Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Germain Francois Poulain de Saint Foix"/1) | (@(roleclean,performerclean) "Germain Francois Poulain de Saint Foix")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
1627 results for: Keyword - Germain Francois Poulain de Saint-Foix
We found 1004 matches on Performance Title, 444 matches on Performance Comments, 178 matches on Event Comments, 159 matches on Author, and 0 matches on Roles/Actors.

1126
11 February 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), states that he saw a revival of this play in 1668. Pepys, Diary: Sent my wife and Deb. to see Mustapha acted...and so to the Duke of York's playhouse, and there saw the last act for nothing. Where I never saw such good acting of any creature as Smith's part of Zanger; and I do also, though it was excellently acted by [...], do yet want Betterton mightily

Performances

Mainpiece Title: Mustapha

1127
30 November 1749 @ Haymarket Theatre

Event Comment: Le Public est averti que les Comediens Francois donnerent relache au Theatre Jusque ce que l'Election du Membre du Parliament pour Westminster sont finie; leur principal etant entierment occupe et interesse dans cette affaire (General Advertiser)

Performances

Mainpiece Title: None

1128
05 December 1776 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

1129
27 December 1780 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time: CO 3, by John Burgoyne, based on Silvain, by Jean Francois Marmontel]: With entirely new Music [by William Jackson], Scenes, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. Public Advertiser, 3 Apr. 1781: This Day is published The Lord of the Manor (price not listed). Receipts: #226 19s. (216.15; 9.16; 0.8)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Elopement

1130
02 July 1782 @ Haymarket Theatre

Event Comment: Afterpiece: A New Dramatic Proverb with Songs [1st time; mf 2, by Charles Dibdin, based on the unpublished L'Aveugle Pretendu, by Louis Francois Archambault, dit Dorvigny. MS: Larpent 594; not published; synopsis of plot in European Magazine, July 1782, p. 67]. The Music by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Won't See

1131
16 March 1789 @ Covent Garden

Event Comment: 2nd piece [1st time; ball. P 3, adapted by Sir George Collier from La Mort du Capitaine Cook a son Troisieme Voyage au Nouveau Monde, by Jean Francois Mussot, dit Arnould. For a detailed synopsis of the action, see 13 Apr.]: As now representing in Paris with uncommon Applause. With the original French Music. New Dresses, Scenery, Machinery and Decorations. Books, containing a description of the Ballet [by James Byrne (World, 23 Mar.)], to be had at the Theatre. Receipts: #257 16s. 6d. (247.16.0; 10.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: The Poor Soldier

1132
14 June 1800 @ Drury Lane Theatre

Event Comment: Account-Book: Tickets delivered by Aberdein, Bennett, Calkin, Cameron, Dale Jun., Dashwood, Douglas, Ditcher, Dudley, Fishett, Francois, Fuller, Gooding, Humphries, Hough, Harman, Lings, Monday, Marks, Macdougall, Rogers, Scott, Smith, Tice, Tildsley, Tirrell, Wyatt, Waterer, Williams, Willey will be admitted. [Miss Usher is identified in MS list in Kemble playbills of new performers for this season.] Receipts: #56 1s. (31.1.6; 24.4.6; 0.15.0; tickets: none listed)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

1133
09 February 1745 @ Haymarket Theatre

Event Comment: A new Pastoral Opera. [Really a pasticcio. Text-Vanneschi; some music by St. Germain (Burney).] Pit and boxes half a guinea. Gallery 5s. 6:30 p.m

Performances

Mainpiece Title: L'incostanza Deluza

1134
10 March 1753 @ Covent Garden

Event Comment: Benefit for Mrs Cibber. No part of the Pit will be rail'd into the Boxes; but for the better accommodation of the Ladies, the Stage will be enclos'd in form of an Amphitheatre, where servants will be allowed to keep places. Ladies desired to send servants by 3 o'clock. Afterpiece: By Particular Desire. A letter from Paris informs us of a very singular entertainment exhibited at the Fair of St Germains, consisting of a Concert of Music executed by a band of Animal musicians. A number of Cats, clothed uniformly, were placed on stools, with music books before them, and a Monkey in the middle who beat time. On a signal given by the Monkey, the cast set up a mewing, and were accompanied by some violins; which form'd a very diverting dissonance. The whole Fair flock'd to it; and some of the gravest people of Paris could not forbear laughing heartily

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Oracle

Dance: IIl Pastore, as17521219; Les Charboniers, as17521028

1135
10 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

1136
May 1697 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Intrigues At Versailles; Or, A Jilt In All Humours

1137
20 December 1790 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

1138
20 December 1793 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

1139
06 March 1736 @ Covent Garden

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

1140
30 December 1734 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Rape of Proserpine: With the Birth and Adventures of Harlequin

1141
22 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Peeping Tom

Afterpiece Title: The Swop

1142
12 June 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: An Evening's Love[; Or, the Mock Astrologer

1143
25 July 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Wrangling Lovers; Or, The Invisible Mistress

1144
24 October 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco

1145
13 February 1735 @ Covent Garden

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

1146
09 May 1735 @ Haymarket Theatre

Performances

Mainpiece Title: George Dandin; Or, The Wanton Wife

Afterpiece Title: Le Cocu Imaginaire

Dance:

1147
29 April 1749 @ Haymarket Theatre

Performances

Mainpiece Title: L'opera Du Gueux

1148
26 May 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

1149
23 July 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

1150
09 February 1798 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope