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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George Villiers Duke of Buckingham"/1) | (@(roleclean,performerclean) "George Villiers Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7591 results for: Keyword - George Villiers, Duke of Buckingham
We found 4298 matches on Author, 1914 matches on Performance Comments, 1597 matches on Event Comments, 505 matches on Performance Title, and 0 matches on Roles/Actors.

551
August 1684 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

552
25 October 1760 @ Drury Lane Theatre

Event Comment: Never acted there before. [The Death of George the Second prevented the performance of the 25th taking place. The Theatres closed for three weeks--heretofore six weeks. See Remarks on the Minor, with Foote's Answer, Gentlemen's Magazine, Nov. 1760, pp. 502 ff. Opened 17 Nov.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: II: The Colliers, as17601024

553
29 October 1666 @ Whitehall or St. James's

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

554
01 February 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: So we to the Duke of York's playhouse, and there saw She Would if She Could,... This day, going to the play, The. Turner met us, and carried us to her mother, at my Lady Mordaunt's; and I did carry both mother and daughter with us to the Duke of York's playhouse

Performances

Mainpiece Title: She Would If She Could

555
29 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: Lord Brouncker and I to the Duke of York's playhouse, and there saw Love in a Tubb; and, after the play done, I stepped up to Harris's dressing-room, where I never was, and there I observe much company come to him, and the Witts, to talk, after the play is done

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

556
23 August 1743 @ Bartholomew Fair

Event Comment: FFawkes and Pinchbeck's Great Theatrical Booth, facing the Hospital Gate, West Smithfield. Taken from Shakespear. [Possibly a puppet show.] The occasion is the Retaking the English Standard belonging to Sir Robert Rich's Regiment of Horse by George Darraugh

Performances

Mainpiece Title: Ephesian Duke; Or, Blunder Upon Blunder, Yet All's Right At Last

Afterpiece Title: The Battle of Dettingen

Dance: WWooden@Shoe Dance-LaPierre, never performed by any but himself; Le Paisans Leger-LaPierre, Mlle Mariette

Song: Blogg, Miss Atherton; The Whole to conclude with a Song made upon that Occasion, set to Musick, and-Mr Blogg

557
23 August 1746 @ Bartholomew Fair

Event Comment: HHussey's Booth, George Inn Yard, Smithfield. A concert etc. 2s. 6d., 1s., 6d. Noon to 10 p.m. Note, the Booth is very large and Commodious [repeated in each bill. According to a note in the news of the Daily Advertiser, 25 Aug., the piece was performed and]: Shakespear followed justly. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: An Historical Piece Written By shakespear

Afterpiece Title: The Schemes of Harlequin; or, Mons Le Saxe's Disappointment

Song: Chorus in praise of the valiant hero the Duke of Cumberland-

558
24 October 1791 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Lennet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvidera-Mrs Roberts (1st appearance on this stage).
Cast
Role: Duke Actor: Johnson

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

559
10 November 1739 @ Covent Garden

Event Comment: By Command of Their Royal Highnesses the Duke and the Princesses Amelia, Caroline, Mary, and Louisa. Mainpiece: Written by Sir George Etherege

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege

Afterpiece Title: The Dragon of Wantley

Dance: III: Comic Ballet-Villeneuve, Miss Oates; IV: Grecian Sailors-Glover; V: Grand Ballet-Mlle Roland Elder; The Kilkenny-Glover, the Younger Mlle Roland

Song: IV: Bachique Song-Leveridge, Salway

560
02 January 1693 @ Whitehall or St. James's

Event Comment: The United Company. Writing on 3 Jan. 1692@3, Anthony Wood states: A new comedie composed by Mr Tate, poet laureat, was acted before their majesties, M. 2 Jan. (Andrew Clark, The Life and Times of Anthony Wood [Oxford, 1894], III, 413). Since no new play by Tate is known to have been acted at this time, and since A Duke and No Duke was reprinted in 1693 (Term Catalogues, May 1693), and acted several times (Gentleman's Journal, January 1692@2, issued in March):A Duke and no Duke being often acted now, and scarce, is reprinted, with the addition of a curious Preface, by our Laureat, concerning Farce. [Possibly Wood was mistaken in thinking that A Duke and no Duke was a new play. It seems the one most likely to fit the circumstances of this period.

Performances

Mainpiece Title: A Duke And No Duke

561
March 1664 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The date of the first performance is not known. As Evelyn saw it on 27 April, it seems likely that it was first performed before Easter (April 10). It was not licensed for printing until 8 July 1664. Preface to edition of 1664: I Cou'd not have wish'd my self more fortunate than I have been in the success of this Poem:...The Acting of it has lost me no Reputation. Downes, Roscius Anglicanus, p. 25: @Sir Nich'las, Sir Fred'rick, Widow and Dufoy, Were not by any so well done, Mafoy.@ The clean and well performance of this Comedy, got the Company more Reputation and profit than any preceding Comedy; the Company taking in a months time at it #1000

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

562
27 April 1664 @ no theater listed

Event Comment: The Duke's Company. Evelyn, Diary: Saw a facecious Comedy Cald Love in a Tub

Performances

Mainpiece Title: Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

563
04 January 1665 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: Mr Moore and I to Love in a Tubb, which is very merry, but only so by gesture, not wit, at all, which methinks is beneath the House

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

564
09 April 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is in the L. C. list, 5@139, p. 125: Love in a Tub. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

565
28 December 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

566
25 February 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

567
07 March 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

568
20 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

569
29 May 1668 @ Whitehall or St. James's

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Performances

Mainpiece Title: She Would If She Could

570
02 February 1669 @ Inner Temple

Event Comment: The Duke's Company. The entry in A Calendar of the Inner Temple Records, ed. Inderwick, III, 65, is somewhat ambiguous as to the date of this performance, but as 2 Feb. fell on Sunday in 1667@8, the performance has been assigned to 2 Feb. 1668@9. The play was reprinted in 1669

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

571
30 March 1669 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage", p. 14

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

572
20 June 1670 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 15

Performances

Mainpiece Title: She Would If She Could

573
13 November 1671 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage," p. 18: Love in a Tubb. Downes, Roscius Anglicanus, p. 32: [After Sir Martin Marall] Next was Acted Love in a Tub, it was perform'd 2 Days together to a full Audience

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

574
15 November 1671 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: the King and Queen &c Two Boxes. See VanLennep, Plays on the English Stage," p. 18. See also Tuesday 14 Nov. 1671

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

575
17 August 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Loue in a Tubb. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege