SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gentleman"/1) | (@(roleclean,performerclean) "Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2257 matches on Roles/Actors, 977 matches on Performance Comments, 861 matches on Event Comments, 390 matches on Author, and 196 matches on Performance Title.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Event Comment: Paid to Mr Franklin [the printer?] #8 2s.; To Mr Norton 5 chorus 9s. (Treasurer's Book). Those Gentlemen who borrow'd gold laced hats to go to Drury Lane in order to damn the new play are desir'd to return them to the owners, or their names will be publish'd at full length (Winston MS 7, from No 5 of The Midwife). This month was publish'd Corneille's Horace and the Roman Father Compared (Gentleman's Magazine, Register of Books). Receipts: #190 (Cross); #175 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Performances

Mainpiece Title: Alfred

Performances

Mainpiece Title: None

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Event Comment: Afterpiece: By Particular Desire. Ye Audience allarm'd in the Middle of ye farce by Cap Robinson & Cap Loyde fighting behind ye Boxes; people suspected at first it was fire, but being convinc'd to ye Contrary set down again. Cap Rob was wounded (Cross). Was a terrible alarm at Drury Lane theatre by a noise from behind the boxes, occasion'd by two gentlemen quarrelling and drawing their swords, which produc'd a rumor of fire through the house, and so great a confusion that many were hurt in attempting to force their way out. A woman was with difficulty saved from throwing herself over the gallery into the pit (Gentleman's Magazine, p. 425). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Song: III: Mattocks

Dance: IV: Will be introduced a Comic Dance-Harvey, Mrs Addison

Event Comment: MMr Garrick did Richard (Cross). This day is publish'd, Dedicated to the Right Honorable John, Earl of Orrery, Sejanus a Tragedy, as it was intended for the stage, with a Preface; wherein the Manager's reasons for refusing it are set forth. By Mr Gentleman. Printed for R. Manby and H. S. Cox on Ludgate Hill. [Garrick turned it down and Gentleman accepted his judgment without animosity.] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Shepherd's Lottery

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: Cupid's Revenge Author(s): Francis Gentleman

Afterpiece Title: Taste

Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii, Arabian Night's Entertainment

Event Comment: This night [see Public Advertiser 13 Jan.] about the middle of the play at Covent Garden, a Gentleman who sat in one of the gallery boxes, ask'd another who sat next him if he could lend him a knife; on being told he could not, the former pull'd out a small pen-knife and stabb'd himself; which occasioned some commotion in that part of the house; he was immediately carried to the Shakespeare's Head, and Mr Baker the surgeon dress'd the wound, which the gentleman suffer'd with great constraint; He would not tell who he was, nor what was the cause of this rash action

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Skeleton

Event Comment: For the Small Pox Hospital; Pit and Boxes 1!2 Guinea; a Treble Ticket at 26s., which admits a Gentleman and two Ladies to the Pit and Boxes, and the Gentleman to Dinner at Merchant Taylors Hall. First Gallery 5s. Upper Gallery 3s. 6d. No more Tickets will be disposed of than will conveniently fill the House, nor will any Money be taken at the Doors, or Collection at the Theatre. This being a Morning's Entertainment it is not expected that the Ladies come full-dressed. The most convenient way to the upper gallery at the Theatre, is through the King's Yard. To begin at 12 noon

Performances

Mainpiece Title: Alexander's Feast

Music: CConcerto-Stanley who is to conduct the performance

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]
Event Comment: Soon as Mr Garrick appear'd, a great Clap, with some hissing upon wch he said-Gentlemen it is impossible to go on with these hisses, I don't know what offence I am guilty of-they clap'd greatly-& he proceeded-Let one Gentleman speak for the rest & I'll give an Answer-there was a moments pause, & then a general cry of-Go on with the Play &c., all ceased-& all continu'd quiet (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: A Hornpipe-Mathews

Event Comment: The young gentleman who played the part of Valdore , being indisposed, makes it necessary to defer the new play of the Insolvent (designed for this day) till Thursday the 16th, when it will be performed with a variety of new entertainments as will be particularly specified in the bills. The part being a principal one, and of a considerable length (as the notice of the Gentleman's Indisposition is but just receiv'd) makes it impracticable to have it acted sooner. The tickets that could not come in on the first night for want or room will be admitted on Thursday

Performances

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Performances

Mainpiece Title: The Rehearsal

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Rites of Hecate

Event Comment: By Command of their Majesties. Those ladies and gentlemen who have taken places in the Boxes are desired to be at the theatre earlier than usual, to prevent mistakes; and to send their servants by 3 o'clock. [Garrick's first appearance. He afterwards played only occasionally 7 or 8 nights.] Disturbance at Drury Lane. Those not in black insulted, one young gentleman from Bond Street had a sword run into his eye (Winston MS 9)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Music: I: Concerto on Harpsichord-Burney Jun

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Performances

Mainpiece Title: Catches And Glees

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Musical Lady

Event Comment: Lethe is reviv'd with Alterations & a New Character-very well receiv'd & great Applause-Mr Garrick play'd with great Spirit & was much Applauded (Hopkins Diary). [MacMillan notes lack of Fribble parts in Larpent MS. Yet Theatrical Review, 11 Jan., describes briefly the alterations, suggesting, The character of the Fine Gentleman in the former Lethe had some strong allusions to the behaviour of Gentlemen behind the scenes at the playhouses, which custom being abolished of late years, the character had lost its importance, on which account it is altered to a Fribble, and consequently entirely new written." A methodist taylor, an Irishman, Mr & Mrs Carbine (originally Mr & Mrs Tatoo) are also new. See account also in Town and Country Magazine (Theatre NO. XXXIII).] Paid Salary list, #502 3s. 6d.; Mrs Abington's cloaths acct #2; Mr S. French 6 days #1 10s.; Rec'd, Stopages. #11 13s. (Treasurer's Book). Receipts: #245 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Lethe

Dance: III: The Amusements of Strasburgh-as17711118, but now By the scholars of Sg Daigville

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton