SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "George C D Odell Annals of the New "/1) | (@(roleclean,performerclean) "George C D Odell Annals of the New ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5306 matches on Author, 4519 matches on Event Comments, 2943 matches on Performance Title, 2746 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by Robert Merry. Larpent MS 933; not published]: With entire new Music, Scenery, and Dresses. The Overture and the whole of the Music composed new by Mazzinghi. Books of the Songs to be had at the Theatre. Receipts: #284 1s. (281.14; 2.7)

Performances

Mainpiece Title: The Magician No Conjurer

Performance Comment: Principal Characters by Quick, Blanchard, Wilson, Munden, Fawcett, Powel, Thompson, Cross, Rees, Rowson, Incledon, Mrs Martyr, Mrs Mountain, Mrs Webb, Mrs Billington. Cast from Songs (T. Cadell, 1792): Talisman-Quick; Peter Panick-Blanchard; Sammy Sapling-Wilson; Grub-Munden; Dareall-Fawcett; Innkeeper-Powel; Countrymen-Thompson, Cross, Rees; Somerville-Incledon; Peggy-Mrs Martyr; Nelly-Mrs Mountain; Miss Talisman-Mrs Webb; Theresa-Mrs Billington; Rowson. Rowson.
Cast
Role: Theresa Actor: Mrs Billington

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Mrs Billington. Mainpiece: 1st time at this Theatre [1st performed at Smock Alley Theatre, Dublin, 3 Jan. 1784]. The Music by Gluck [whose opera this actually was, with additions by] Handel, Bach, Sacchini, Reeve, and Mazzinghi. With an entire new Overture composed by Gyrowetz. In II Weichsel will accompany an obligato song on the violin. Dances by Byrne and Mlle St.Amand. With new Scenery, Dresses, and Decorations. Afterpiece: Not acted these 2 years [acted 27 May 1791]. Morning Herald, 9 Feb.: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #371 15s. (257.18.6; 8.15.6; tickets: 105.1.0) (charge: #105)

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: Rosina

Song: Sweet Bird(by Handel)-Mrs Billington; accompanied on the violin-Weichsel

Event Comment: Afterpiece [1st time; MD 2, by Jeremiah Meyer and William Hayley, "from the German." Larpent MS 941; not published; synopsis of plot in Morning Herald, 18 Apr.]: With new Scenery, Machinery, Dresses and Decorations. The Music selected from Ditteus [i.e. Dittersdorf], Rauzzini and Salieri; the Overture and new Music by Reeve. Book of the Songs to be had at the Theatre. [Mme Carnevale had 1st appeared at king's in 1783.] Receipts: #252 3s. 6d. (242.19.6; 9.4.0)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Zelma or The Will o th Wisp

Performance Comment: [Principal Characters by Incledon, Munden, Hull, Davies, Thompson, Mrs Martyr, Miss Chapman, Mme Carnevale (1st appearance on the English stage i.e. in a speaking part]). The other Musical Characters-Miss Broadhurst, Miss Stuart, Mrs Watts, Mrs Arnold, Miss Francis, Miss Yeoens, Miss Barnett, Miss Leserve, Mrs Masters, Mrs Mountain; [Cast from Songs (T. Cadell, 1792): Hazem-Incledon; Darif-Munden; Nouri-Hull; Aleddin-Davies; Captain-Thompson; Barbara-Mrs Martyr; Nerimana-Miss Chapman; Zelma-Mme Carnevale; Virgins, Genii, and her Attendants-Miss Broadhurst, Miss Yeoens, Miss Barnett, Mrs Mountain.

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Sultan

Performance Comment: As17911114, but Ismene: With a new Song-Mrs Bland.
Cast
Role: With a new Song Actor: Mrs Bland.

Dance: As17911210

Event Comment: Mainpiece [1st time; DO 3, by Prince Hoare, based on Didone Abbandonata, by Pietro Metastasio]: The Musick is chiefly new, and composed by Storace. The Selections are made from the most celebrated works of Salieri, Paer, Rampini, Sacchini, Sarti, Giordani, Cimarosa, Schuster, Andreozzi. The Scenery and Machinery designed by Greenwood and executed by himself and his Pupils. The Dresses of the Tyrians, Trojans and Africans entirely new, and taken from the most accurate descriptions of the Habits of their respective Nations. [Both Miss Barclay and Master Welsh had 1st appeared at the king's oratorios, 24 Feb.]. "A procession was introduced in which an Ostrich, a Dromedary and an Elephant marched to slow music. The Masque, which concluded the opera, was some insipid stuff about Neptune and Nereids, with a representation of the Temple of Neptune. Young Welsh sang prettily in this said Masque" (Morning Herald, 24 May). "[Mara] retained only one song of her Didone [see king's, 14 Feb. 1786]; the brilliant bravura, Son Regina, of Sacchini" (Mount-Edgcumbe, 80). Morning Herald, 28 May 1792: This Day is published Dido (price not listed). Receipts: #244 8s. 6d(213.14.5; 28.15.0; 1.19.0)

Performances

Mainpiece Title: Dido Queen Of Carthage

Performance Comment: AEneas-Mrs Crouch; Iarbas-Kelly; Almidah-Sedgwick; Abdallah-Dignum; Dido-Mme Mara; Anna-Miss Barclay (1st appearance on any stage [see17920224]); Chorus-Alfred, Aylmer, Boyce, Brown, Cooke, Danby, Denman, Dorion, Dorion Jun., Fawcett, Hobler, Horsfall, Lyons, Maddocks, Phillimore, Reynoldson, Shaw, Tett, Wilkin, Willoughby, Mrs Bramwell, Mrs Butler, Mrs Gawdry, Miss Gawdry, Mrs Shaw, Mrs Davis, Miss Edwin, Miss Kirton, with the Assistance of additional Voices.

Monologue: To Conclude Masque, Neptune's Prophecy. Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard

Performance Comment: Tritons, Neriads-the full Chorus of the Theatre; Neptune-Bannister; Ascanius-Master Welsh (1st appearance on any stage [see 24 Feb.]); Venus-Miss Collins; The Graces-Miss DeCamp, Miss Jacobs, Miss Heard.

Afterpiece Title: The Miller of Mansfield

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)

Performances

Mainpiece Title: At Kings The Pirates

Performance Comment: Characters by Kelly, Suett, Sedgwick, Benson, Dignum, Caulfield, Phillimore, Bannister Jun., Wewitzer, Alfred, Bland, Mrs Crouch, Sga Storace, Mrs Bland, Miss DeCamp. Cast from Songs (E. Cox, 1792), and playbill of 16 May 1794: Don Altador-Kelly; Don Gasparo-Suett; Don Guillermo-Sedgwick; Captain of the Ship-Benson; Genariello-Dignum; Captain of the Guard-Caulfield; Cosmino-Phillimore; Blazio-Bannister Jun.; Sotillo-Wewitzer; Sailor-Alfred; Stefano-Bland; Donna Aurora-Mrs Crouch; Fabulina-Sga Storace; Fidelia-Mrs Bland; Marietta-Miss DeCamp; Lazzaroni-Banks, Fawcett, Cooke, Lyons; Pirates-Dubois, Whitmell, Nokes, Keys; Vintagers-Walker, Nicolini, Bidotti, Miss Brooker, Mrs Harris, Mrs Barrett, Mrs Haskey, Mrs Brigg, Miss Bourk; Sailors-Fairbrother, Maddocks, Webb, Bourk; General Chorus-Danby, Shaw, Welsh, Dorion, Brown, Dorion Jun., Mrs Shaw, Mrs Bramwell, Mrs Edwin, Mrs Butler, Mrs Gaudry, Miss Edwin, Miss Gaudry, Miss Kirton.

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

Performance Comment: [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.]
Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus Or A World Discovered

Performance Comment: Principal characters-Lewis, Quick, Holman, Pope, Farren, Munden, Harley, Macready, Cubitt, Powel, Thompson, Evatt, Mrs Esten, Mrs Pope. Cast from text (W. Miller, 1792): Harry Herbert-Lewis; Doctor-Quick; Alonzo-Holman; Columbus-Pope; Orozimbo-Farren; Bribon-Munden; Solasco-Harley; Roldan-Macready; Moscoso-Cubitt; Catalpo-Powel; Valverdo-Thompson; Cuto-Evatt; Captain-Farley; Nelti-Mrs Esten; Cora-Mrs Pope; Prologue-Holman; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 12 performances only (see17930101).]These were spoken, as here assigned, at the 1st 12 performances only (see17930101).]

Afterpiece Title: Love in a Camp

Cast
Role: Father Luke Actor: Rock

Performances

Mainpiece Title: Columbus

Performance Comment: As17921201, but Prologue-_; Epilogue-_ [and thereafter].and thereafter].

Afterpiece Title: Harlequins Museum

Performance Comment: As17921231, but Paddy Rooney O'Gaffey With a new Song-Rock; God save the King-_Spofforth.

Dance: As17921226

Event Comment: "Notoriety and Tom Thumb were to have been performed by command of Their Majesties; but, in consequence of the news from France [the execution of Louis XVI on 21 Jan.], at five o'clock a letter was received from the Vice-Chamberlain, stating that Their Majesties could not honour the theatre with their presence, and the farce was changed from Tom Thumb to the new Pantomime" (Morning Chronicle, 24 Jan.). The Doors to be opened at 5:30. To begin at 6:30. Receipts: #352 2s. 6d

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Harlequins Museum

Event Comment: A new Grand Serious Opera. With Grand Chorusses, new Dresses, Scenery and Decorations. The Music composed by Paisiello. Under the direction of Pederici. [Bruni was from the Opera, Milan.

Performances

Mainpiece Title: I Giuochi Dagrigento

Dance: End I: Divertisement, as17930126; End II: Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Favre Gardel, Nivelon, Gentili (1st appearance in this country)

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Cast
Role: Leader of the Band Actor: G. Ashley

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Organ Concerto-J. Ashley; Softly sweet in Lydian measures-Mrs Crouch [Alexander's Feast]; The trumpet's loud clangor-Kelly, Chorus [Dryden's Ode]; Wave from wave-Bartleman; He smote all the first born-Chorus [Israel in Egypt]; Where shall I seek-Incledon [Acis and Galatea]; From the censer curling rise-Chorus [Solomon].Solomon].

Afterpiece Title: Grand Selection 3

Performance Comment: Eighth Concerto-(Corelli); How willing-Bartleman [Samson]; Hear us O God-Chorus Coronation Anthems]; Deeper and deeper still, Waft her angels to the skies-Kelly [Jephtha]; From harmony-Chorus [Dryden's Ode]; The Captive Kings-Incledon, Chorus [, as17930306 Captivity-Mrs Crouch [, as17930220; Let the Bright seraphim-Mme Dussek; Let their celestial concerts-Chorus [Samson]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).
Event Comment: Afterpiece [1st time; Ball. P 2(?), by James Byrn. Not in Larpent MS; not published. Synopsis of action in Public Advertiser, 11 Mar.]: The Music selected from Shield, Haydn, Dibdin, Pleyel, Reeve, and other eminent Composers. The Pantomime composed by Byrn. The Scenery entirely new, by Hodgins, Pugh, Walmsley. With new Dresses and other Decorations. Receipts: #250 12s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor or The Creolian Insurrection

Performance Comment: European Officer-Byrn; Henriquez (the Governor)-Follett; Insurgent Chief-Farley; Blacks, Creolians-Holland, Platt, Ratchford, King, Jackson, Blurton; Creolian Insurgents-Rayner, Wilde, Allen, Powers, Gaurion; Spanish Officers-Evatt, Lee, Rowson, Coombs; Natives of the Island-Jones, Richardson, Dodimear [the playbill erroneously calls each one of the Natives 'Miss'; see17930316 Notaries-Hill, Smith; The Grandchild-Master Menage; Creolian Girl-Miss Smith; Creolian Women-Mrs Ratchford, Mrs Bayzand; Black Women-Mrs Watts, Miss Francis, Mrs Crowe, Mrs Cranfield; Donna Juliana (Daughter to the Governor)-Mme Rossi.
Event Comment: A new Serious Opera; the Music by Andreozzi, [with additions by] Cimarosa, Federici and Sarti. Under the Direction of Federici. With new Dresses, Scenery and Decorations

Performances

Mainpiece Title: Teodolinda

Dance: End I: Divertisement, as17930126

Ballet: End Opera: Venus and Adonis. As17930226

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt or The Return from Victory

Performance Comment: Vocal Parts-Incledon, Darley, Gray, Linton, Mrs Clendining; SCENE I. A Camp. How stands the glass around-Incledon; Good subjects with jolly full bottle-Incledon, Darley, Gray; Scene II. A View of the Scheldt. Gentle Soldier oft you've told me (composed by Dr Arne)-Incledon, Mrs Clendining; Scene III. The French Troops preparing for the Siege. With a View of the Fort. Scene IV. The Storming of the Fort by Figures in Perspective; and the Repulse of the Enemy. Oh what a charming thing's battle-Incledon (1st time); Scene V. The Temple of Mars, with the Return from Victory. Great Britain still her charter boasts-(composed by Shield).

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

Performance Comment: A new Occasional Address in the character of Goldfinch ,-Lewis.

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930401, but Oh what a charming thing's a battle-Darley in Scene IV in place of Incledon; retained: The Temple of Mars. retained: The Temple of Mars.

Afterpiece Title: The Midnight Wanderers

Entertainment: Monologue. End: a new Occasional Address, as17930323

Performance Comment: End: a new Occasional Address, as17930323 .
Event Comment: Benefit for Mrs Martyr. 1st piece: Not acted these 20 years [never previously acted at this theatre]. Morning Herald, 4 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #349 16s. 6d

Performances

Mainpiece Title: May Day Or The Little Gipsey

Performance Comment: William-Incledon; Clod-Blanchard; Furrow-Powel; Cryer-Rees; Dozey-Munden; Dolly-Mrs Martyr; The Little Gipsey (with a new Gipsey Ballad [The Wandering Gipsey], the Words written and the melody composed by Peter Pindar, Esq. [pseud. for John Wolcot], the Accompaniments by Shield)-Mrs Clendining.

Afterpiece Title: Fashionable Levities

Afterpiece Title: The Soldiers Festival

Performance Comment: As17930424, but added: An entirely new Military Overture-.

Afterpiece Title: Hartford Bridge

Dance: As17921116

Event Comment: Benefit for Munden. 2nd piece [1st time; M.INT 1, by Thomas Hurlstone, Published by J. Debrett, 1793; in 1795 acted at cg as The British Recruit; or, Who's Afraid?]: The Overture and Music (a Glee and Air excepted) entirely new, by Shield, Giordani and Dr Stevenson of Dublin. To conclude with a Representation of the Grand Fleet under Sail. Books of the Interlude to be had at the Theatre. Morning Herald, 3 May 1793: This Day, at Noon, will be published To Arms (6d.). Morning Herald, 15 Apr.: Tickets to be had of Munden at his house, No. 6, Frith-street, Soho. Receipts: #448 17s. 6d

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: To Arms or The British Recruit

Related Works
Related Work: The Volunteers; or, Taylors to Arms! Author(s): George Downing

Afterpiece Title: Two Strings to Your Bow

Dance: In 2nd piece: Byrn, Mme Rossi

Song: End 2nd piece: The Sea Storm-Incledon

Entertainment: Monologue. As17930410

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Mat o' the Mint Actor: Darley

Afterpiece Title: The Sailors Festival or All Alive at Portsmouth

Performance Comment: [Scene I. The Deck of a Man of War.] When on board our trim Vessel-Incledon; We be three poor Mariners-Johnstone, Incledon, Linton, Gray; The Mid Watch When 'tis night-Incledon; The good subjects of Old England-Incledon, Gray, Darley; [Scene II. A Landscape.] A song-Mrs Martyr; A song-Johnstone; [Scene III] In storms when clouds-Incledon; Treble Hornpipe-Byrn, Holland, Mme Rossi; A new Loyal Song and Chorus-Incledon.

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Hortensio-Evatt; Biondello-Rock; Pedro-Farley; Taylor-Munden; Music@Master-Rees; Grumio-Quick; Bianca-Miss Leserve; Curtis-Mrs Cross; Catherine-Mrs Mattocks.
Cast
Role: Catherine Actor: Mrs Mattocks.

Dance: III: Hornpipe, as17920920

Song: End I: Black Eyed Susan-Incledon

Event Comment: Afterpiece [1st time; CO 2, by John O'Keeffe. In 1797 altered by the author as The Rival Soldiers]: With new Music, new Scenes and Dresses. The Music composed and selected [from Handel and Anfossi (BUC, 969)] by Shield. Books of the Songs to be had at the Theatre. Public Advertiser, 25 May 1793: This Day is Published Sprigs of Laurel (1s). Receipts: #210 16s

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Sprigs of Laurel

Event Comment: A new Comic Opera (1st time [in London; 1st performed at Naples, 1789]); the Music by Paisiello. Under the direction of Storace. With new Dresses, Scenery and Decorations. Diary, 15 May: The Opera, besides exquisite music, abounds with lively trickery and humourous incident...Kelly shifted his dress nine times, and acted with much pleasantry

Performances

Mainpiece Title: I Zingari In Fiera

Dance: As17930423

Ballet: Iphiginia in Aulide. As17930423

Event Comment: By Command of Their Majesties. Receipts: #487 2s. 6d. (475/18/6; 11/4/0)

Performances

Mainpiece Title: Notoriety

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #297 16s. (296/2; 1/14)
Event Comment: Benefit for Lewis. 1st piece: As altered by Garrick. Not acted these 10 years [acted I June 1791]. 2nd piece: In one Act. Morning Herald, 11 Apr.: Tickets to be had of Lewis, Bow-street. Receipts: #469 13s. (294/3/6; 26/2/6; tickets: 149/7/0)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Lewis (1st appearance in that character); Frederick-Farren; The Duke-Middleton; Petruchio-Macready; Peter-Blanchard; Anthony-Cubitt; Surgeon-Powel; Antonio-Quick//[First] Constantia-Miss Chapman; Mother-in-Law-Mrs Chambers; Landlady-Mrs Leicester; Second Constantia-Mrs Pope .
Cast
Role: The Duke Actor: Middleton
Role: Mother Actor: in-Law-Mrs Chambers
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Performance Comment: Speaking Characters by Johnstone, Powel, Blanchard, Incledon, Richardson, Bernard//Mrs Martyr, Miss Hopkins, Mr Rees. [Cast adjusted from playbill of 19 Sept. 1791: Capt. Frederick-Johnstone; Sir Fidget Fearful-Powel; Gregory-Blanchard; Thicket-Incledon; Clueline-Richardson; Flambeau-Bernard//Peggy-Mrs Martyr; Sophia-Miss Hopkins; Whim-Mr Rees.] With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus . With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus .

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Performance Comment: Occasional Overture (Handel). Song by Rovedino (Handel). Chorus (Handel). Song by Harrison (Handel). Canario violoncello by Lindley. Song by Roselli (Handel). Concerto violin by Giornovichi. Song by Sga Banti (Cimarosa). Coronation Anthem (Handel) .

Afterpiece Title: THE GRAND TE DEUM composed by Paisiello upon the return of his Majesty the King of the Two Sicilies from Vienna to Naples in the summer of 1791

Performance Comment: Vocal Performers-Harrison, Rovedino, Roselli// Sga Banti. With full Double Chorus. Leader of the Band-Cramer. Extra Performers-Lindley, Giornovichi. The Opera Band, with a considerable addition of the best Performers .