SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Committee

Afterpiece Title: The What Dye Call It

Dance: TTwo Pierrots, as17520504; Drunken Peasant-Phillips, Smith

Event Comment: The Scene was call'd for & perform'd, only two or 3 opposing--the Song Sung &c. Receipts: #190 (Cross)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Harlequin Ranger

Cast
Role: Other characters Actor: Johnson, Mrs +Simpson.
Role: New Music Actor:

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin Statue

Dance: II: Drunken Peasant-Miles; the Clown-Bennet; IV: Grand Scots Ballet-Cooke, Miss Hilliard

Song: III: Smiling Dawn from Jeptha-Mrs Chambers

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Performance Comment: Freehold-Bridgwater; Moldy-Dyer; Heartwell-Ridout; Lurcher-Anderson; Double Jugg-Dunstall; Vulture-Cushing; Sir John English-Arthur; Carbuncle-Wignel; Sneak-Paddick; Timothy-Collins; Longbottom-Bencraft; Flora-Mrs Dyer; Aura-Mrs Vincent; With a Country Dance-incident to the play.

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Sorcerer

Event Comment: Last time of performing [the afterpiece] this Season. Tickets deliver'd out by Vernon, Sanderson, &c. for a Bold Stroke for a Wife will be taken this night. Receipts: #140 (Cross)

Performances

Mainpiece Title: The Careless Husband

Performances

Mainpiece Title: Creusa

Event Comment: At the chapel of the Foundling Hospital. [Beard and Ch. Smith gave their services free. Deutsch notes that this is the first list of Messiah performers preserved at the Foundling Hospital. The treasurer of the Hospital recorded receipts from 1,219 tickets and by cash-#666 15s. and an outlay of #58 17s. 6d., for Musicians, singers, constables, &c. Net to Hospital: #607 17s. 6d.

Performances

Mainpiece Title: The Messiah

Performance Comment: [Deutsch, Handel, pp. 750-52, lists 33 musicians, 18 singers, five servants, plus a number of organ blowers, porters, and constables who put on this performance. Among the singers the following from the theatres and the opera performed: Beard, Giulia Frasi, Sga Galli, Christina Passerini, Wass, Baildon, and Baildon Jr Champness, Wilder, Dupre, Walz, Cox, and Legg.]
Event Comment: The contest finally determined between that Gentleman [the Inquisitor], Dr R-, and Tiddy Doll, and as it is presumed the election will fall upon Frontinbras, his investiture with the Inquisitorial dignity will be triumphantly executed, after the manner of a St Giles's Oration. [Macklin had dropped the contest, this night lecturing on the Constitution of the French and British Theatres, &c.

Performances

Mainpiece Title: Writ Of Inquiry

Performances

Mainpiece Title: Zara

Afterpiece Title: Proteus

Cast
Role: New Entertainment Actor:
Role: New Music Actor:

Performances

Mainpiece Title: The Provokd Husband

Cast
Role: Mrs Motherly Actor: Mrs Copin.

Afterpiece Title: The Schoolboy

Dance: IItalian Peasants-Granier and Mrs Granier

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Contrivances

Dance: IItalian Peasants, as17550414

Event Comment: Paid Charlotte Lane for making Osman's dress for Mr Clarke, #1; Sewing, Silk, &c., 3s.; 7 yards slezia linnen at 14d.-8s. 2d.; 2yds Blue stuff & 4 yds linnen for interlining, 8s.; wadding to fill the breast & 2 yds silk lace, 1s. Making a white flannel waistcoat with sleeves 7s. Total #2 7s. 2d. (MS list Davies, Life of Garrick, II, 322)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Cheats of Scapin

Dance: Guerin, first appearance on the English stage, Mlle Capdeville

Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)
Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Mainpiece: By Desire. This Morning at Ten will be publish'd at 6d. An Epistle from Mr The. Cibber to David Garrick, Esq; to which are prefix'd some occasional verses, Petitions, &c.: @Lowliness is young Ambition's ladder,@Whereto the Climber upwards turns his face;@But when he once attains the upmost Round,@He then unto the ladder turns his back,@Looks in the clouds, scorning the base degrees@By which he did ascend.@Shakespeare@"Let them not say in their hearts, Ah, so we would have it; let them not say, we have swallow'd him up," Ps. XXXV. v.25. Printed for R. Griffiths. [A thirty-five-page apologia, and bitter attack upon Garrick for supposed complicity in prohibiting the license of the Haymarket to him.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: Paid Charlotte Lane for making a dress for Zanga for Mr Clarke, the Robe interlin'd with linen & the underdress lin'd with blue tammy's linnen, 18s.; 7 1!2 yds linnen at 10d.-7s. 6d.; 5 yds tammy at 2s.-10s.; silk, lace, and sewing silk, &c., 4s. (MS list in Davies, Life of Garrick, II, 322). [Also from same source]: paid to same for lengthening a coat sleeves & mending same for Mr Ridout, 1s. 3d.; for making a cloath coat lac'd with silver for Mrs Vincent, 10s. 6d., sewing silk, twist, buckram & stays, 4s. 6d.; hair cloth, wadding & linnen pockets, 5s.; 4 1!2 yds tammy at 2s.-9s

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Harlequin Skeleton

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lover His Own Rival

Dance: LLes Paisans Gallants, as17551203

Event Comment: Tomorrow a Comedy (not acted these 02 years) call'd The Gamester with Dancing by Mr Gardiner, being his first time of appearing on that stage, Mrs Vernon, &c. Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: It having been reported that Sga Frasi has refused to sing for the Benefit of the Decayed Musicians, she thinks it her duty to take this public method of clearing herself of that charge by informing the Nobility, Gentry, &c., that being applied to for her assistance, she readily consented (as she has always done for these fourteen years past) but that a few days after a number of the Managers called upon her to let her know that Giardini had undertaken to conduct the performance, and that they would not want her assistance. For the truth of this she appeals to those Gentlemen who called upon her with that message (Public Advertiser)

Performances

Mainpiece Title: None

Event Comment: Benefit for the increase of a fund established for the Support of Decayed Musicians or their Families. Pit and Boxes put together at half a Guinea. Gallery 5s. Tickets deliver'd to Subscribers to this Charity will admit one Person to any Part of the House. [Books of the Charity open for inspection. The governors laid out #472 19s. 4d. and "upwards," upon education of Musicians' orphans, physic, burials, &c. from June 1755 to June 1756.

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I. Overture by Giardini-; Nocchiero s'abbandona (Galuppi)-Sga Grandis; Quel Ciglio che mesto (Cocchi)-Pazzagli; Concerto on Violincello-Gordon; Ogn' Amante (Scarlatti)-Ricciarelli; Numi se giusti siete (Hasse)-Sga Mingotti; Concerto on German Flute-Tacet; Part II. Concerto on Bassoon-Miller; Al caro nume appresso (Galuppi)-Sga Mareschi; Disciolta da pene (Graun)-Sga Passerini; Concerto on violin-Giardini; Se Amor provaste mei (Jomelli)-Sga Grandis; La Destra ti chiedo (duetto nel Demofoonte)-Sga Mingotti, Ricciarelli; Part III. Concerto on Hautboy-Vincent; Lascia giacer sul prato (Scarlatti)-Pazzagli; Innocente e quell'affetto (Graun)-Sga Passerini; Verdi prati (Handel)-Ricciarelli; S'espone a perdersi (Hasse)-Sga Mingotti; Concerto composed by Martini of Milan-; Coronation Anthem, God Save the King-.
Cast
Role: God Save the King Actor: .

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Englishman in Paris

Performance Comment: As17561112, but Buck with the Original Prologue, by Desire-Foote.

Song: I: The Country Wedding-Beard; II: The Bonny Broom-Miss Young; III: By Desire, Music: Sir Watkins Delighton the Harp-Parry; IV: The Toast-Beard; V: A Duetto When Phoebus the top of the Hills does Adorn-Beard, Miss Young

Performances

Mainpiece Title: Amphitryon

Cast
Role: Dancing Actor: Beard, Miss Young, others

Afterpiece Title: Mercury Harlequin