D'Urfey
Related Work: The German Princess Author(s): John Holden
Related Work: The English Princess; or, The Death of Richard the Third Author(s): John Caryll
Related Work: Distress'd Innocence; or, The Princess of Persia Author(s): Elkanah Settle
Related Work: Juliana; or, The Princess of Poland Author(s): John Crowne
Related Work: The Princess of Cleve Author(s): Nathaniel Lee
Related Work: The Princess of Parma Author(s): Henry Smith
Related Work: The Virgin Queen; or, The Captive Princess Author(s): Richard Barford
Related Work: Cleonice, Princess of Bithynia Author(s): John Hoole
Related Work: The Princess of Georgia Author(s): Elizabeth, Margravine of Ansbach
Related Work: The English Princess; or, The Death of Richard III Author(s): John Caryll
Related Work: Cymbeline Author(s): William Shakespeare

11
16 December 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Colonel Jolly Actor: Betterton
Role: Old Trueman Actor: Lovel
Role: Young Trueman Actor: Harris
Role: Cutter Actor: Underhill
Role: Captain Worme Actor: Sandford
Role: Parson Soaker Actor: Dacres
Role: Puny Actor: Nokes
Role: Will Actor: Price
Role: Aurelia Actor: Mrs Betterton
Role: Lucia Actor: Mrs Anne Gibbs
Role: Laughing Jane Actor: Mrs Long
Role: The edition of 1663 has a Prologue Actor:
Role: an Epilogue Actor:
Related Works
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley

12
15 February 1662 @ Lincoln's Inn Fields

Event Comment: This performance was attended by Jacques Thierry and Will Schellinks, who stated: Judged to be their best play (Seaton, Literary Relationships, pp. 334-36). This performance may have been the premiere. The Duke's Company. BM Add. Mss. 34217, in Hotson (Commonwealth and Restoration Stage, p. 247): @Then came the Knight agen with his Lawe@Against Lovers the worst that ever you sawe@In dressing of which he playnely did shew it@Hee was a far better Cooke then a Poet@And only he the Art of it had@Of two good Playes to make one bad.

Performances

Mainpiece Title: The Law Against Lovers

Performance Comment: [Altered from William Shakespeare's Measure for Measure and Much Ado About Nothing by Sir William Davenant.] Downes (Roscius Anglicanus, p. 26) and the edition of 1673 have no actors' names. But see16610218@2.
Related Works
Related Work: The Law Against Lovers Author(s): William ShakespeareSir William Davenant

13
03 March 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. BM Add. Mss. 34217, in Hotson, p. 246: @O' th' contrary Salendina for witt@Most say did come far short of it@And though I confesse there was some fault there@Yett this I'll say in defense of the Author@A good Plott though ill writt lookes more like a Play@Then all your fine lines when the plott is away.

Performances

Mainpiece Title: Zelindra

Performance Comment: [No actors' names, no prologue, no epilogue in edition of 1665.]
Related Works
Related Work: Zelindra Author(s): William Killigrew

14
23 April 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. This was a new play, but it is not clear that this day was the premiere. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For the surprizall it was a good proofe@By its getting them mony it took well enough@Without which Divell take the Play@Be it never so good the Actors say@But they may thanke God with all their hart@That Lacy plaid Brankadoros part.

Performances

Mainpiece Title: The Surprizal

Performance Comment: Brancadoro-Lacy.
Cast
Role: Brancadoro Actor: Lacy.
Related Works
Related Work: The Surprisal Author(s): Sir Robert Howard

15
02 June 1662 @ Theatre in Vere Street

Event Comment: This play is in Herbert, Dramatic Records p. 118: Cornelia a New Play, sir W. Bartleys. The date in Herbert is 1 June, a Sunday in 1662, with another play in the same group falling on Sunday. Nevertheless, the verse comment (see below) written, apparently, before the summer of 1662 points toward 2 June 1662 rather than 1 June 1663. Edward Browne also lists it as one of the plays he attended. The play was not printed. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For Cornelia they all doe say@There was abundance of witt in the play@Indeed t'had soe much t' was the worse for 't@For t' was to witty for the vulgar sort@And they who'd have poetts their Benefactors@Say witt without mony's naught for the Actors.

Performances

Mainpiece Title: Cornelia

Performance Comment: . [By Sir William Bartley?] .
Related Works
Related Work: Cornelia Author(s): Sir William Berkeley

16
11 October 1666 @ Whitehall or St. James's

Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Performances

Mainpiece Title: Wit Without Money

Related Works
Related Work: Wit Without Money Author(s): John FletcherFrancis Beaumont

17
16 April 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

Performance Comment: See16661210. Morose-Cartwright?; Truewit-Major Mohun?; Cleremont-Burt?; Dauphin-Kynaston?; Sir Amorous-Wintersel?; Sir John Daw-Shatterel?; Captain Otter-Lacy?; Epicene-Mrs Knep?; Lady Haughty-Mrs Rutter?; Mrs Otter-Mrs Corey?.
Cast
Role: Morose Actor: Cartwright?
Role: Truewit Actor: Major Mohun?
Role: Cleremont Actor: Burt?
Role: Dauphin Actor: Kynaston?
Role: Sir Amorous Actor: Wintersel?
Role: Sir John Daw Actor: Shatterel?
Role: Captain Otter Actor: Lacy?
Role: Epicene Actor: Mrs Knep?
Role: Lady Haughty Actor: Mrs Rutter?
Role: Mrs Otter Actor: Mrs Corey?.
Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): Ben JonsonGeorge Colman, the elder
Related Work: Epicene Author(s): Ben Jonson
Related Work: Epicoene; or, The Silent Woman Author(s): Ben Jonson

18
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Performance Comment: MS cast in the Harvard Library copy of Horace (1667): Tullus-H. Savill; Old Horace-Tho. Howard; Horace-James Hamilton; Curtius-Ed. Griffin; Valerius-Obryan; Sabina-Dutches [of] Monmouth; Camilla-Lady Castlemaine; Julia-Mrs Cornewallis; Flavia-Sir Grenvill Verney; Proclus-Mr Fenton; The Prologue to Horace-Dutches of Monmouth [at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.at court, is in Covent Garden Drollery, 1672, ed. Summers, pp. 62-63.
Cast
Role: Tullus Actor: H. Savill
Role: Old Horace Actor: Tho. Howard
Role: Horace Actor: James Hamilton
Role: Curtius Actor: Ed. Griffin
Role: Valerius Actor: Obryan
Role: Sabina Actor: Dutches
Role: Camilla Actor: Lady Castlemaine
Role: Julia Actor: Mrs Cornewallis
Role: Flavia Actor: Sir Grenvill Verney
Role: Proclus Actor: Mr Fenton
Role: The Prologue to Horace Actor: Dutches of Monmouth
Related Works
Related Work: Horace Author(s): Katherine PhilipsPierre Corneille
Related Work: Les Horaces Author(s): Pierre Corneille
Related Work: Horace Author(s): Pierre Corneille
Related Work: Nature Will Prevail: A Dramatic Proverb Author(s): Horace Walpole

19
24 May 1669 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Performance Comment: .
Related Works
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche Debauched Author(s): Thomas Duffett
Related Work: The Queen's Mask Author(s): Thomas Heywood

20
26 March 1674 @ Drury Lane Theatre

Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggar's Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.
Cast
Role: John Dryden Actor: Mohun
Role: Epilogue at the Opening of the New House by John D Actor: .
Related Works
Related Work: The Beggar's Bush Author(s): John FletcherPhilip Massinger

21
30 April 1674 @ Dorset Garden Theatre

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.
Cast
Role: Prologue Actor:
Role: Second Prologue Actor:
Role: Epilogue Actor:
Role: Second Epilogue Actor:
Role: Trinculo Actor: Underhill?.
Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William DavenantJohn DrydenThomas Shadwell
Related Work: The Tempest Author(s): William ShakespeareSir William DavenantJohn Dryden
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

22
02 December 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Performance Comment: See16680831.
Related Works
Related Work: Hamlet Author(s): William Shakespeare
Related Work: Hamlet Author(s): Apostolo ZenoFrancesco GaspariniPietro Pariati

23
September 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. As the play was not printed until 1689, the date of composition is uncertain. In Act I, however, a reference to the death of the Earl of Rochester (26 July 1680) suggests that the play probably followed that even rather closely. On the other hand, the latest likely date for the first production seems set at late 1682 by the fact that Thomas Farmer's music for the play in BM Add. Mss. 19183-19185 is dated December 1682. The play has been placed in September 1680 as the earliest likely date (the presence of an experienced cast makes somewhat unlikely a production in mid-summer 1680). A song, All other blessings are but toys, with music by Thomas Farmer, is in Choice Ayres and Songs, The Fourth Book, 1683. A song, Lovely Selina, innocent and free, with music by John Blow, is in the same collection; and another, Weep all ye nymphs, with music by John Blow, is in The Theater of Music, The First Book, 1685

Performances

Mainpiece Title: The Princess Of Cleve

Performance Comment: Edition of 1689: The Prologue-; Prince of Cleve-Williams; Duke Nemours-Betterton; St. Andre-Lee; Vidam of Chartres-Gillo; Poltrot-Nokes; Princess of Cleve-Mrs Barry; Tournon-Mrs Lee [Elinor Leigh]; Marguerite-Lady Slingsby; Elianor-Mrs Betterton; The Epilogue-.
Cast
Role: The Prologue Actor:
Role: Prince of Cleve Actor: Williams
Role: Duke Nemours Actor: Betterton
Role: Andre Actor: Lee
Role: Vidam of Chartres Actor: Gillo
Role: Poltrot Actor: Nokes
Role: Princess of Cleve Actor: Mrs Barry
Role: Tournon Actor: Mrs Lee
Role: Marguerite Actor: Lady Slingsby
Role: Elianor Actor: Mrs Betterton
Role: The Epilogue Actor: .
Related Works
Related Work: The Princess of Cleve Author(s): Nathaniel Lee

24
15 May 1688 @ Drury Lane Theatre

Event Comment: The United Company. BM Sloane MS 3929, newsletter: 19 May 1688: On Munday last the King prince and princess were to see a play called the Squire of Alsatia. [I owe this quotation to Professor John Harold Wilson.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: See16880503.
Related Works
Related Work: The Squire of Alsatia Author(s): Thomas Shadwell

25
March 1693 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Cast
Role: by an unknown Hand Actor:
Role: Prologue Actor: Mrs Bracegirdle
Role: Epilogue Actor: Mrs Barry
Role: Heartwell Actor: Betterton
Role: Bellmour Actor: Powel
Role: Vainlove Actor: Williams
Role: Sharper Actor: Alexander
Role: Sir Joseph Actor: Bowen
Role: Bluff Actor: Hains
Role: Fondlewife Actor: Dogget
Role: Servant Actor: Underhill
Role: Araminta Actor: Mrs Bracegirdle
Role: Belinda Actor: Mrs Mountfort
Role: Laetitia Actor: Mrs Barry
Role: Sylvia Actor: Mrs Bowman
Role: Lucy Actor: Mrs Leigh.
Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Related Work: The Credulous Husband Author(s): William CongreveSamuel Foote