Event Comment: By particular Desire. A Concert, &c., Benefit for Hallam at the New Wells, Lemon St., now open only upon this occasion. Boxes 2s. 6d. Pit and First gallery 2s. Upper Gallery 1s. [Prices repeated.

Event Comment: At the particular Desire of several Persons of Quality

Event Comment: By Their Majesties' Command. [Their Majesties and the rest of the Royal Family present.]

Event Comment: By Command of his Royal Highness the Duke, and their Royal Highnesses the Princesses Caroline, Mary, and Louisa [who were present]

Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh and C. Cibber Esq; Poet-Laureat. The Advance Money to be return'd to those who go out before the Overture of the Entertainment begins

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Event Comment: At the particular Desire of several Ladies of Quality

Event Comment: By Command of His Royal Highness the Duke, and Their Highnesses the Princesses. Mainpiece: Written by Beaumont and Fletcher. [Duke and three Princesses present.]

Event Comment: Mainpiece: Not Acted these Ten Years. Written by Mr Farquhar

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Sir Richard Steele

Event Comment: Benefit Mlle Anne Roland. By Command of Her Royal Highness the Princess Amelia. [Tickets at Mrs Anne Roland's, Golden Ball and Dove, Great Newport Street.]

Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Event Comment: At the particular Desire of several Eminent Merchants in the City of London. Benefit a Family under Misfortunes. [The last performance of the season.

Event Comment: Benefit for Berrisford, Carlton Jr and Kaygill. Tickets delivered by Burroughs and Archeveque will be taken. 48th Bt. (Treasurer's Book). This Ends the Season 58 different Plays 39 different Farces 188 Nights in all (Hopkins Diary). [See 30 May; 2 June.] Receipts: #246. Charges: #84. Profits to beneficiaries: #162 (Treasurer's Book)

Event Comment: Benefit for Miss George. Gazetteer, 10 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's. Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalry. Receipts: #141 19s. 6d. (60/8/0; 22/4/6; 0/15/0; tickets: 58/12/0) (charge: #117/19/0)

Event Comment: Benefit for Miss George. Public Advertiser, 30 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho

Event Comment: Benefit for Miss George. Morning Herald, 8 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho. Receipts: #284 5s. 6d. (114/15/0; 26/0/0; 1/7/6; tickets: 142/3/0) (charge: #109 5s. 4d.)